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Les Misérables View Comments
by Sister Rose Pacatte, FSP


Les Misérables
Director Tom Hooper, who won an Academy Award in 2011 for The King’s Speech, has created a musical masterwork in bringing the famed London musical to the screen. Victor Hugo’s 1862 novel has been made into more than 70 motion pictures since the Lumière Brothers’ 1897 silent version. The novel once had a place on the Vatican’s “Index of Forbidden Books” but was granted a reprieve in 1959 and lives again in theaters everywhere.

Jean Valjean (Hugh Jackman) has spent 19 years in prison, condemned to hard labor for stealing bread for his sister’s family. Just before Valjean’s release, Inspector Javert (Russell Crowe) tells him he must report monthly or his parole will be revoked and he will be sent back to prison.

Once free, the angry Valjean accepts hospitality from a bishop and then steals the silver. When police capture him, the bishop says he gave the silver as a gift. This act of mercy puts Valjean on a path of righteousness, but he skips parole and becomes a factory owner and mayor of a town.

A young, unmarried woman, Fantine (Anne Hathaway), is cast out of his factory though she is supporting a young daughter, Cosette (Isabelle Allen as a child; Amanda Seyfried in later years). Valjean promises to care for her as Fantine is dying. Javert shows up again, and in a series of events, Valjean flees with Cosette to Paris to live in solitude until the revolution is revived.

Les Misérables is a profoundly Christian story bursting with themes from the Gospels, the sacraments, the creed, and morality. The actors sing live, and we see every emotion through intimate camera shots. At almost three hours in length, fans of the musical will be pleased, and my guess is there will not be a dry eye in the house.

A-3, PG-13 ■ Battle and gun violence, prostitution, mature themes.

Zero Dark Thirty
In the years immediately following the 9/11 attacks, the CIA uses enhanced interrogation methods to break men suspected of being part of al-Qaeda’s network in the hunt for Osama bin Laden. At a secret location, CIA analyst Maya (Jessica Chastain) looks on as Dan (Jason Clarke) uses waterboarding and other means to get a man to talk.

Maya is new at the US Embassy in Pakistan and spends years tracking people until a file clerk discovers a link that had been overlooked years before. After Maya survives the explosion at a Marriott hotel and an assassination attack, she returns to Washington, DC, where she tries to get her superiors to act on the information she has developed. A team of Navy SEALs is finally dispatched in May 2010.

Director Kathryn Bigelow, the first woman to win a best director Oscar, for 2008’s The Hurt Locker, is very comfortable making tough movies about aspects of life and human behavior that are difficult, if not unnerving, to ponder.

The cinematography in Zero Dark Thirty gives the impression of being in the war zone, though this is not a documentary. It is fascinating to follow the thread of discovery to bin Laden’s location and to learn the new post-9/11 “craft” of pursuit and evasion. It is less thrilling to watch as bin Laden and several others are killed.

The psychological letdown for both the military and Maya is palpable. Bigelow and writer Mark Boal tell a good story, but, in the end, I think they may be saying that peace is more elusive than ever.

Not yet rated, PG ■ Torture, violence, disturbing images, war, language.

Parental Guidance
Artie Decker (Billy Crystal) loves his job as a sports announcer for the minor league baseball team in Fresno, California, but dreams of working for the San Francisco Giants. When he’s suddenly let go from his job, he and his wife, Diane (Bette Midler), are asked by their daughter, Alice (Marisa Tomei), to babysit for their three grandkids in Atlanta while she and her husband, Phil (Tom Everett Scott), are on a trip.

Alice and Phil live in a modernized house and raise their kids with a lot of rules. The grandparents arrive, but Alice doesn’t trust them and returns from the airport just in time to see chaos erupt.

The previews make this film look like a silly comedy, but it is actually a warm, rich story about parenting, reconciliation, forgiveness, and love that transcends generations. It’s also about baseball. The windup is a little on the slow side, but, by the end, the film hits a grand slam. I am very happy to call Parental Guidance a true family film.

A-1, PG ■ Some rude humor.

CATHOLIC CLASSIFICATIONS
A-1 General patronage
A-2 Adults and adolescents
A-3 Adults
L Limited adult audience
O Morally offensive

The USCCB's Office for Film and Broadcasting gives these ratings. See www.usccb.org/movies/index.htm.

Find reviews by Sister Rose and others at www.CatholicMovieReviews.org.

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Gabriel of Our Lady of Sorrows: Born in Italy into a large family and baptized Francis, he lost his mother when he was only four years old. He was educated by the Jesuits and, having been cured twice of serious illnesses, came to believe that God was calling him to the religious life. Young Francis wished to join the Jesuits but was turned down, probably because of his age, not yet 17. Following the death of a sister to cholera, his resolve to enter religious life became even stronger and he was accepted by the Passionists. Upon entering the novitiate he was given the name Gabriel of Our Lady of Sorrows.
<p>Ever popular and cheerful, Gabriel quickly was successful in his effort to be faithful in little things. His spirit of prayer, love for the poor, consideration of the feelings of others, exact observance of the Passionist Rule as well as his bodily penances—always subject to the will of his wise superiors— made a deep impression on everyone.
</p><p>His superiors had great expectations of Gabriel as he prepared for the priesthood, but after only four years of religious life symptoms of tuberculosis appeared. Ever obedient, he patiently bore the painful effects of the disease and the restrictions it required, seeking no special notice. He died peacefully on February 27, 1862, at age 24, having been an example to both young and old.
</p><p>Gabriel of Our Lady of Sorrows was canonized in 1920.</p> American Catholic Blog Life is not always happy, but our connections to others can create a simple and grace-filled quiet celebration of our own and others’ lives. These others are the presence of Christ in our lives.


 
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