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Lincoln View Comments
by Sister Rose Pacatte, FSP

Just weeks after President Abraham Lincoln (Daniel Day-Lewis) is reelected to a second term in 1864, he pushes for the passage of the 13th Amendment to the United States Constitution that would outlaw slavery and involuntary servitude. It had already passed the Senate, but it stalled in the House of Representatives.

At the same time, word comes that the Confederacy is ready for peace discussions between the North and the South as the Civil War rages. The Senate figures that if peace is secured, there would be no need for the amendment to pass, and things could go back to the way they were before Lincoln issued the Emancipation Proclamation on January 1, 1863. Lincoln knows that the proclamation, as an executive order, could be challenged after the war.

Lincoln, directed by Oscar-winner Steven Spielberg, is an intimate study of the man, his family, his cabinet, and political machinations to achieve the end of slavery and bring the Civil War to a close.

There are no shabby performances in Lincoln. Day-Lewis’s Oscar-worthy turn is extraordinary. After watching the scene where he tends the fire and then kneels down so his son, Tad (Gulliver McGrath), can climb on his back for a ride to bed, I knew I was seeing something great and unforgettable.

Sally Field excels as the emotionally uneven wife, Mary Todd. Tommy Lee Jones, as Representative Thaddeus Stevens, who has to compromise ideology for terminology that turns the tide in the Senate, deserves an Oscar, too.

Day-Lewis, with the help of makeup wizardry and a compelling script by Tony Kushner, is Abraham Lincoln.

A-3, PG-13 ■ Brief violence, graphic imagery, mature themes.
The Twilight Saga:Breaking Dawn—Part 2
Newly converted vampire Bella (Kristen Stewart), her husband, Edward (Robert Pattinson), and daughter, Renesmee (Mackenzie Foy), are at home in Forks, Washington. They are surrounded by other vampires and by Jacob (Taylor Lautner), a wolf, and his pack for safety. The child is in mortal danger because the Volturi—the most powerful group of vampires in the world— believes she was born a vampire and is a threat to them because she will be uncontrollable.

But, in reality, Renesmee is half-vampire and half-human because she was born before Edward turned Bella into a vampire. The Volturi and the Cullen clan meet so that Aro (Michael Sheen) can discover the truth and desist. They engage in a grand battle that will determine the future for all.

It’s a challenge to review this film—one that could have easily ended with Part 1 (2011). A case could be made for hints of Mormon theology in the film, such as the immortality of marriage and family.

The filmmakers, through special effects, succeed in turning the conclusion of author Stephenie Meyer’s vampire novels into a film with startling imagery. They more than make sure fans will be satisfied with the ending, which is a little different from the book. There just wasn’t a lot to the film but huge box-office receipts.

A-3, PG-13 ■ Intense vampire violence.

Silver Linings Playbook
Former high school teacher Pat (Bradley Cooper) returns to his parents’ home in Philadelphia after spending time in a mental institution for severely beating his wife’s lover. He is diagnosed as bipolar and wants to save his marriage and get his job back, but refuses to take his medication.

Pat decides, instead, to train and meets Tiffany (Jennifer Lawrence), a young widow, while running in the neighborhood. They are attracted to each other, but both have serious emotional issues. Pat realizes that Tiffany can get a letter to his wife, Nikki (Brea Bee), despite the restraining order she has against him. In return for the favor, Pat agrees to become Tiffany’s ballroom dancing partner so she can compete in an upcoming contest.

Pat’s therapist tells him to come up with a strategy so he will respond appropriately instead of fighting when stressful situations come up. Add to the mix Pat’s father, Pat Sr. (Robert De Niro), an obsessivecompulsive who gets into fights over his beloved Philadelphia Eagles football team, and the stakes for a happy ending rise considerably.

Cooper and Lawrence have great chemistry, and Jacki Weaver, who plays Pat’s mother, is the calm, sane presence in this chaotic world wrought by good people who struggle to be the best they can be.

The title, Silver Linings Playbook, reflects Pat’s strategy to look for silver linings in life as well as in the family’s favorite football team. The film is one of the warmest, quirkiest love stories in years—a perfect blend of humor, pathos, heart, and hope for flawed and broken humanity. This film may rival Lincoln for Oscar attention.

Not yet rated, R ■ Language, brawling, and mature themes.

A-1 General patronage
A-2 Adults and adolescents
A-3 Adults
L Limited adult audience
O Morally offensive

The USCCB's Office for Film and Broadcasting gives these ratings. See

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Marie-Rose Durocher: Canada was one diocese from coast to coast during the first eight years of Marie-Rose Durocher’s life. Its half-million Catholics had received civil and religious liberty from the English only 44 years before. When Marie-Rose was 29, Bishop Ignace Bourget became bishop of Montreal. He would be a decisive influence in her life. 
<p>He faced a shortage of priests and sisters and a rural population that had been largely deprived of education. Like his counterparts in the United States, he scoured Europe for help and himself founded four communities, one of which was the Sisters of the Holy Names of Jesus and Mary. Its first sister and reluctant co-foundress was Marie-Rose. </p><p>She was born in a little village near Montreal in 1811, the 10th of 11 children. She had a good education, was something of a tomboy, rode a horse named Caesar and could have married well. At 16, she felt the desire to become a religious but was forced to abandon the idea because of her weak constitution. At 18, when her mother died, her priest brother invited her and her father to come to his parish in Beloeil, not far from Montreal. For 13 years she served as housekeeper, hostess and parish worker. She became well known for her graciousness, courtesy, leadership and tact; she was, in fact, called “the saint of Beloeil.” Perhaps she was too tactful during two years when her brother treated her coldly. </p><p>As a young woman she had hoped there would someday be a community of teaching sisters in every parish, never thinking she would found one. But her spiritual director, Father Pierre Telmon, O.M.I., after thoroughly (and severely) leading her in the spiritual life, urged her to found a community herself. Bishop Bourget concurred, but Marie-Rose shrank from the prospect. She was in poor health and her father and her brother needed her. </p><p>She finally agreed and, with two friends, Melodie Dufresne and Henriette Cere, entered a little home in Longueuil, across the Saint Lawrence River from Montreal. With them were 13 young girls already assembled for boarding school. Longueuil became successively her Bethlehem, Nazareth and Gethsemani. She was 32 and would live only six more years—years filled with poverty, trials, sickness and slander. The qualities she had nurtured in her “hidden” life came forward—a strong will, intelligence and common sense, great inner courage and yet a great deference to directors. Thus was born an international congregation of women religious dedicated to education in the faith. </p><p>She was severe with herself and by today’s standards quite strict with her sisters. Beneath it all, of course, was an unshakable love of her crucified Savior. </p><p>On her deathbed the prayers most frequently on her lips were “Jesus, Mary, Joseph! Sweet Jesus, I love you. Jesus, be to me Jesus!” Before she died, she smiled and said to the sister with her, “Your prayers are keeping me here—let me go.” </p><p>She was beatified in 1982.</p> American Catholic Blog It is in them [the saints] that Christian love becomes credible; they are the poor sinners’ guiding stars. But every one of them wishes to point completely away from himself and toward love…. The genuine saints desired nothing but the greater glory of God’s love… <br />—Hans Urs von Balthasar

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