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Won't Back Down View Comments
by Sister Rose Pacatte, FSP


Won't Back Down
Jamie (Maggie Gyllenhaal) is a single mom in urban Pittsburgh, struggling to support her 7-year-old daughter, Malia (Emily Alyn Lind). At Malia’s new school, Jamie learns that while some teachers are very effective, not every teacher or administrator has the best interests of students at heart.

There is no extra help for Malia, whose teacher is the highest paid but with the lowest job performance for the past several years. Overall, the school is failing. Jamie tries to enroll Malia in private school, but she cannot afford it.

Nona (Viola Davis) is a mom and a teacher at the school whose marriage is failing. While she is concerned about the level of teaching, she is reluctant to take action. Jamie and Nona evoke the “parent trigger law” to take over the school’s administration and form a charter school.

The two women and the other teachers they engage in their cause run up against every administrative hurdle possible. The head of the teachers’ union, Oscar-winner Holly Hunter, tries to bribe Jamie to send Malia to private school. The school board puts up every block possible and has a history of denying petitions on the smallest pretext.

Won’t Back Down is a movie with a message and a mission. Walden Media co-produced the very important Waiting for Superman (2010), an unflinching documentary that examined failing public education in the United States as well as successful innovations. Now the education-centered company wants to bring the debate about public education to mainstream America by putting the good of children firmly at the center of this story.

Won’t Back Down has a brilliant cast. While the script employs everything we’ve heard about the reasons for our failing schools, it deftly pushes away every excuse for change in order to motivate audiences— and citizens—to pay attention and act for the sake of children.

Not yet rated, PG--Thematic elements.

The Bourne Legacy
Jason Bourne has gone underground and exposed two possibly illegal Department of Defense “black” operations. At the same time, Aaron Cross (Jeremy Renner), part of the secret project “Operation Outcome,” makes his way across the state of Alaska. He is almost a superman because he takes special chemicals that enhance his physical and mental abilities through genetic manipulation.

Aaron pretends he has lost his medication in view of obtaining extra when he reaches the operational outpost. When a government drone destroys it, Aaron heads to Washington, DC, to obtain more little blue pills from the source.

But the Department of Defense has set in motion a self-destruction protocol for those involved in these black ops, including the lab workers who developed them. Aaron tracks down a research doctor, Marta Shearing (Rachel Weisz), and convinces her to go to Manila to survive and to obtain the pills from the manufacturer.

The film asks—in typical heart-pounding Bourne technique—if the ends justify the means in today’s ethical quagmire of world events created by the powerful. Considering this makes the film worth seeing.

A-3, PG-13--Action violence, peril, mature themes.

Sparkle
Three sisters, Sparkle (American Idol-winner Jordin Sparks), Sister (Carmen Ejogo), and Dee (Tika Sumpter), live on the fringe of the waning music scene in 1968 Detroit. Sister is now 30 and just returned home after disappointment in New York. Dee wants to be a doctor, and Sparkle writes lyrics.

The group performs one of Sparkle’s songs and impresses a music executive, Stix (Derek Luke), who is attracted to Sparkle. A ladies’ man and sometime comedian, Satin Struthers (Mike Epps), and Sister are attracted to each other and later marry with devastating results.

Emma (the late Whitney Houston) is mother to the sisters and disapproves of their being anywhere near the music industry. She was a singer and is a recovering alcoholic, now dedicated to the church and Bible study, certain that this is the only way for her daughters to succeed.

Sparkle is a message movie that promises music but doesn’t really deliver until the very end.

This film seems more like a cautionary tale about the life of Whitney Houston herself, who died earlier this year, and whose one song in the film appears to confirm this.

A-3, PG-13--Mature themes, drug use, domestic violence.

CATHOLIC CLASSIFICATIONS
A-1 General patronage
A-2 Adults and adolescents
A-3 Adults
L Limited adult audience
O Morally offensive

The USCCB's Office for Film and Broadcasting gives these ratings. See www.usccb.org/movies/index.htm.

Find reviews by Sister Rose and others at www.CatholicMovieReviews.org.

Thank you for your comments. Editors will review all posts before they are visible on the website.

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Sharbel Makhluf: Although this saint never traveled far from the Lebanese village of Beka-Kafra, where he was born, his influence has spread widely. 
<p>Joseph Zaroun Makluf was raised by an uncle because his father, a mule driver, died when Joseph was only three. At the age of 23, Joseph joined the Monastery of St. Maron at Annaya, Lebanon, and took the name Sharbel in honor of a second-century martyr. He professed his final vows in 1853 and was ordained six years later. </p><p>Following the example of the fifth-century St. Maron, Sharbel lived as a hermit from 1875 until his death. His reputation for holiness prompted people to seek him to receive a blessing and to be remembered in his prayers. He followed a strict fast and was very devoted to the Blessed Sacrament. When his superiors occasionally asked him to administer the sacraments to nearby villages, Sharbel did so gladly. </p><p>He died in the late afternoon on Christmas Eve. Christians and non-Christians soon made his tomb a place of pilgrimage and of cures. Pope Paul VI beatified him in 1965 and canonized him 12 years later.</p> American Catholic Blog You cannot claim to be ‘for Christ’ and espouse a political cause that implies callous indifference to the needs of millions of human beings and even cooperate in their destruction.

 
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