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Won't Back Down View Comments
by Sister Rose Pacatte, FSP


Won't Back Down
Jamie (Maggie Gyllenhaal) is a single mom in urban Pittsburgh, struggling to support her 7-year-old daughter, Malia (Emily Alyn Lind). At Malia’s new school, Jamie learns that while some teachers are very effective, not every teacher or administrator has the best interests of students at heart.

There is no extra help for Malia, whose teacher is the highest paid but with the lowest job performance for the past several years. Overall, the school is failing. Jamie tries to enroll Malia in private school, but she cannot afford it.

Nona (Viola Davis) is a mom and a teacher at the school whose marriage is failing. While she is concerned about the level of teaching, she is reluctant to take action. Jamie and Nona evoke the “parent trigger law” to take over the school’s administration and form a charter school.

The two women and the other teachers they engage in their cause run up against every administrative hurdle possible. The head of the teachers’ union, Oscar-winner Holly Hunter, tries to bribe Jamie to send Malia to private school. The school board puts up every block possible and has a history of denying petitions on the smallest pretext.

Won’t Back Down is a movie with a message and a mission. Walden Media co-produced the very important Waiting for Superman (2010), an unflinching documentary that examined failing public education in the United States as well as successful innovations. Now the education-centered company wants to bring the debate about public education to mainstream America by putting the good of children firmly at the center of this story.

Won’t Back Down has a brilliant cast. While the script employs everything we’ve heard about the reasons for our failing schools, it deftly pushes away every excuse for change in order to motivate audiences— and citizens—to pay attention and act for the sake of children.

Not yet rated, PG--Thematic elements.

The Bourne Legacy
Jason Bourne has gone underground and exposed two possibly illegal Department of Defense “black” operations. At the same time, Aaron Cross (Jeremy Renner), part of the secret project “Operation Outcome,” makes his way across the state of Alaska. He is almost a superman because he takes special chemicals that enhance his physical and mental abilities through genetic manipulation.

Aaron pretends he has lost his medication in view of obtaining extra when he reaches the operational outpost. When a government drone destroys it, Aaron heads to Washington, DC, to obtain more little blue pills from the source.

But the Department of Defense has set in motion a self-destruction protocol for those involved in these black ops, including the lab workers who developed them. Aaron tracks down a research doctor, Marta Shearing (Rachel Weisz), and convinces her to go to Manila to survive and to obtain the pills from the manufacturer.

The film asks—in typical heart-pounding Bourne technique—if the ends justify the means in today’s ethical quagmire of world events created by the powerful. Considering this makes the film worth seeing.

A-3, PG-13--Action violence, peril, mature themes.

Sparkle
Three sisters, Sparkle (American Idol-winner Jordin Sparks), Sister (Carmen Ejogo), and Dee (Tika Sumpter), live on the fringe of the waning music scene in 1968 Detroit. Sister is now 30 and just returned home after disappointment in New York. Dee wants to be a doctor, and Sparkle writes lyrics.

The group performs one of Sparkle’s songs and impresses a music executive, Stix (Derek Luke), who is attracted to Sparkle. A ladies’ man and sometime comedian, Satin Struthers (Mike Epps), and Sister are attracted to each other and later marry with devastating results.

Emma (the late Whitney Houston) is mother to the sisters and disapproves of their being anywhere near the music industry. She was a singer and is a recovering alcoholic, now dedicated to the church and Bible study, certain that this is the only way for her daughters to succeed.

Sparkle is a message movie that promises music but doesn’t really deliver until the very end.

This film seems more like a cautionary tale about the life of Whitney Houston herself, who died earlier this year, and whose one song in the film appears to confirm this.

A-3, PG-13--Mature themes, drug use, domestic violence.

CATHOLIC CLASSIFICATIONS
A-1 General patronage
A-2 Adults and adolescents
A-3 Adults
L Limited adult audience
O Morally offensive

The USCCB's Office for Film and Broadcasting gives these ratings. See www.usccb.org/movies/index.htm.

Find reviews by Sister Rose and others at www.CatholicMovieReviews.org.

Thank you for your comments. Editors will review all posts before they are visible on the website.

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Cyril and Methodius: Because their father was an officer in a part of Greece inhabited by many Slavs, these two Greek brothers ultimately became missionaries, teachers and patrons of the Slavic peoples. 
<p>After a brilliant course of studies, Cyril (called Constantine until he became a monk shortly before his death) refused the governorship of a district such as his brother had accepted among the Slavic-speaking population. Cyril withdrew to a monastery where his brother Methodius had become a monk after some years in a governmental post. </p><p>A decisive change in their lives occurred when the Duke of Moravia (present-day Czech Republic) asked the Eastern Emperor Michael for political independence from German rule and ecclesiastical autonomy (having their own clergy and liturgy). Cyril and Methodius undertook the missionary task. </p><p>Cyril’s first work was to invent an alphabet, still used in some Eastern liturgies. His followers probably formed the Cyrillic alphabet (for example, modern Russian) from Greek capital letters. Together they translated the Gospels, the psalter, Paul’s letters and the liturgical books into Slavonic, and composed a Slavonic liturgy, highly irregular then. </p><p>That and their free use of the vernacular in preaching led to opposition from the German clergy. The bishop refused to consecrate Slavic bishops and priests, and Cyril was forced to appeal to Rome. On the visit to Rome, he and Methodius had the joy of seeing their new liturgy approved by Pope Adrian II. Cyril, long an invalid, died in Rome 50 days after taking the monastic habit. </p><p>Methodius continued mission work for 16 more years. He was papal legate for all the Slavic peoples, consecrated a bishop and then given an ancient see (now in the Czech Republic). When much of their former territory was removed from their jurisdiction, the Bavarian bishops retaliated with a violent storm of accusation against Methodius. As a result, Emperor Louis the German exiled Methodius for three years. Pope John VIII secured his release. </p><p>Because the Frankish clergy, still smarting, continued their accusations, Methodius had to go to Rome to defend himself against charges of heresy and uphold his use of the Slavonic liturgy. He was again vindicated. </p><p>Legend has it that in a feverish period of activity, Methodius translated the whole Bible into Slavonic in eight months. He died on Tuesday of Holy Week, surrounded by his disciples, in his cathedral church. </p><p>Opposition continued after his death, and the work of the brothers in Moravia was brought to an end and their disciples scattered. But the expulsions had the beneficial effect of spreading the spiritual, liturgical and cultural work of the brothers to Bulgaria, Bohemia and southern Poland. Patrons of Moravia, and specially venerated by Catholic Czechs, Slovaks, Croatians, Orthodox Serbians and Bulgarians, Cyril and Methodius are eminently fitted to guard the long-desired unity of East and West. In 1980, Pope John Paul II named them additional co-patrons of Europe (with Benedict).</p> American Catholic Blog This is the beauty of self-giving love: Men and women, driven by love, freely choose to give up their autonomy, to limit their freedom, by committing themselves to the good of the spouse. Love is so powerful that it impels them to want to surrender their will to their beloved in this profound way.

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