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The Muslim Image: A Cinematic Approach View Comments
by Sister Rose Pacatte, F.S.P.



Western cinema often settles on the stereotype that Arab Muslims are billionaires, terrorists or belly dancers. These films often merge being an Arab and a Muslim together, forgetting that there is a significant, though decreasing, population of Arab Christians, both Catholic and Orthodox, as well as Jews, in the Middle East and in countries where Islam is the predominant religion.

One recent film about Palestinian Christians was Amreeka, the story of a woman and her son who immigrate to Michigan after 9/11 and confront many of the prejudices created by stereotypes, as well as genuinely kind Americans.

At this, the 10th anniversary of 9/11, it is good for us to examine our cultural stereotypes about Islam so that we can reflect and make a positive contribution to Catholic-Muslim dialogue. Some of these films look at Islam from the outside, some from the inside.

Sex and the City 2

This 2010 sequel follows the adventures of Carrie (Sarah Jessica Parker), Samantha (Kim Cattrall), Charlotte (Kristin Davis) and Miranda (Cynthia Nixon) as they find adventure in Abu Dhabi, the United Arab Emirates.

This is a disappointing follow-up to the film Sex and the City (2008) that had the redeeming qualities of friendship, fidelity and family. This film mocked the citizens, culture, religious, moral beliefs and sexual mores of their hosts. In addition, it had no real plot, so being outrageous and offensive was the default for lazy filmmaking.

The Circle

This film won the Golden Lion award at the Venice Film Festival in 2000 and a Special Mention certificate from the Catholic jury for its critical portrayal of how women are treated in Iran.

Director Jafar Panahi uses the metaphor of a circular staircase to show the beginning of life for a girl in Iran, and the desperate end, if she does not belong to a man who makes every decision for her. Nothing changes; life for women is an endless circle. The film is jarring and moving—and is banned in Iran.

The Kite Runner

This 2007 film tells the story of two Afghan boys, Amir (Zekeria Ebrahimi), the privileged son of a wealthy merchant, and Hassan (Ahmad Khan Mahmoodzada), son of a servant. The boys play carefree in the streets before the Soviet invasion and fly kites in tournaments.

After winning a contest for his friend, Hassan is attacked and raped by a local bully. Amir is ashamed for his friend and betrays Hassan by framing his father so that he loses his job. Amir moves to America, but guilt for his betrayal of his friend follows him. He returns to Afghanistan as a young man to look for Hassan and to
atone.

The 2003 best-selling novel on which the film is based was criticized for hampering the West’s understanding of Islamic culture. Afghanistan’s Ministry of Culture banned the film and DVD due to a rape scene, which by American standards was not so graphic. To me, the book and film are both excellent, and the closing scene of the film, where Amir prays in the mosque, is very inspirational.

Malcolm X

Called by some as one of the 10 best films of the ’90s, this biopic features Academy Award-winner Denzel Washington as the controversial Malcolm Little, who became Malcolm X after his conversion to the Nation of Islam.

This religious movement was founded in Detroit in 1930 and sought to empower blacks with belief in their dignity and to improve their lives economically and spiritually. There is an inner struggle for leadership, and Malcolm leaves the Nation of Islam and makes a pilgrimage to Mecca in April 1964. There he sees Muslims of different races, treating one another as equals.

Malcolm repudiates racism and adopts more moderate views, resolving to work for civil rights when he returns to the U.S. He is assassinated six months later. The film is more than three hours long, but with Spike Lee’s direction, based on the book by Alex Haley (Roots) as told to him by Malcolm X, it gives a sense of the accomplishments, struggles and persecution of African-Americans in the 20th century.

What few people realize is that significant numbers of African slaves brought to America were Muslim, so the return to Islam by some African-Americans is a return to their roots.

Aladdin

Disney’s animated hit was released in 1992 and won two Academy Awards for best original song and best musical score.

Based on the Middle Eastern folktale One Thousand and One Nights, the Disney version (followed by two direct-to-DVD movies), tells the story of Aladdin, a street urchin who falls in love with a princess, Jasmine. The princess is on the lam from her father, the sultan, who wants to marry her off. The genie from the magic lamp helps them to overcome everything and live happily ever after.

The American-Arab Anti-Defamation League, however, complained about the lyrics for the opening song: “Oh, I come from a land, from a faraway place, where the caravan camels roam. Where they cut off your ear if they don’t like your face. It’s barbaric, but hey, it’s home.”

Disney changed the lines about the ear and face to “Where it’s flat and immense and the heat is intense,” but they refused to change the line about barbarity. The stereotype of the narrator as a filthy Arab was also deemed offensive.

The film may have been deemed entertaining by unassuming audiences, but the film did little to promote understanding between cultures.

The Stoning of Soraya M.

Based on a true story by a Iranian journalist living in France, Freidoune Sahebjam, this 2008 film tells about a woman, Soraya, whose husband contrives to have her convicted by Shariah law (Islamic religious law) of adultery and stoned in 1990. It is a harrowing tale, and I thought it really demonized the men, until I read the book.

Actress Shohreh Aghdashloo, who plays Soraya’s aunt, told me at a press conference that she’d been waiting 20 years to make a film like this because she herself witnessed a stoning before she fled Iran as a young woman. Shohreh’s message to people of faith that day was: “We see human beings; we can serve the God in them. Take your kindness to the people of God. Treat them the same way you will treat your God.”

Miral

This 2010 film by the artist and Oscar-nominated director Julian Schnabel chronicles the life and good works of a real person, Hind Husseini (Hiam Abbass). Hind gathered Palestinian orphans, mostly Muslim, who survived the 1948 massacre of Deir Yassin in the Arab-Israeli conflict.

In the film, more children come and she uses her grandfather’s mansion as an orphanage and school. One student, Miral (Freida Pinto), is placed in the orphanage when her father can no longer care for her. She is a rebel, however, and becomes involved in violence to regain Palestine for her people. Her actions threaten the orphanage, and Miral must make a choice. A miral is a small flower that grows along the roads in Palestine. They are so beautiful but so small they go unnoticed. Such are the women of Palestine: beautiful, strong, resilient and unnoticed—for now.

CATHOLIC CLASSIFICATIONS
A-1 General patronage
A-2 Adults and adolescents
A-3 Adults
L Limited adult audience
O Morally offensive

The USCCB's Office for Film and Broadcasting gives these ratings. See www.usccb.org/movies/index.htm.

Find reviews by Sister Rose and others at www.CatholicMovieReviews.org.

Thank you for your comments. Editors will review all posts before they are visible on the website.

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Bernard of Clairvaux: Man of the century! Woman of the century! You see such terms applied to so many today—“golfer of the century,” “composer of the century,” “right tackle of the century”—that the line no longer has any punch. But Western Europe's “man of the twelfth century,” without doubt or controversy, has to be Bernard of Clairvaux. Adviser of popes, preacher of the Second Crusade, defender of the faith, healer of a schism, reformer of a monastic Order, Scripture scholar, theologian and eloquent preacher: any one of these titles would distinguish an ordinary man. Yet Bernard was all of these—and he still retained a burning desire to return to the hidden monastic life of his younger days. 
<p>In the year 1111, at the age of 20, Bernard left his home to join the monastic community of Citeaux. His five brothers, two uncles and some 30 young friends followed him into the monastery. Within four years a dying community had recovered enough vitality to establish a new house in the nearby valley of Wormwoods, with Bernard as abbot. The zealous young man was quite demanding, though more on himself than others. A slight breakdown of health taught him to be more patient and understanding. The valley was soon renamed Clairvaux, the valley of light. </p><p>His ability as arbitrator and counselor became widely known. More and more he was lured away from the monastery to settle long-standing disputes. On several of these occasions he apparently stepped on some sensitive toes in Rome. Bernard was completely dedicated to the primacy of the Roman See. But to a letter of warning from Rome, he replied that the good fathers in Rome had enough to do to keep the Church in one piece. If any matters arose that warranted their interest, he would be the first to let them know. </p><p>Shortly thereafter it was Bernard who intervened in a full-blown schism and settled it in favor of the Roman pontiff against the antipope. </p><p>The Holy See prevailed on Bernard to preach the Second Crusade throughout Europe. His eloquence was so overwhelming that a great army was assembled and the success of the crusade seemed assured. The ideals of the men and their leaders, however, were not those of Abbot Bernard, and the project ended as a complete military and moral disaster. </p><p>Bernard felt responsible in some way for the degenerative effects of the crusade. This heavy burden possibly hastened his death, which came August 20, 1153.</p> American Catholic Blog One of the things that we need to remember is that we’re preaching Jesus, not the institutional Church. It’s easy to get caught up in the rules and regulations of the institution and forget that we are saved not by the Church but by the person of Jesus or the Church as the body of Christ.

 
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