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Lucky Exodus View Comments
By Alicia von Stamwitz

OUR FAMILY WAS LUCKY. Or at least that’s what my parents told me, over and over again.

“We got out of Cuba just in time.”

First my mother, with my two siblings and me, in 1960. Then my father, shortly before the revolutionaries appropriated the family business. My grandmother waited the longest, emigrating the following summer. She left her husband behind, forever as it turned out. He stayed in Havana to take care of a younger brother who had been imprisoned by Fidel Castro’s regime for “collaborating with the CIA.”

After I married and had children of my own, I began dreaming of returning to Cuba. My situation was complicated, though. First, because I am a U.S. citizen now. Second, because both sides of our family had been part of the hated bourgeois before the Cuban revolution and had openly opposed Castro.

I called my uncle in Washington, D.C., for advice. He’d been the mayor of Havana and ambassador to the United States under former president Ramón Grau. He discouraged me from going, warning that it would not be safe for any member of our family to return. My father agreed. He knew Fidel well—he had crossed paths with him every day in the hallways of their private Jesuit high school.

“He was a bully then,” he said, his face darkening, “and he is a paranoid bully now. You might get in, but you might not get out.”

Still, one afternoon, he drew a map of Havana with an engineer’s precision and carefully marked a half-dozen places of interest in red pencil: the family business, our home in Havana, my grandparents’ houses.

My maternal grandmother lived with us in New Jersey after she emigrated. One summer morning, she patted a spot beside her and told me a secret. Just before she fled Cuba, she whispered conspiratorially, she had hired a master carpenter to hide a few precious belongings under the staircase of her home—a box of photographs, a bundle of letters, family heirlooms nestled in velvet and gold brocade drawstring pouches.

Si regresas a La Habana,” my grandmother concluded, squeezing my hands too tightly. “If you make it back to Havana . . . promise me, Ali, that you will go to my house and get my things.”

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Alicia von Stamwitz was born Alicia Ramirez de Arellano. She lives in St. Louis, where she is an independent consultant and freelance author.


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Mark: Most of what we know about Mark comes directly from the New Testament. He is usually identified with the Mark of Acts 12:12. (When Peter escaped from prison, he went to the home of Mark's mother.) 
<p>Paul and Barnabas took him along on the first missionary journey, but for some reason Mark returned alone to Jerusalem. It is evident, from Paul's refusal to let Mark accompany him on the second journey despite Barnabas's insistence, that Mark had displeased Paul. Because Paul later asks Mark to visit him in prison, we may assume the trouble did not last long. </p><p>The oldest and the shortest of the four Gospels, the Gospel of Mark emphasizes Jesus' rejection by humanity while being God's triumphant envoy. Probably written for Gentile converts in Rome—after the death of Peter and Paul sometime between A.D. 60 and 70—Mark's Gospel is the gradual manifestation of a "scandal": a crucified Messiah. </p><p>Evidently a friend of Mark (Peter called him "my son"), Peter is only one of the Gospel sources, others being the Church in Jerusalem (Jewish roots) and the Church at Antioch (largely Gentile). </p><p>Like one other Gospel writer, Luke, Mark was not one of the 12 apostles. We cannot be certain whether he knew Jesus personally. Some scholars feel that the evangelist is speaking of himself when describing the arrest of Jesus in Gethsemane: "Now a young man followed him wearing nothing but a linen cloth about his body. They seized him, but he left the cloth behind and ran off naked" (Mark 14:51-52). </p><p>Others hold Mark to be the first bishop of Alexandria, Egypt. Venice, famous for the Piazza San Marco, claims Mark as its patron saint; the large basilica there is believed to contain his remains. </p><p>A winged lion is Mark's symbol. The lion derives from Mark's description of John the Baptist as a "voice of one crying out in the desert" (Mark 1:3), which artists compared to a roaring lion. The wings come from the application of Ezekiel's vision of four winged creatures (Ezekiel, chapter one) to the evangelists.</p> American Catholic Blog Moodiness is nothing else but the fruit of pride.

 
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