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A Healing Art View Comments
By Sue Stanton

BLESSED JOHN PAUL II, a poet, actor, and playwright, had a great appreciation for human artistry. In his 1999 Letter to Artists, he wrote: “The more conscious they are of their ‘gift,’ [artists] are led all the more to see themselves and the whole of creation with eyes able to contemplate and give thanks, and to raise to God a hymn of praise. This is the only way for them to come to a full understanding of themselves, their vocation, and their mission” (#1).

For Catholic visual artist and Franciscan associate Jo Myers-Walker, the late pope’s explanation of the difficult life of an artist has helped her understand the sorrows and joys of the only way of life she has ever known.

“When I was in the fifth grade,” Jo says, “my mother let me paint my bedroom, but little did we know that such a thing, fairly boring for most young girls, would forever change my life.” Paint opened for her the door to a world most of us only dream of, a life grounded in pursuing visual art.

“I began by painting trees that went around the room on two of the walls. I put flowers and vines along the floorboards. I felt I needed to have beauty around me. My parents realized right away that there was something inside me that needed to be expressed. I guess that was when I began to think of myself as an artist.”

Many years later, art and Franciscan spirituality are central for Jo. “For me, painting those walls was the beginning of finding beauty and a sense of peace,” Jo explains from her studio in Gilbert, Iowa, a town with fewer than 2,000 residents.

Using a great variety of media, she conducts classes there. From watercolor painting to woodworking, from “slumping” (molding plastic or clay) to bookmaking, from creating delicious meals to painting with food—yes, with food—Jo’s creative passions ignited as soon as she picked up that paintbrush many years ago.

“I loved to climb trees,” Jo remembers, “and I climbed them to get above the chaos. Because I needed to reflect, I could look at the world closely from up there. Artists are observers. They see the detail in everything. You can’t help it.”

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A world traveler, Sue Stanton worked for 30 years as an RN, including 10 years in the mental health field. She and her husband have two children. Besides her freelance writing, she has authored six faith-based books for children and adults.

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Alphonsus Liguori: 
		<p>Moral theology, Vatican II said, should be more thoroughly nourished by Scripture, and show the nobility of the Christian vocation of the faithful and their obligation to bring forth fruit in charity for the life of the world. Alphonsus, declared patron of moral theologians by Pius XII in 1950, would rejoice in that statement.</p>
		<p>In his day, Alphonsus fought for the liberation of moral theology from the rigidity of Jansenism. His moral theology, which went through 60 editions in the century following him, concentrated on the practical and concrete problems of pastors and confessors. If a certain legalism and minimalism crept into moral theology, it should not be attributed to this model of moderation and gentleness.</p>
		<p>At the University of Naples he received, at the age of 16, a doctorate in both canon and civil law by acclamation, but he soon gave up the practice of law for apostolic activity. He was ordained a priest and concentrated his pastoral efforts on popular (parish) missions, hearing confessions, forming Christian groups. </p>
		<p>He founded the Redemptorist congregation in 1732. It was an association of priests and brothers living a common life, dedicated to the imitation of Christ, and working mainly in popular missions for peasants in rural areas. Almost as an omen of what was to come later, he found himself deserted, after a while, by all his original companions except one lay brother. But the congregation managed to survive and was formally approved 17 years later, though its troubles were not over. </p>
		<p>Alphonsus’ great pastoral reforms were in the pulpit and confessional—replacing the pompous oratory of the time with simplicity, and the rigorism of Jansenism with kindness. His great fame as a writer has somewhat eclipsed the fact that for 26 years he traveled up and down the Kingdom of Naples, preaching popular missions. </p>
		<p>He was made bishop (after trying to reject the honor) at 66 and at once instituted a thorough reform of his diocese. </p>
		<p>His greatest sorrow came toward the end of his life. The Redemptorists, precariously continuing after the suppression of the Jesuits in 1773, had difficulty in getting their Rule approved by the Kingdom of Naples. Alphonsus acceded to the condition that they possess no property in common, but a royal official, with the connivance of a high Redemptorist official, changed the Rule substantially. Alphonsus, old, crippled and with very bad sight, signed the document, unaware that he had been betrayed. The Redemptorists in the Papal States then put themselves under the pope, who withdrew those in Naples from the jurisdiction of Alphonsus. It was only after his death that the branches were united. </p>
		<p>At 71 he was afflicted with rheumatic pains which left incurable bending of his neck; until it was straightened a little, the pressure of his chin caused a raw wound on his chest. He suffered a final 18 months of “dark night” scruples, fears, temptations against every article of faith and every virtue, interspersed with intervals of light and relief, when ecstasies were frequent. </p>
		<p>Alphonsus is best known for his moral theology, but he also wrote well in the field of spiritual and dogmatic theology. His <i>Glories of Mary</i> is one of the great works on that subject, and his book <i>Visits to the Blessed Sacrament</i> went through 40 editions in his lifetime, greatly influencing the practice of this devotion in the Church.</p> American Catholic Blog Those who want to participate more fully in salvation history are comforted by the fact that Jesus wants to walk with us in our suffering and wants to break bread to give us strength on our way.

 
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