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ON FAITH & MEDIA View Comments

Maleficent

By
John Mulderig
Source: Catholic News Service


Angelina Jolie stars in a scene from the movie "Maleficent."
Even an iconic villainess may not be all bad.

That's the message of "Maleficent" (Disney). This live-action, feminist retelling of the Magic Kingdom's 1959 animated feature "Sleeping Beauty" seeks to rehabilitate the original film's thoroughly wicked fairy godmother.

Along with its moral shadings, however, director Robert Stromberg 3-D fantasy introduces other novelties that may not sit well with romantics -- or with those committed to the traditional family. His picture also has enough dark imagery and bloodless battling to make it unsuitable for the smallest moviegoers.

Angelina Jolie takes up the title character once voiced by Eleanor Audley. As opening scenes show us, Maleficent -- portrayed in youth by Isobelle Molloy -- was initially a good sprite. In fact, she served as the principal protectress of her enchanted homeland, The Moors, a territory bordered by -- and under constant threat of conquest from -- a human kingdom full of aggressive warriors.

But an unlikely romance with Stefan (Toby Regbo), a solitary human intruder into The Moors, was to end in a cruel, ambition-fuelled betrayal that would change Maleficent's whole character, leaving her bitter and vengeful.

Maleficent's opportunity to mete out her longed-for retribution comes when Stefan (now Sharlto Copley), whose act of treachery toward her has placed him on the throne of the human realm, becomes the father of a baby girl.

At the infant's christening, Maleficent places a curse on the child, dooming her to fall into an endless slumber on the day before her 16th birthday. Only "true love's kiss" -- a phenomenon Maleficent believes does not exist -- will be able to awaken the lass.

Yet, as Princess Aurora (Elle Fanning) grows up, her grace and innocent goodness melt Maleficent's heart. So much so, that -- aided by Diaval (Sam Riley), the shape-shifting crow who serves as her assistant and scout, the repentant Maleficent strives to thwart the fulfillment of her own malediction.

As scripted by Linda Woolverton, "Maleficent" can be viewed as an honorable conversion story warning against a hunger for power and a thirst for revenge. Yet it startlingly subverts its source material in a way that can't be specified for fear of a spoiler but that registers as vaguely anti-male and anti-marriage.

The film contains some harsh action violence. The Catholic News Service classification is A-II -- adults and adolescents. The Motion Picture Association of America rating is PG -- parental guidance suggested. Some material may not be suitable for children.

*****
John Mulderig is on the staff of Catholic News Service.





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Raymond Lull: Raymond worked all his life to promote the missions and died a missionary to North Africa. 
<p>Raymond was born at Palma on the island of Mallorca in the Mediterranean Sea. He earned a position in the king’s court there. One day a sermon inspired him to dedicate his life to working for the conversion of the Muslims in North Africa. He became a Secular Franciscan and founded a college where missionaries could learn the Arabic they would need in the missions. Retiring to solitude, he spent nine years as a hermit. During that time he wrote on all branches of knowledge, a work which earned him the title "Enlightened Doctor." </p><p>Raymond then made many trips through Europe to interest popes, kings and princes in establishing special colleges to prepare future missionaries. He achieved his goal in 1311 when the Council of Vienne ordered the creation of chairs of Hebrew, Arabic and Chaldean at the universities of Bologna, Oxford, Paris and Salamanca. At the age of 79, Raymond went to North Africa in 1314 to be a missionary himself. An angry crowd of Muslims stoned him in the city of Bougie. Genoese merchants took him back to Mallorca, where he died. Raymond was beatified in 1514.</p> American Catholic Blog Let’s not forget these words: The Lord never tires of forgiving us, never. The problem is that we grow tired; we don’t want to ask, we grow tired of asking for forgiveness.

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