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ON FAITH & MEDIA View Comments

Maleficent

By
John Mulderig
Source: Catholic News Service


Angelina Jolie stars in a scene from the movie "Maleficent."
Even an iconic villainess may not be all bad.

That's the message of "Maleficent" (Disney). This live-action, feminist retelling of the Magic Kingdom's 1959 animated feature "Sleeping Beauty" seeks to rehabilitate the original film's thoroughly wicked fairy godmother.

Along with its moral shadings, however, director Robert Stromberg 3-D fantasy introduces other novelties that may not sit well with romantics -- or with those committed to the traditional family. His picture also has enough dark imagery and bloodless battling to make it unsuitable for the smallest moviegoers.

Angelina Jolie takes up the title character once voiced by Eleanor Audley. As opening scenes show us, Maleficent -- portrayed in youth by Isobelle Molloy -- was initially a good sprite. In fact, she served as the principal protectress of her enchanted homeland, The Moors, a territory bordered by -- and under constant threat of conquest from -- a human kingdom full of aggressive warriors.

But an unlikely romance with Stefan (Toby Regbo), a solitary human intruder into The Moors, was to end in a cruel, ambition-fuelled betrayal that would change Maleficent's whole character, leaving her bitter and vengeful.

Maleficent's opportunity to mete out her longed-for retribution comes when Stefan (now Sharlto Copley), whose act of treachery toward her has placed him on the throne of the human realm, becomes the father of a baby girl.

At the infant's christening, Maleficent places a curse on the child, dooming her to fall into an endless slumber on the day before her 16th birthday. Only "true love's kiss" -- a phenomenon Maleficent believes does not exist -- will be able to awaken the lass.

Yet, as Princess Aurora (Elle Fanning) grows up, her grace and innocent goodness melt Maleficent's heart. So much so, that -- aided by Diaval (Sam Riley), the shape-shifting crow who serves as her assistant and scout, the repentant Maleficent strives to thwart the fulfillment of her own malediction.

As scripted by Linda Woolverton, "Maleficent" can be viewed as an honorable conversion story warning against a hunger for power and a thirst for revenge. Yet it startlingly subverts its source material in a way that can't be specified for fear of a spoiler but that registers as vaguely anti-male and anti-marriage.

The film contains some harsh action violence. The Catholic News Service classification is A-II -- adults and adolescents. The Motion Picture Association of America rating is PG -- parental guidance suggested. Some material may not be suitable for children.

*****
John Mulderig is on the staff of Catholic News Service.



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Columban: Columban was the greatest of the Irish missionaries who worked on the European continent. As a young man who was greatly tormented by temptations of the flesh, he sought the advice of a religious woman who had lived a hermit’s life for years. He saw in her answer a call to leave the world. He went first to a monk on an island in Lough Erne, then to the great monastic seat of learning at Bangor. 
<p>After many years of seclusion and prayer, he traveled to Gaul (modern-day France) with 12 companion missionaries. They won wide respect for the rigor of their discipline, their preaching, and their commitment to charity and religious life in a time characterized by clerical laxity and civil strife. Columban established several monasteries in Europe which became centers of religion and culture. </p><p>Like all saints, he met opposition. Ultimately he had to appeal to the pope against complaints of Frankish bishops, for vindication of his orthodoxy and approval of Irish customs. He reproved the king for his licentious life, insisting that he marry. Since this threatened the power of the queen mother, Columban was deported to Ireland. His ship ran aground in a storm, and he continued his work in Europe, ultimately arriving in Italy, where he found favor with the king of the Lombards. In his last years he established the famous monastery of Bobbio, where he died. His writings include a treatise on penance and against Arianism, sermons, poetry and his monastic rule.</p> American Catholic Blog There are not a hundred people in America who hate the Catholic Church. There are millions of people who hate what they wrongly believe to be the Catholic Church—which is, of course, quite a different thing. –Bishop Fulton Sheen

 
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