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ON FAITH & MEDIA View Comments

Maleficent

By
John Mulderig
Source: Catholic News Service


Angelina Jolie stars in a scene from the movie "Maleficent."
Even an iconic villainess may not be all bad.

That's the message of "Maleficent" (Disney). This live-action, feminist retelling of the Magic Kingdom's 1959 animated feature "Sleeping Beauty" seeks to rehabilitate the original film's thoroughly wicked fairy godmother.

Along with its moral shadings, however, director Robert Stromberg 3-D fantasy introduces other novelties that may not sit well with romantics -- or with those committed to the traditional family. His picture also has enough dark imagery and bloodless battling to make it unsuitable for the smallest moviegoers.

Angelina Jolie takes up the title character once voiced by Eleanor Audley. As opening scenes show us, Maleficent -- portrayed in youth by Isobelle Molloy -- was initially a good sprite. In fact, she served as the principal protectress of her enchanted homeland, The Moors, a territory bordered by -- and under constant threat of conquest from -- a human kingdom full of aggressive warriors.

But an unlikely romance with Stefan (Toby Regbo), a solitary human intruder into The Moors, was to end in a cruel, ambition-fuelled betrayal that would change Maleficent's whole character, leaving her bitter and vengeful.

Maleficent's opportunity to mete out her longed-for retribution comes when Stefan (now Sharlto Copley), whose act of treachery toward her has placed him on the throne of the human realm, becomes the father of a baby girl.

At the infant's christening, Maleficent places a curse on the child, dooming her to fall into an endless slumber on the day before her 16th birthday. Only "true love's kiss" -- a phenomenon Maleficent believes does not exist -- will be able to awaken the lass.

Yet, as Princess Aurora (Elle Fanning) grows up, her grace and innocent goodness melt Maleficent's heart. So much so, that -- aided by Diaval (Sam Riley), the shape-shifting crow who serves as her assistant and scout, the repentant Maleficent strives to thwart the fulfillment of her own malediction.

As scripted by Linda Woolverton, "Maleficent" can be viewed as an honorable conversion story warning against a hunger for power and a thirst for revenge. Yet it startlingly subverts its source material in a way that can't be specified for fear of a spoiler but that registers as vaguely anti-male and anti-marriage.

The film contains some harsh action violence. The Catholic News Service classification is A-II -- adults and adolescents. The Motion Picture Association of America rating is PG -- parental guidance suggested. Some material may not be suitable for children.

*****
John Mulderig is on the staff of Catholic News Service.



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Pope Urban V: In 1362, the man elected pope declined the office. When the cardinals could not find another person among them for that important office, they turned to a relative stranger: the holy person we honor today. 
<p>The new Pope Urban V proved a wise choice. A Benedictine monk and canon lawyer, he was deeply spiritual and brilliant. He lived simply and modestly, which did not always earn him friends among clergymen who had become used to comfort and privilege. Still, he pressed for reform and saw to the restoration of churches and monasteries. Except for a brief period he spent most of his eight years as pope living away from Rome at Avignon, seat of the papacy from 1309 until shortly after his death.
</p><p>He came close but was not able to achieve one of his biggest goals—reuniting the Eastern and Western churches.
</p><p>As pope, Urban continued to follow the Benedictine Rule. Shortly before his death in 1370 he asked to be moved from the papal palace to the nearby home of his brother so he could say goodbye to the ordinary people he had so often helped.</p> American Catholic Blog Jesus does not demand great actions from us but simply surrender and gratitude.

 
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