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ON FAITH & MEDIA View Comments

X-Men: Days of Future Past

By
Kurt Jensen
Source: Catholic News Service


Adan Canto, Ellen Page, Shawn Ashmore and Daniel Cudmore star in a scene from the movie "X-Men: Days of Future Past."
Time travel meets a gleefully loopy version of American history in "X-Men: Days of Future Past" (Fox).

There are many surreal moments—Jennifer Lawrence as cerulean shape-shifter Raven/Mystique in a showdown with Richard Nixon, for one—but also some thoughtful moral commentary on whether it's a good idea to alter the path of history or accept an immutable destiny.

The plot, loaded with the kinetic action sequences familiar from the first six films in the series, is quite simple. It's 2023 and the planet has been devastated by the Sentinels, fire-breathing robots first unleashed 50 years earlier. As doom descends on the mutants known collectively as X-Men, the elderly versions of Dr. Charles Xavier and Magneto (Patrick Stewart and Ian McKellen) argue about the need to rewrite history.

Kitty Pryde (Ellen Page) has the ability to send someone's consciousness back in time, so she sends the most indestructible among them, Wolverine (Hugh Jackman) to 1973 so he can intercept Raven/Mystique before she assassinates the Sentinels' inventor, Bolivar Trask (Peter Dinklage).

It was after that event that the blue gal was captured and her DNA replicated to make the Sentinels virtually indestructible. If Trask lives, though, he'll be imprisoned and the nascent Sentinel program will go away.

Wolverine also grabs the younger Magneto (Michael Fassbender), who is being held in a secret underground prison at the Pentagon after being wrongfully implicated in the assassination of President Kennedy. He's helped by a new character, Quicksilver (Evan Peters), who escapes every jam with his super-high speed.

Discussions about how a single event changes the future mingle with arguments between the younger Xavier (James McAvoy) and Magneto about how best to deal with Raven/Mystique. Director Brian Singer and screenwriters Simon Kinberg and Jane Goldman eventually surrender existential angst to the plethora of special effects, including a flying stadium.

The film contains gun and physical violence, fleeting rear male nudity, a reference to non-marital sexual activity, and fleeting rough and crude language. The Catholic News Service classification is A-III—adults. The Motion Picture Association of America rating is PG-13—parents strongly cautioned. Some material may be inappropriate for children under 13.

*****
Kurt Jensen is a guest reviewer for Catholic News Service.



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Oliver Plunkett: The name of today's saint is especially familiar to the Irish and the English—and with good reason. The English martyred Oliver Plunkett for defending the faith in his native Ireland during a period of severe persecution. 
<p>Born in County Meath in 1629, he studied for the priesthood in Rome and was ordained there in 1654. After some years of teaching and service to the poor of Rome he was appointed Archbishop of Armagh in Ireland. Four years later, in 1673, a new wave of anti-Catholic persecution began, forcing Archbishop Plunkett to do his pastoral work in secrecy and disguise and to live in hiding. Meanwhile, many of his priests were sent into exile; schools were closed; Church services had to be held in secret and convents and seminaries were suppressed. As archbishop, he was viewed as ultimately responsible for any rebellion or political activity among his parishioners. 
</p><p>Archbishop Plunkett was arrested and imprisoned in Dublin Castle in 1679, but his trial was moved to London. After deliberating for 15 minutes, a jury found him guilty of fomenting revolt. He was hanged, drawn and quartered in July 1681. 
</p><p>Pope Paul VI canonized Oliver Plunkett in 1975.</p> American Catholic Blog God had a plan even before he created Adam and Eve. God is never caught off guard. He knows all. He sees all. And he is working all things together for the good of his children. Nothing can stop his plan of mercy and love.

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