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ON FAITH & MEDIA View Comments

X-Men: Days of Future Past

By
Kurt Jensen
Source: Catholic News Service


Adan Canto, Ellen Page, Shawn Ashmore and Daniel Cudmore star in a scene from the movie "X-Men: Days of Future Past."
Time travel meets a gleefully loopy version of American history in "X-Men: Days of Future Past" (Fox).

There are many surreal moments—Jennifer Lawrence as cerulean shape-shifter Raven/Mystique in a showdown with Richard Nixon, for one—but also some thoughtful moral commentary on whether it's a good idea to alter the path of history or accept an immutable destiny.

The plot, loaded with the kinetic action sequences familiar from the first six films in the series, is quite simple. It's 2023 and the planet has been devastated by the Sentinels, fire-breathing robots first unleashed 50 years earlier. As doom descends on the mutants known collectively as X-Men, the elderly versions of Dr. Charles Xavier and Magneto (Patrick Stewart and Ian McKellen) argue about the need to rewrite history.

Kitty Pryde (Ellen Page) has the ability to send someone's consciousness back in time, so she sends the most indestructible among them, Wolverine (Hugh Jackman) to 1973 so he can intercept Raven/Mystique before she assassinates the Sentinels' inventor, Bolivar Trask (Peter Dinklage).

It was after that event that the blue gal was captured and her DNA replicated to make the Sentinels virtually indestructible. If Trask lives, though, he'll be imprisoned and the nascent Sentinel program will go away.

Wolverine also grabs the younger Magneto (Michael Fassbender), who is being held in a secret underground prison at the Pentagon after being wrongfully implicated in the assassination of President Kennedy. He's helped by a new character, Quicksilver (Evan Peters), who escapes every jam with his super-high speed.

Discussions about how a single event changes the future mingle with arguments between the younger Xavier (James McAvoy) and Magneto about how best to deal with Raven/Mystique. Director Brian Singer and screenwriters Simon Kinberg and Jane Goldman eventually surrender existential angst to the plethora of special effects, including a flying stadium.

The film contains gun and physical violence, fleeting rear male nudity, a reference to non-marital sexual activity, and fleeting rough and crude language. The Catholic News Service classification is A-III—adults. The Motion Picture Association of America rating is PG-13—parents strongly cautioned. Some material may be inappropriate for children under 13.

*****
Kurt Jensen is a guest reviewer for Catholic News Service.





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Gerard of Lunel: Gerard, born into a noble family in southern France, showed an early inclination to piety—so much so that he received the habit of the Third Order of St. Francis at the age of five. When he was 18, Gerard and his brother, Effrenaud, hid themselves in a cave on the banks of a river and began two years of living as hermits. Both brothers then decided to go on a pilgrimage, in part to discourage the many visitors to the hermitage who had heard of their reputation for holiness. Making their way to Rome on foot, they spent two years there, visiting its many famous churches and shrines. 
<p>They intended to continue to Jerusalem, but Gerard collapsed on the way. While his brother went to seek help, he left Gerard in a simple cottage near Montesanto, Italy, but Gerard expired before his brother's return. </p><p>Many miracles are said to have taken place at Gerard's tomb, making it a favorite place of pilgrimage. People who were afflicted with headaches or subject to epilepsy experienced special relief through his intercession. The city of Montesanto has long venerated Blessed Gerard as its principal patron. He is sometimes known as Gery, Gerius or Roger of Lunel.</p> American Catholic Blog It is an astonishing truth that God made human beings in his image. An immortal, rational, free and loving God made beings who have immortal souls and who are rational, free, and made to love and to be loved. Human life is sacred because it specifically reflects the nature of the divine.

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