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ON FAITH & MEDIA View Comments

X-Men: Days of Future Past

By
Kurt Jensen
Source: Catholic News Service


Adan Canto, Ellen Page, Shawn Ashmore and Daniel Cudmore star in a scene from the movie "X-Men: Days of Future Past."
Time travel meets a gleefully loopy version of American history in "X-Men: Days of Future Past" (Fox).

There are many surreal moments—Jennifer Lawrence as cerulean shape-shifter Raven/Mystique in a showdown with Richard Nixon, for one—but also some thoughtful moral commentary on whether it's a good idea to alter the path of history or accept an immutable destiny.

The plot, loaded with the kinetic action sequences familiar from the first six films in the series, is quite simple. It's 2023 and the planet has been devastated by the Sentinels, fire-breathing robots first unleashed 50 years earlier. As doom descends on the mutants known collectively as X-Men, the elderly versions of Dr. Charles Xavier and Magneto (Patrick Stewart and Ian McKellen) argue about the need to rewrite history.

Kitty Pryde (Ellen Page) has the ability to send someone's consciousness back in time, so she sends the most indestructible among them, Wolverine (Hugh Jackman) to 1973 so he can intercept Raven/Mystique before she assassinates the Sentinels' inventor, Bolivar Trask (Peter Dinklage).

It was after that event that the blue gal was captured and her DNA replicated to make the Sentinels virtually indestructible. If Trask lives, though, he'll be imprisoned and the nascent Sentinel program will go away.

Wolverine also grabs the younger Magneto (Michael Fassbender), who is being held in a secret underground prison at the Pentagon after being wrongfully implicated in the assassination of President Kennedy. He's helped by a new character, Quicksilver (Evan Peters), who escapes every jam with his super-high speed.

Discussions about how a single event changes the future mingle with arguments between the younger Xavier (James McAvoy) and Magneto about how best to deal with Raven/Mystique. Director Brian Singer and screenwriters Simon Kinberg and Jane Goldman eventually surrender existential angst to the plethora of special effects, including a flying stadium.

The film contains gun and physical violence, fleeting rear male nudity, a reference to non-marital sexual activity, and fleeting rough and crude language. The Catholic News Service classification is A-III—adults. The Motion Picture Association of America rating is PG-13—parents strongly cautioned. Some material may be inappropriate for children under 13.

*****
Kurt Jensen is a guest reviewer for Catholic News Service.





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Antonio Lucci: Antonio studied with and was a friend of St. Francesco Antonio Fasani, who after Antonio Lucci’s death testified at the diocesan hearings regarding the holiness of Lucci. 
<p>Born in Agnone in southern Italy, a city famous for manufacturing bells and copper crafts, he was given the name Angelo at Baptism. He attended the local school run by the Conventual Franciscans and joined them at the age of 16. Antonio completed his studies for the priesthood in Assisi, where he was ordained in 1705. Further studies led to a doctorate in theology and appointments as a teacher in Agnone, Ravello and Naples. He also served as guardian in Naples. </p><p>Elected minister provincial in 1718, the following year he was appointed professor at St. Bonaventure College in Rome, a position he held until Pope Benedict XIII chose him as bishop of Bovino (near Foggia) in 1729. The pope explained, "I have chosen as bishop of Bovino an eminent theologian and a great saint." </p><p>His 23 years as bishop were marked by visits to local parishes and a renewal of gospel living among the people of his diocese. He dedicated his episcopal income to works of education and charity. At the urging of the Conventual minister general, Bishop Lucci wrote a major book about the saints and blesseds in the first 200 years of the Conventual Franciscans. </p><p>He was beatified in 1989, three years after his friend Francesco Antonio Fasani was canonized.</p> American Catholic Blog Not too many people need academia to teach them the power of positives. That has been known since Adam and Eve. The soul of strong family life is wrapped throughout with positives—love, affection, praise, commitment. The more a child receives the positives, the less he gives the negatives.

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