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ON FAITH & MEDIA View Comments

X-Men: Days of Future Past

By
Kurt Jensen
Source: Catholic News Service


Adan Canto, Ellen Page, Shawn Ashmore and Daniel Cudmore star in a scene from the movie "X-Men: Days of Future Past."
Time travel meets a gleefully loopy version of American history in "X-Men: Days of Future Past" (Fox).

There are many surreal moments—Jennifer Lawrence as cerulean shape-shifter Raven/Mystique in a showdown with Richard Nixon, for one—but also some thoughtful moral commentary on whether it's a good idea to alter the path of history or accept an immutable destiny.

The plot, loaded with the kinetic action sequences familiar from the first six films in the series, is quite simple. It's 2023 and the planet has been devastated by the Sentinels, fire-breathing robots first unleashed 50 years earlier. As doom descends on the mutants known collectively as X-Men, the elderly versions of Dr. Charles Xavier and Magneto (Patrick Stewart and Ian McKellen) argue about the need to rewrite history.

Kitty Pryde (Ellen Page) has the ability to send someone's consciousness back in time, so she sends the most indestructible among them, Wolverine (Hugh Jackman) to 1973 so he can intercept Raven/Mystique before she assassinates the Sentinels' inventor, Bolivar Trask (Peter Dinklage).

It was after that event that the blue gal was captured and her DNA replicated to make the Sentinels virtually indestructible. If Trask lives, though, he'll be imprisoned and the nascent Sentinel program will go away.

Wolverine also grabs the younger Magneto (Michael Fassbender), who is being held in a secret underground prison at the Pentagon after being wrongfully implicated in the assassination of President Kennedy. He's helped by a new character, Quicksilver (Evan Peters), who escapes every jam with his super-high speed.

Discussions about how a single event changes the future mingle with arguments between the younger Xavier (James McAvoy) and Magneto about how best to deal with Raven/Mystique. Director Brian Singer and screenwriters Simon Kinberg and Jane Goldman eventually surrender existential angst to the plethora of special effects, including a flying stadium.

The film contains gun and physical violence, fleeting rear male nudity, a reference to non-marital sexual activity, and fleeting rough and crude language. The Catholic News Service classification is A-III—adults. The Motion Picture Association of America rating is PG-13—parents strongly cautioned. Some material may be inappropriate for children under 13.

*****
Kurt Jensen is a guest reviewer for Catholic News Service.



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Bede the Venerable: Bede is one of the few saints honored as such even during his lifetime. His writings were filled with such faith and learning that even while he was still alive, a Church council ordered them to be read publicly in the churches. 
<p>At an early age Bede was entrusted to the care of the abbot of the Monastery of St. Paul, Jarrow. The happy combination of genius and the instruction of scholarly, saintly monks produced a saint and an extraordinary scholar, perhaps the most outstanding one of his day. He was deeply versed in all the sciences of his times: natural philosophy, the philosophical principles of Aristotle, astronomy, arithmetic, grammar, ecclesiastical history, the lives of the saints and, especially, Holy Scripture.</p><p>From the time of his ordination to the priesthood at 30 (he had been ordained deacon at 19) till his death, he was ever occupied with learning, writing and teaching. Besides the many books that he copied, he composed 45 of his own, including 30 commentaries on books of the Bible. </p><p>Although eagerly sought by kings and other notables, even Pope Sergius, Bede managed to remain in his own monastery till his death. Only once did he leave for a few months in order to teach in the school of the archbishop of York. Bede died in 735 praying his favorite prayer: “Glory be to the Father, and to the Son, and to the Holy Spirit. As in the beginning, so now, and forever.” </p><p>His <i>Ecclesiastical History of the English People</i> is commonly regarded as of decisive importance in the art and science of writing history. A unique era was coming to an end at the time of Bede’s death: It had fulfilled its purpose of preparing Western Christianity to assimilate the non-Roman barbarian North. Bede recognized the opening to a new day in the life of the Church even as it was happening.</p> American Catholic Blog The truth is that suffering can be a beautiful thing, if we have the courage to trust God with everything, like Jesus did upon the cross.

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