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ON FAITH & MEDIA View Comments

Moms' Night Out

By
John Mulderig
Source: Catholic News Service


Andrea Logan White, Sarah Drew, Patricia Heaton and Sammi Hanratty star in a scene from the movie "Moms' Night Out."
Good intentions are not enough to sustain the wholesome but weak comedy "Moms' Night Out" (TriStar). Though faith filled and family-friendly, the movie—helmed by directors, and brothers, Jon and Andrew Erwin ("October Baby")—is just not very funny.

Stressed-out moms Allyson (Sarah Drew), Sondra (Patricia Heaton) and Izzy (Andrea Logan White) take a break for a night on the town. But the relaxing excursion they've planned soon turns into a series of frantic misadventures.

Partly, these are based on miscommunication with their husbands: Allyson's supportive mate Sean (Sean Astin), Izzy's easily overwhelmed hubby Marco (Robert Amaya) and Sondra's solid spouse Ray (Alex Kendrick), a Baptist minister. But they also involve Sean's sister Bridgette (Abbie Cobb) whose infant son—left in the care of her responsibility-shy ex, Joey (Harry Shum Jr.)—has gone missing.

The quest for the baby leads to a tattoo parlor where one of its artists, leather-clad biker Bones (country singer Trace Adkins), joins the mix. And, since Allyson's minivan has also inexplicably disappeared, a British-born cabbie (David Hunt) gets drawn into the chase as well.

Christian themes are prominent in "Moms' Night Out," and the quiet moments during which faith occupies center stage are more successful than the manufactured mayhem to which most of the running time is devoted. In the same serious vein, the picture also boasts a moving affirmation of the rewards of parenthood.

Though much of the humor falls flat, there are a few amusing interludes. One of these features Allyson's frustrated and flustered interaction with a spacy restaurant hostess played by Anjelah Johnson. Overall, however, there's something strained about all the would-be wackiness on display.

The film contains fleeting slapstick violence. The Catholic News Service classification is A-I—general patronage. The Motion Picture Association of America rating is PG—parental guidance suggested.

*****
John Mulderig is on the staff of Catholic News Service.





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Bridget: From age seven on, Bridget had visions of Christ crucified. Her visions formed the basis for her activity—always with the emphasis on charity rather than spiritual favors. 
<p>She lived her married life in the court of the Swedish king Magnus II. Mother of eight children (the second eldest was St. Catherine of Sweden), she lived the strict life of a penitent after her husband’s death. </p><p>Bridget constantly strove to exert her good influence over Magnus; while never fully reforming, he did give her land and buildings to found a monastery for men and women. This group eventually expanded into an Order known as the Bridgetines (still in existence). </p><p>In 1350, a year of jubilee, Bridget braved a plague-stricken Europe to make a pilgrimage to Rome. Although she never returned to Sweden, her years in Rome were far from happy, being hounded by debts and by opposition to her work against Church abuses. </p><p>A final pilgrimage to the Holy Land, marred by shipwreck and the death of her son, Charles, eventually led to her death in 1373. In 1999, she, Saints Catherine of Siena (April 29) and Teresa Benedicts of the Cross (Edith Stein, August 9) were named co-patronesses of Europe.</p> American Catholic Blog Teaching by example forms a durable base from which to form character. It is the base, but alone it won’t raise the kind of person you want. Being a moral adult is fundamental to teaching children morals. But it is not sufficient, in and of itself.

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