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ON FAITH & MEDIA View Comments

Moms' Night Out

By
John Mulderig
Source: Catholic News Service


Andrea Logan White, Sarah Drew, Patricia Heaton and Sammi Hanratty star in a scene from the movie "Moms' Night Out."
Good intentions are not enough to sustain the wholesome but weak comedy "Moms' Night Out" (TriStar). Though faith filled and family-friendly, the movie—helmed by directors, and brothers, Jon and Andrew Erwin ("October Baby")—is just not very funny.

Stressed-out moms Allyson (Sarah Drew), Sondra (Patricia Heaton) and Izzy (Andrea Logan White) take a break for a night on the town. But the relaxing excursion they've planned soon turns into a series of frantic misadventures.

Partly, these are based on miscommunication with their husbands: Allyson's supportive mate Sean (Sean Astin), Izzy's easily overwhelmed hubby Marco (Robert Amaya) and Sondra's solid spouse Ray (Alex Kendrick), a Baptist minister. But they also involve Sean's sister Bridgette (Abbie Cobb) whose infant son—left in the care of her responsibility-shy ex, Joey (Harry Shum Jr.)—has gone missing.

The quest for the baby leads to a tattoo parlor where one of its artists, leather-clad biker Bones (country singer Trace Adkins), joins the mix. And, since Allyson's minivan has also inexplicably disappeared, a British-born cabbie (David Hunt) gets drawn into the chase as well.

Christian themes are prominent in "Moms' Night Out," and the quiet moments during which faith occupies center stage are more successful than the manufactured mayhem to which most of the running time is devoted. In the same serious vein, the picture also boasts a moving affirmation of the rewards of parenthood.

Though much of the humor falls flat, there are a few amusing interludes. One of these features Allyson's frustrated and flustered interaction with a spacy restaurant hostess played by Anjelah Johnson. Overall, however, there's something strained about all the would-be wackiness on display.

The film contains fleeting slapstick violence. The Catholic News Service classification is A-I—general patronage. The Motion Picture Association of America rating is PG—parental guidance suggested.

*****
John Mulderig is on the staff of Catholic News Service.



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Apollonia: The persecution of Christians began in Alexandria during the reign of the Emperor Philip. The first victim of the pagan mob was an old man named Metrius, who was tortured and then stoned to death. The second person who refused to worship their false idols was a Christian woman named Quinta. Her words infuriated the mob and she was scourged and stoned. 
<p>While most of the Christians were fleeing the city, abandoning all their worldly possessions, an old deaconess, Apollonia, was seized. The crowds beat her, knocking out all of her teeth. Then they lit a large fire and threatened to throw her in it if she did not curse her God. She begged them to wait a moment, acting as if she was considering their requests. Instead, she jumped willingly into the flames and so suffered martyrdom.</p><p>There were many churches and altars dedicated to her. Apollonia is the patroness of dentists, and people suffering from toothache and other dental diseases often ask her intercession. She is pictured with a pair of pincers holding a tooth or with a golden tooth suspended from her necklace. St. Augustine explained her voluntary martyrdom as a special inspiration of the Holy Spirit, since no one is allowed to cause his or her own death.</p> American Catholic Blog We can find Christ among the despised, voiceless, and forgotten of the world. We have to move beyond that which we wish to ignore and forget about: embrace the seemingly un-embraceable, love the unlovable, and dare to know what we most fear and wish to leave unknowable.

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