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ON FAITH & MEDIA View Comments

The Other Woman

By
John Mulderig
Source: Catholic News Service


Kate Upton, left, Cameron Diaz and Leslie Mann star in a scene from the movie "The Other Woman."
When a screenwriter's armory of jokes is so depleted that a large dog having a very visible accident qualifies as a sight gag, moviegoers of taste will want to steer clear. And so they should in the case of the crass comedy "The Other Woman" (Fox).

Director Nick Cassavetes' mostly pedestrian ensemble piece is a tale of revenge directed against philandering husband—and conniving New York businessman—Mark King (Nikolaj Coster-Waldau). When Mark's unsuspecting mistress, hard-bitten lawyer Carly (Cameron Diaz), discovers the existence of his equally unwitting but more fragile wife, Kate (Leslie Mann), their shared outrage forms the basis for an unlikely friendship.

The circle of hard-done-by womanhood is further extended when Carly and Kate begin spying on Mark and discover that he has another paramour stashed away in the Hamptons, a goodhearted but not overly intelligent bikini-filler by the name of Amber (Kate Upton). Unlike Carly, we learn, Amber knew Mark was married but was told that he was in the process of divorcing the supposedly unfaithful Kate.

As Carly finds fresh romance with Kate's brother, Phil (Taylor Kinney), the trio of newfound pals plots to deliver Mark his comeuppance.

Along the way to their inevitable triumph, the humor in Melissa K. Stack's script plays on a range of distasteful subjects—from intimate personal hygiene to the effect of lacing Mark's cocktail with a powerful laxative. And marital fidelity takes a hit as a result of Mark's unrelenting sleaziness and dishonesty, qualities that make Kate's readiness to jettison him all too easy to understand.

The opening scenes, which chart Mark and Kate's initial fling, also reveal some distorted underlying values. Thus the pair comes home from their first date already fumbling to undress. Mark pauses long enough to suggest that, since they've just met, they might want to talk and get to know each other before hitting the sack. But Kate's agile legal mind quickly produces a counterproposal: They can talk later.

First things first.

The film contains an adultery theme, a marital bedroom scene, an implied casual encounter, pervasive sexual and much scatological humor, a couple of uses of profanity and frequent crude and crass language. The Catholic News Service classification is L—limited adult audience, films whose problematic content many adults would find troubling. The Motion Picture Association of America rating is PG-13—parents strongly cautioned. Some material may be inappropriate for children under 13.

*****
John Mulderig is on the staff of Catholic News Service.





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Visitation: This is a fairly late feast, going back only to the 13th or 14th century. It was established widely throughout the Church to pray for unity. The present date of celebration was set in 1969 in order to follow the Annunciation of the Lord (March 25) and precede the Nativity of John the Baptist (June 24). 
<p>Like most feasts of Mary, it is closely connected with Jesus and his saving work. The more visible actors in the visitation drama (see Luke 1:39-45) are Mary and Elizabeth. However, Jesus and John the Baptist steal the scene in a hidden way. Jesus makes John leap with joy—the joy of messianic salvation. Elizabeth, in turn, is filled with the Holy Spirit and addresses words of praise to Mary—words that echo down through the ages. </p><p>It is helpful to recall that we do not have a journalist’s account of this meeting. Rather, Luke, speaking for the Church, gives a prayerful poet’s rendition of the scene. Elizabeth’s praise of Mary as “the mother of my Lord” can be viewed as the earliest Church’s devotion to Mary. As with all authentic devotion to Mary, Elizabeth’s (the Church’s) words first praise God for what God has done to Mary. Only secondly does she praise Mary for trusting God’s words. </p><p>Then comes the Magnificat (Luke 1:46-55). Here Mary herself (like the Church) traces all her greatness to God.</p> American Catholic Blog Someone once told Pope Francis that his words had inspired him to give a lot more to the poor. Pope Francis’s response was to challenge the man not to just give money, but to roll up his sleeves, get his hands dirty, and actually reach out and help.

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