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ON FAITH & MEDIA View Comments

Transcendence

By
John Mulderig
Source: Catholic News Service


Johnny Depp, Rebecca Hall and Paul Bettany star in a scene from the movie "Transcendence."
Despite its lofty title, the muddled sci-fi drama "Transcendence" (Warner Bros.) sinks rather than rises.

Among the burdens weighing it down are a host of misguided notions—either embedded in the action or expressed in the dialogue—that might be menacing to the impressionable if they were any more coherent.

Consider the premise on which the whole film rests: Fatally wounded in an assassination bid by a band of Luddite extremists called RIFT (Revolutionary Independence From Technology), Will Caster (Johnny Depp), the world's leading expert on artificial intelligence, manages to upload his entire consciousness to a super-computer before dying.

Will is aided in this project by his devoted wife and respected colleague, Evelyn (Rebecca Hall), as well as by his best friend, Max Waters (Paul Bettany), another esteemed tech guru.

Max begins to have his doubts about the wisdom of what they've done soon after the transfer is complete. But Evelyn is a true believer, grateful that Will survives, if only through his voice and as an image on the screen.

The next step is for cyber-Will to go online and acquire all the factual knowledge available throughout the Internet. His head thus swelled, however—physically deceased but intellectually flourishing—Will begins to veer between benevolence and megalomania.

Since Will's murder was part of a larger conspiracy that claimed several other victims, the FBI is on the case in the person of Agent Buchanan (Cillian Murphy). Buchanan teams with another of Will's pals, outstanding researcher Joseph Tagger (Morgan Freeman), to hunt RIFT and its leader, disenchanted lab assistant Bree (Kate Mara).

Once the threat to society's future posed by Will's outsized ambition becomes apparent, though, Buchanan and Tagger begin to wonder whom they should really be trying to stop.

Philosophical confusion reigns in director Wally Pfister's meandering movie, beginning with the implicit idea that all human mental functions are purely physical and ending with virtual reality somehow permeating the world of nature. And there's a dollop of irreverently expressed disbelief in the divine to go along with all the other off-kilter concepts.

Early on, an as-yet-unfelled Will is seen giving a lecture to a generally rapt audience. But question time finds him challenged by a RIFT type who's also obviously meant to come across as some kind of religious fanatic. When the latter asks if he isn't trying to create his own God by imparting self-awareness to computers, Will answers smugly: "Isn't that what man has always done?"

Still, mature viewers are likely to be too bored by the slack proceedings to be much misled by the fast-and-loose—or downright nutty—concepts underlying them.

The film contains complex themes, including atheism, some violence and gore, a brief nongraphic marital bedroom scene as well as a couple of uses of profanity and of crass language. The Catholic News Service classification is A-III—adults. The Motion Picture Association of America rating is PG-13—parents strongly cautioned. Some material may be inappropriate for children under 13.

*****
John Mulderig is on the staff of Catholic News Service.





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Pierre Toussaint: 
		<p>Born in modern-day Haiti and brought to New York City as a slave, Pierre died a free man, a renowned hairdresser and one of New York City’s most well-known Catholics. <br /><br />Pierre Bérard, a plantation owner, made Toussaint a house slave and allowed his grandmother to teach her grandson how to read and write. In his early 20s, Pierre, his younger sister, his aunt and two other house slaves accompanied their master’s son to New York City because of political unrest at home. Apprenticed to a local hairdresser, Pierre learned the trade quickly and eventually worked very successfully in the homes of rich women in New York City. <br /><br />When his master died, Pierre was determined to support his master’s widow, himself and the other house slaves. He was freed shortly before the widow’s death in 1807. </p>
		<p>Four years later he married Marie Rose Juliette, whose freedom he had purchased. They later adopted Euphémie, his orphaned niece. Both preceded him in death. He attended daily Mass at St. Peter’s Church on Barclay Street, the same parish that St. Elizabeth Seton attended. <br /><br />Pierre donated to various charities, generously assisting blacks and whites in need. He and his wife opened their home to orphans and educated them. The couple also nursed abandoned people who were suffering from yellow fever. Urged to retire and enjoy the wealth he had accumulated, Pierre responded, “I have enough for myself, but if I stop working I have not enough for others.” <br /><br />He was originally buried outside St. Patrick’s Old Cathedral, where he was once refused entrance because of his race. His sanctity and the popular devotion to him caused his body to be moved to St. Patrick’s Cathedral on Fifth Avenue. <br /><br />Pierre Toussaint was declared Venerable in 1996.</p>
American Catholic Blog We have a responsibility to balance the scales, to show love where there is hate, to provide food where there is hunger, and to protect what is vulnerable. If life has treated you well, then justice demands that you help balance the scales.

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