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ON FAITH & MEDIA View Comments

The Grand Budapest Hotel

By
Kurt Jensen
Source: Catholic News Service


Ralph Fiennes stars in a scene from the movie "The Grand Budapest Hotel."
"The Grand Budapest Hotel" (Fox Searchlight) is writer-director Wes Anderson's triumph of smug artifice over substance and storytelling.

As a collection of deadpan segments, it's likely to please Anderson's fans. However, this saga of a European concierge who dreams of lost grandeur and romances his hotel's aging female clientele, recounted like a fable, is without a moral or even a clear ending. So non-devotees should consider themselves warned.

In the fictional East European country of Zubrowka in the 1930s, Monsieur Gustave (Ralph Fiennes) is said concierge; lobby boy Zero (Tony Revolori) is his protege. Gustave teaches Zero all the fine points of elegant catering to guests, while spending the rest of his time wooing rich ladies.

Gustave barks orders such as, "Run to the cathedral of Santa Maria Christiana in Brucknerplatz. Buy one of the plain, half-length candles and take back four kublecks in change. Light it in the sacristy, say a brief rosary, then go to Mendl's and get me a Courtesan au chocolat. If there's any money left, give it to the crippled shoeshine boy."

That's kind of cute, but the moment doesn't lead anywhere beyond the snappy patter. Instead the proceedings devolve into a dark comedy.

One of Gustave's elderly ladies, Madame D. (Tilda Swinton) dies under mysterious circumstances and bequeaths him a valuable painting, "Boy With Apple." Gustave spends the rest of the film trying to retrieve the painting from her outraged relatives, being framed for murder, escaping prison and attempting to withstand the growing Fascist storm with his charm.

A summoning of the Society of the Crossed Keys, a secret group of super-efficient hotel managers, is an excuse for a host of cameos including Bill Murray, Fisher Stevens and Bob Balaban.

Since the story is related in 1968 by an older Zero, now called Mr. Moustafa (F. Murray Abraham), it's not clear in whose imagination the story is taking place. And Anderson evidently isn't interested in explaining this either.

The film contains implied, and benignly treated, nonmarital and premarital sexual encounters, fleeting upper female nudity and a smattering of rough and crass language. The Catholic News Service classification is A-III—adults. The Motion Picture Association of America rating is R—restricted. Under 17 requires accompanying parent or adult guardian.

*****
Kurt Jensen is a guest reviewer for Catholic News Service.



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Paul of the Cross: 
		<p>Born in northern Italy in 1694, Paul Daneo lived at a time when many regarded Jesus as a great moral teacher but no more. After a brief time as a soldier, he turned to solitary prayer, developing a devotion to Christ’s passion. Paul saw in the Lord’s passion a demonstration of God’s love for all people. In turn that devotion nurtured his compassion and supported a preaching ministry that touched the hearts of many listeners. He was known as one of the most popular preachers of his day, both for his words and for his generous acts of mercy. </p>
		<p>In 1720 Paul founded the Congregation of the Passion, whose members combined devotion to Christ’s passion with preaching to the poor and rigorous penances. Known as the Passionists, they add a fourth vow to the traditional three of poverty, chastity, and obedience, to spread the memory of Christ’s passion among the faithful. Paul was elected superior general of the Congregation in 1747, spending the remainder of his life in Rome. </p>
		<p>Paul of the Cross died in 1775, and was canonized in 1867. Over 2000 of his letters and several of his short writings have survived. </p>
American Catholic Blog Always bear in mind as a safe general rule that while God tries us by His crosses and sufferings, He always leaves us a glimmer of light by which we continue to have great trust in him and to recognize His immense goodness.

 
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