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ON FAITH & MEDIA View Comments

Oculus

By
John Mulderig
Source: Catholic News Service


Karen Gillian and Brenton Thwaites star in a scene from the movie "Oculus."
But the mayhem wreaked by the malevolent haunted looking-glass at the center of director and co-writer Mike Flanagan's chiller "Oculus" (Relativity) puts such ordinary shivers in the shade.

The good news is that brains trump bloodshed in Flanagan and Jeff Howard's screenplay, making this generally enjoyable horror exercise acceptable for most mature moviegoers.

A decade after being put away for murdering his father, Alan (Rory Cochrane), troubled youth Tim Russell (Brenton Thwaites) is released from an asylum upon turning 21, based in large part on his recent willingness to accept responsibility for his dad's death after years of denial. Once free, however, Tim reunites with his sister, Kaylie (Karen Gillan), who has a far different memory of what happened—one that matches Tim's original, seemingly outlandish, explanation of events.

Both Alan and their mom, Marie (Katee Sackhoff), Kaylie insists, were subject to the accursed influence emanating from an antique mirror Alan had purchased to adorn his home office. Capable of withering plants and sickening the family dog, the glass also could bewilder its human prey, leading to obsessive, destructive behavior and even to fatal violence against loved ones. The casualties of its reign of terror eventually included not only Alan, but Marie as well.

Tim's release comes at a propitious moment; Kaylie, who works in an auction house, has managed to track the mirror down and gain temporary possession of it. After documenting its supernatural powers on videotape, she intends to destroy it. Somewhat reluctantly, Tim agrees to help.

Suspense builds as Tim wavers between belief in Kaylie's account and fidelity to the more rational theory he was pressured to accept by his psychiatrist—and as scenes from the present are intercut with unfolding details from the past. (Garrett Ryan plays the youthful Tim and Annalise Basso the young Kaylie.)

The blurring of the line between reality and illusion that the mirror manages to effect sometimes leads to confusion for the audience as well as the characters. And at least some adults may be put off by the sight of young kids being subjected to sustained terror. Still, by comparison to the innumerable fright flicks that substitute the merely repellant for the genuinely scary, "Oculus" is a lesson in restraint.

The film contains considerable gory violence, some of it directed at children, a nongraphic marital bedroom scene, a few uses of profanity, a couple of rough terms and occasional crude language. The Catholic News Service classification is A-III—adults. The Motion Picture Association of America rating is R—restricted. Under 17 requires accompanying parent or adult guardian.

*****
John Mulderig is on the staff of Catholic News Service.





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Madeleine Sophie Barat: The legacy of Madeleine Sophie Barat can be found in the more than 100 schools operated by her Society of the Sacred Heart, institutions known for the quality of the education made available to the young. 
<p>Sophie herself received an extensive education, thanks to her brother, Louis, 11 years older and her godfather at Baptism. Himself a seminarian, he decided that his younger sister would likewise learn Latin, Greek, history, physics and mathematics—always without interruption and with a minimum of companionship. By age 15, she had received a thorough exposure to the Bible, the teachings of the Fathers of the Church and theology. Despite the oppressive regime Louis imposed, young Sophie thrived and developed a genuine love of learning. </p><p>Meanwhile, this was the time of the French Revolution and of the suppression of Christian schools. The education of the young, particularly young girls, was in a troubled state. At the same time, Sophie, who had concluded that she was called to the religious life, was persuaded to begin her life as a nun and as a teacher. She founded the Society of the Sacred Heart, which would focus on schools for the poor as well as boarding schools for young women of means; today, co-ed Sacred Heart schools can be found as well as schools exclusively for boys. </p><p>In 1826, her Society of the Sacred Heart received formal papal approval. By then she had served as superior at a number of convents. In 1865, she was stricken with paralysis; she died that year on the feast of the Ascension. </p><p>Madeleine Sophie Barat was canonized in 1925.</p> American Catholic Blog Where we spend eternity is 100 percent under our control. God’s Word makes our options very clear: we can cooperate with the grace that Christ merited for us on the cross, or we can reject it and keep to our own course.

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