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ON FAITH & MEDIA View Comments

Oculus

By
John Mulderig
Source: Catholic News Service


Karen Gillian and Brenton Thwaites star in a scene from the movie "Oculus."
But the mayhem wreaked by the malevolent haunted looking-glass at the center of director and co-writer Mike Flanagan's chiller "Oculus" (Relativity) puts such ordinary shivers in the shade.

The good news is that brains trump bloodshed in Flanagan and Jeff Howard's screenplay, making this generally enjoyable horror exercise acceptable for most mature moviegoers.

A decade after being put away for murdering his father, Alan (Rory Cochrane), troubled youth Tim Russell (Brenton Thwaites) is released from an asylum upon turning 21, based in large part on his recent willingness to accept responsibility for his dad's death after years of denial. Once free, however, Tim reunites with his sister, Kaylie (Karen Gillan), who has a far different memory of what happened—one that matches Tim's original, seemingly outlandish, explanation of events.

Both Alan and their mom, Marie (Katee Sackhoff), Kaylie insists, were subject to the accursed influence emanating from an antique mirror Alan had purchased to adorn his home office. Capable of withering plants and sickening the family dog, the glass also could bewilder its human prey, leading to obsessive, destructive behavior and even to fatal violence against loved ones. The casualties of its reign of terror eventually included not only Alan, but Marie as well.

Tim's release comes at a propitious moment; Kaylie, who works in an auction house, has managed to track the mirror down and gain temporary possession of it. After documenting its supernatural powers on videotape, she intends to destroy it. Somewhat reluctantly, Tim agrees to help.

Suspense builds as Tim wavers between belief in Kaylie's account and fidelity to the more rational theory he was pressured to accept by his psychiatrist—and as scenes from the present are intercut with unfolding details from the past. (Garrett Ryan plays the youthful Tim and Annalise Basso the young Kaylie.)

The blurring of the line between reality and illusion that the mirror manages to effect sometimes leads to confusion for the audience as well as the characters. And at least some adults may be put off by the sight of young kids being subjected to sustained terror. Still, by comparison to the innumerable fright flicks that substitute the merely repellant for the genuinely scary, "Oculus" is a lesson in restraint.

The film contains considerable gory violence, some of it directed at children, a nongraphic marital bedroom scene, a few uses of profanity, a couple of rough terms and occasional crude language. The Catholic News Service classification is A-III—adults. The Motion Picture Association of America rating is R—restricted. Under 17 requires accompanying parent or adult guardian.

*****
John Mulderig is on the staff of Catholic News Service.





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Jutta of Thuringia: Today's patroness of Prussia began her life amidst luxury and power but died the death of a simple servant of the poor.
<p>In truth, virtue and piety were always of prime importance to Jutta and her husband, both of noble rank. The two were set to make a pilgrimage together to the holy places in Jerusalem, but her husband died on the way. The newly widowed Jutta, after taking care to provide for her children, resolved to live in a manner utterly pleasing to God. She disposed of the costly clothes, jewels and furniture befitting one of her rank, and became a Secular Franciscan, taking on the simple garment of a religious.
</p><p>From that point her life was utterly devoted to others: caring for the sick, particularly lepers; tending to the poor, whom she visited in their hovels; helping the crippled and blind with whom she shared her own home. Many of the townspeople of Thuringia laughed at how the once-distinguished lady now spent all her time. But Jutta saw the face of God in the poor and felt honored to render whatever services she could.
</p><p>About the year 1260, not long before her death, Jutta lived near the non-Christians in eastern Germany. There she built a small hermitage and prayed unceasingly for their conversion. She has been venerated for centuries as the special patron of Prussia.</p> American Catholic Blog The confessional is not the dry-cleaner’s; it is an encounter with Jesus, with that Jesus who is waiting for us, who is waiting for us as we are.

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