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ON FAITH & MEDIA View Comments

Oculus

By
John Mulderig
Source: Catholic News Service


Karen Gillian and Brenton Thwaites star in a scene from the movie "Oculus."
But the mayhem wreaked by the malevolent haunted looking-glass at the center of director and co-writer Mike Flanagan's chiller "Oculus" (Relativity) puts such ordinary shivers in the shade.

The good news is that brains trump bloodshed in Flanagan and Jeff Howard's screenplay, making this generally enjoyable horror exercise acceptable for most mature moviegoers.

A decade after being put away for murdering his father, Alan (Rory Cochrane), troubled youth Tim Russell (Brenton Thwaites) is released from an asylum upon turning 21, based in large part on his recent willingness to accept responsibility for his dad's death after years of denial. Once free, however, Tim reunites with his sister, Kaylie (Karen Gillan), who has a far different memory of what happened—one that matches Tim's original, seemingly outlandish, explanation of events.

Both Alan and their mom, Marie (Katee Sackhoff), Kaylie insists, were subject to the accursed influence emanating from an antique mirror Alan had purchased to adorn his home office. Capable of withering plants and sickening the family dog, the glass also could bewilder its human prey, leading to obsessive, destructive behavior and even to fatal violence against loved ones. The casualties of its reign of terror eventually included not only Alan, but Marie as well.

Tim's release comes at a propitious moment; Kaylie, who works in an auction house, has managed to track the mirror down and gain temporary possession of it. After documenting its supernatural powers on videotape, she intends to destroy it. Somewhat reluctantly, Tim agrees to help.

Suspense builds as Tim wavers between belief in Kaylie's account and fidelity to the more rational theory he was pressured to accept by his psychiatrist—and as scenes from the present are intercut with unfolding details from the past. (Garrett Ryan plays the youthful Tim and Annalise Basso the young Kaylie.)

The blurring of the line between reality and illusion that the mirror manages to effect sometimes leads to confusion for the audience as well as the characters. And at least some adults may be put off by the sight of young kids being subjected to sustained terror. Still, by comparison to the innumerable fright flicks that substitute the merely repellant for the genuinely scary, "Oculus" is a lesson in restraint.

The film contains considerable gory violence, some of it directed at children, a nongraphic marital bedroom scene, a few uses of profanity, a couple of rough terms and occasional crude language. The Catholic News Service classification is A-III—adults. The Motion Picture Association of America rating is R—restricted. Under 17 requires accompanying parent or adult guardian.

*****
John Mulderig is on the staff of Catholic News Service.





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Catherine of Siena: The value Catherine makes central in her short life and which sounds clearly and consistently through her experience is complete surrender to Christ. What is most impressive about her is that she learns to view her surrender to her Lord as a goal to be reached through time. 
<p>She was the 23rd child of Jacopo and Lapa Benincasa and grew up as an intelligent, cheerful and intensely religious person. Catherine disappointed her mother by cutting off her hair as a protest against being overly encouraged to improve her appearance in order to attract a husband. Her father ordered her to be left in peace, and she was given a room of her own for prayer and meditation. </p><p>She entered the Dominican Third Order at 18 and spent the next three years in seclusion, prayer and austerity. Gradually a group of followers gathered around her—men and women, priests and religious. An active public apostolate grew out of her contemplative life. Her letters, mostly for spiritual instruction and encouragement of her followers, began to take more and more note of public affairs. Opposition and slander resulted from her mixing fearlessly with the world and speaking with the candor and authority of one completely committed to Christ. She was cleared of all charges at the Dominican General Chapter of 1374. </p><p>Her public influence reached great heights because of her evident holiness, her membership in the Dominican Third Order, and the deep impression she made on the pope. She worked tirelessly for the crusade against the Turks and for peace between Florence and the pope </p><p>In 1378, the Great Schism began, splitting the allegiance of Christendom between two, then three, popes and putting even saints on opposing sides. Catherine spent the last two years of her life in Rome, in prayer and pleading on behalf of the cause of Urban VI and the unity of the Church. She offered herself as a victim for the Church in its agony. She died surrounded by her "children" and was canonized in 1461. </p><p>Catherine ranks high among the mystics and spiritual writers of the Church. In 1939, she and Francis of Assisi were declared co-patrons of Italy. Paul VI named her and Teresa of Avila doctors of the Church in 1970. Her spiritual testament is found in <i>The Dialogue</i>.</p> American Catholic Blog The gates of hell cannot withstand the power of heaven. Gates of sin melt in the presence of saving grace; gates of death fall in the presence of eternal life; gates of falsehood collapse in the presence of living truth; gates of violence are flattened in the presence of divine love. These are the tools with which Christ has equipped his Church.

The Passion and the Cross Ronald Rolheiser

 
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