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ON FAITH & MEDIA View Comments

Divergent

By
Joseph McAleer
Source: Catholic News Service


Shailene Woodley, Ashley Judd, Tony Goldwyn and Ansel Elgort star in a scene from the movie "Divergent."
 If Hollywood has its way, teenagers won't have it easy in the post-apocalyptic future.

"The Hunger Games" started the ball rolling, with its vision of a dog-eat-dog world where young people are forced to kill each other to survive.

Now comes "Divergent" (Summit), which, despite its title, is not vastly different from "The Hunger Games." It, too, features a strong-willed heroine. Torn from her family, she is the chosen one who will redeem a totalitarian society. But first she must become a hardened warrior/killer -- and get a tattoo.

Director Neil Burger ("Limitless") is perhaps too faithful to the eponymous novel by Veronica Roth, juggling a dizzying amount of names, labels, rules and regulations to establish time and place. Underneath all the lavish exposition is a basic good vs. evil story, with a pinch of social commentary and a dash of puppy love.

The setting is Chicago, a century after "the war" which wiped everything out except, happily, the Windy City. To preserve the peace, the "Founders" divided Chicagoans into five factions, each representing a different virtue: Candor (honesty), Amity (peace), Erudite (knowledge), Dauntless (bravery), and Abnegation (selfless).

In this brave new world, Amity members work the farms, Erudites run the schools, Dauntless types man the police force -- you get the picture.

"The future belongs to those who know where they belong," proclaims Jeanine Matthews (Kate Winslet), who oversees the structure. "The system removes the threat of anyone exercising their independent will."

Or so she thinks. Enter shy wallflower Beatrice Prior (Shailene Woodley). She belongs to Abnegation, where her father, Andrew (Tony Goldwyn), is a government official. Members of this faction reject vanity, embrace goodness and serve others, including the disadvantaged and downtrodden who have been expelled from other groups.

It all sounds rather Christian, although "Divergent" never plays the religion card. Needless to say, Abnegation is looked down upon by the other, more lively tribes.

At age 16, every child must choose his or her fate: whether to stay at home, or join another bloc. Helping to make the decision is an aptitude test akin to a chemical brainwashing.

When Beatrice undergoes the procedure, the results are inconclusive. She is that rare freak of nature, a "Divergent," able to exist in any faction. Because of their independent nature, Divergents are a threat to the status quo and -- so Jeanine commands -- must be eliminated.

To protect her family from her secret, Beatrice decides to choose another grouping: Dauntless. She adopts the nickname "Tris" and struggles to fit in with a considerably hipper, angst-ridden crowd.

What ensues is a prolonged and increasingly vicious training and initiation ritual, led by a hunky instructor named Four (Theo James).

(Regrettably, chivalry has not survived the apocalypse, as boys have no qualms about beating girls to a pulp.)

Before long, Tris and Four are an item, with a lot more in common than their tattoos. Happily, their courtship is a chaste one, with Tris telling Four she prefers to "take it slow."

Besides, there are bigger fish to fry. Together they uncover a nefarious takeover plot by Jeanine that puts the survival of Abnegation -- and Tris' family -- in jeopardy.

As it barrels towards an explosive climax, "Divergent" pushes the boundaries of mayhem to the limit, placing the picture squarely outside the proper reach of younger teens.

The film contains intense violence, including scenes of torture. The Catholic News Service classification is A-III -- adults. The Motion Picture Association of America rating is PG-13 -- parents strongly cautioned. Some material may be inappropriate for children under 13.

*****
Joseph McAleer is a guest reviewer for Catholic News Service.



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Cecilia: Although Cecilia is one of the most famous of the Roman martyrs, the familiar stories about her are apparently not founded on authentic material. There is no trace of honor being paid her in early times. A fragmentary inscription of the late fourth century refers to a church named after her, and her feast was celebrated at least in 545. 
<p>According to legend, Cecilia was a young Christian of high rank betrothed to a Roman named Valerian. Through her influence Valerian was converted, and was martyred along with his brother. The legend about Cecilia’s death says that after being struck three times on the neck with a sword, she lived for three days, and asked the pope to convert her home into a church. </p><p>Since the time of the Renaissance she has usually been portrayed with a viola or a small organ.</p> American Catholic Blog In our current culture, the concept of virtue is often considered outdated and old-fashioned, but for Catholics, becoming virtuous is essential for eternal salvation. Relativists and atheists don’t think so, but our Catholic faith holds that it is crucial.

 
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