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ON FAITH & MEDIA View Comments

Divergent

By
Joseph McAleer
Source: Catholic News Service


Shailene Woodley, Ashley Judd, Tony Goldwyn and Ansel Elgort star in a scene from the movie "Divergent."
 If Hollywood has its way, teenagers won't have it easy in the post-apocalyptic future.

"The Hunger Games" started the ball rolling, with its vision of a dog-eat-dog world where young people are forced to kill each other to survive.

Now comes "Divergent" (Summit), which, despite its title, is not vastly different from "The Hunger Games." It, too, features a strong-willed heroine. Torn from her family, she is the chosen one who will redeem a totalitarian society. But first she must become a hardened warrior/killer -- and get a tattoo.

Director Neil Burger ("Limitless") is perhaps too faithful to the eponymous novel by Veronica Roth, juggling a dizzying amount of names, labels, rules and regulations to establish time and place. Underneath all the lavish exposition is a basic good vs. evil story, with a pinch of social commentary and a dash of puppy love.

The setting is Chicago, a century after "the war" which wiped everything out except, happily, the Windy City. To preserve the peace, the "Founders" divided Chicagoans into five factions, each representing a different virtue: Candor (honesty), Amity (peace), Erudite (knowledge), Dauntless (bravery), and Abnegation (selfless).

In this brave new world, Amity members work the farms, Erudites run the schools, Dauntless types man the police force -- you get the picture.

"The future belongs to those who know where they belong," proclaims Jeanine Matthews (Kate Winslet), who oversees the structure. "The system removes the threat of anyone exercising their independent will."

Or so she thinks. Enter shy wallflower Beatrice Prior (Shailene Woodley). She belongs to Abnegation, where her father, Andrew (Tony Goldwyn), is a government official. Members of this faction reject vanity, embrace goodness and serve others, including the disadvantaged and downtrodden who have been expelled from other groups.

It all sounds rather Christian, although "Divergent" never plays the religion card. Needless to say, Abnegation is looked down upon by the other, more lively tribes.

At age 16, every child must choose his or her fate: whether to stay at home, or join another bloc. Helping to make the decision is an aptitude test akin to a chemical brainwashing.

When Beatrice undergoes the procedure, the results are inconclusive. She is that rare freak of nature, a "Divergent," able to exist in any faction. Because of their independent nature, Divergents are a threat to the status quo and -- so Jeanine commands -- must be eliminated.

To protect her family from her secret, Beatrice decides to choose another grouping: Dauntless. She adopts the nickname "Tris" and struggles to fit in with a considerably hipper, angst-ridden crowd.

What ensues is a prolonged and increasingly vicious training and initiation ritual, led by a hunky instructor named Four (Theo James).

(Regrettably, chivalry has not survived the apocalypse, as boys have no qualms about beating girls to a pulp.)

Before long, Tris and Four are an item, with a lot more in common than their tattoos. Happily, their courtship is a chaste one, with Tris telling Four she prefers to "take it slow."

Besides, there are bigger fish to fry. Together they uncover a nefarious takeover plot by Jeanine that puts the survival of Abnegation -- and Tris' family -- in jeopardy.

As it barrels towards an explosive climax, "Divergent" pushes the boundaries of mayhem to the limit, placing the picture squarely outside the proper reach of younger teens.

The film contains intense violence, including scenes of torture. The Catholic News Service classification is A-III -- adults. The Motion Picture Association of America rating is PG-13 -- parents strongly cautioned. Some material may be inappropriate for children under 13.

*****
Joseph McAleer is a guest reviewer for Catholic News Service.



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Cyril and Methodius: Because their father was an officer in a part of Greece inhabited by many Slavs, these two Greek brothers ultimately became missionaries, teachers and patrons of the Slavic peoples. 
<p>After a brilliant course of studies, Cyril (called Constantine until he became a monk shortly before his death) refused the governorship of a district such as his brother had accepted among the Slavic-speaking population. Cyril withdrew to a monastery where his brother Methodius had become a monk after some years in a governmental post. </p><p>A decisive change in their lives occurred when the Duke of Moravia (present-day Czech Republic) asked the Eastern Emperor Michael for political independence from German rule and ecclesiastical autonomy (having their own clergy and liturgy). Cyril and Methodius undertook the missionary task. </p><p>Cyril’s first work was to invent an alphabet, still used in some Eastern liturgies. His followers probably formed the Cyrillic alphabet (for example, modern Russian) from Greek capital letters. Together they translated the Gospels, the psalter, Paul’s letters and the liturgical books into Slavonic, and composed a Slavonic liturgy, highly irregular then. </p><p>That and their free use of the vernacular in preaching led to opposition from the German clergy. The bishop refused to consecrate Slavic bishops and priests, and Cyril was forced to appeal to Rome. On the visit to Rome, he and Methodius had the joy of seeing their new liturgy approved by Pope Adrian II. Cyril, long an invalid, died in Rome 50 days after taking the monastic habit. </p><p>Methodius continued mission work for 16 more years. He was papal legate for all the Slavic peoples, consecrated a bishop and then given an ancient see (now in the Czech Republic). When much of their former territory was removed from their jurisdiction, the Bavarian bishops retaliated with a violent storm of accusation against Methodius. As a result, Emperor Louis the German exiled Methodius for three years. Pope John VIII secured his release. </p><p>Because the Frankish clergy, still smarting, continued their accusations, Methodius had to go to Rome to defend himself against charges of heresy and uphold his use of the Slavonic liturgy. He was again vindicated. </p><p>Legend has it that in a feverish period of activity, Methodius translated the whole Bible into Slavonic in eight months. He died on Tuesday of Holy Week, surrounded by his disciples, in his cathedral church. </p><p>Opposition continued after his death, and the work of the brothers in Moravia was brought to an end and their disciples scattered. But the expulsions had the beneficial effect of spreading the spiritual, liturgical and cultural work of the brothers to Bulgaria, Bohemia and southern Poland. Patrons of Moravia, and specially venerated by Catholic Czechs, Slovaks, Croatians, Orthodox Serbians and Bulgarians, Cyril and Methodius are eminently fitted to guard the long-desired unity of East and West. In 1980, Pope John Paul II named them additional co-patrons of Europe (with Benedict).</p> American Catholic Blog This is the beauty of self-giving love: Men and women, driven by love, freely choose to give up their autonomy, to limit their freedom, by committing themselves to the good of the spouse. Love is so powerful that it impels them to want to surrender their will to their beloved in this profound way.

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