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ON FAITH & MEDIA View Comments

Mr. Peabody & Sherman

By
John Mulderig
Source: Catholic News Service


Mr. Peabody, Penny, and Sherman appear in a scene from the animated movie "Mr. Peabody & Sherman."
Baby boomers old enough to recall an animated moose named Bullwinkle and his flying-squirrel sidekick, Rocky, will also likely remember the titular characters of "Mr. Peabody & Sherman" (Fox).

That's because, in their original incarnation, the latter duo figured in a series of short cartoons that were shown as part of the TV show "Rocky and His Friends," which premiered in 1959, and its re-titled successor, "The Bullwinkle Show," which ran until 1964.

For those outside the hippie-turned-yuppie demographic, introductions may be in order. Mr. Peabody (voice of Ty Burrell) is a hyper-intellectual dog whose many accomplishments include his invention of a time-traveling device called the WABAC machine. Sherman (voice of Max Charles) is the perky human son Mr. Peabody adopted as an infant, after finding him abandoned in an alley.

The opening of director Rob Minkoff's big-screen, 3-D updating finds this unusual pair at an emotional crossroads: Sherman is about to start school for the first time, an event that will remove him from the vigilant supervision Mr. Peabody has always exercised over him.

Sherman's academic career gets off to a bumpy start when he runs afoul of classmate Penny Peterson (voice of Ariel Winter). Jealous of Sherman's superior knowledge of history—gained, of course, via the WABAC—Penny taunts him by saying that, since his father is a dog, Sherman must be one as well.

As though to vindicate the charge, Sherman unwisely brings their quarrel to a climax by biting Penny. This transgression not only lands Sherman in the principal's office, but—thanks to the scowling intervention of know-it-all social worker Miss Grunion (voice of Allison Janney)—places Mr. Peabody's continued custody of him under threat as well.

During a get-together designed to smooth things over with Penny's parents (voices of Leslie Mann and Stephen Colbert), Sherman, whose antipathy toward Penny masks an unacknowledged attraction, tries to impress her by taking her for an unauthorized spin in the WABAC—with the upshot that she winds up stranded in ancient Egypt.

The path to Penny's rescue zigzags chronologically from the court of King Tut to Renaissance Florence and back to the city of Troy on the eve of its destruction by the Greeks. Familiar figures putting in appearances along the way include Leonardo da Vinci (voice of Stanley Tucci), who's here endowed with the accent and manner of a old-time organ grinder, as well as a knuckleheaded version of famed Greek warrior-king Agamemnon (voice of Patrick Warburton).

Craig Wright's screenplay adds a tiresome amount of potty humor to the elaborate, sometimes groan-inducing puns characteristic of the original material. And a lone adult-themed play on words, though it will certainly fly over youngsters' heads, still seems jarringly out of place.

But basic history lessons for the youngest moviegoers, together with a worthy message about respecting people of different backgrounds—even if they do happen to be canines—endow this more than usually literate children's adventure with some countervailing virtues.

The film contains scenes of mild peril, several scatological jokes and sight gags and a single double entendre. The Catholic News Service classification is A-I—general patronage. The Motion Picture Association of America rating is PG—parental guidance suggested. Some material may not be suitable for children.

*****
John Mulderig is on the staff of Catholic News Service.



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Conversion of St. Paul: Paul’s entire life can be explained in terms of one experience—his meeting with Jesus on the road to Damascus. In an instant, he saw that all the zeal of his dynamic personality was being wasted, like the strength of a boxer swinging wildly. Perhaps he had never seen Jesus, who was only a few years older. But he had acquired a zealot’s hatred of all Jesus stood for, as he began to harass the Church: “...entering house after house and dragging out men and women, he handed them over for imprisonment” (Acts 8:3b). Now he himself was “entered,” possessed, all his energy harnessed to one goal—being a slave of Christ in the ministry of reconciliation, an instrument to help others experience the one Savior. 
<p>One sentence determined his theology: “I am Jesus, whom you are persecuting” (Acts 9:5b). Jesus was mysteriously identified with people—the loving group of people Saul had been running down like criminals. Jesus, he saw, was the mysterious fulfillment of all he had been blindly pursuing. </p><p>From then on, his only work was to “present everyone perfect in Christ. For this I labor and struggle, in accord with the exercise of his power working within me” (Colossians 1:28b-29). “For our gospel did not come to you in word alone, but also in power and in the Holy Spirit and [with] much conviction” (1 Thessalonians 1:5a). </p><p>Paul’s life became a tireless proclaiming and living out of the message of the cross: Christians die baptismally to sin and are buried with Christ; they are dead to all that is sinful and unredeemed in the world. They are made into a new creation, already sharing Christ’s victory and someday to rise from the dead like him. Through this risen Christ the Father pours out the Spirit on them, making them completely new. </p><p>So Paul’s great message to the world was: You are saved entirely by God, not by anything you can do. Saving faith is the gift of total, free, personal and loving commitment to Christ, a commitment that then bears fruit in more “works” than the Law could ever contemplate.</p> American Catholic Blog If you’re confused as to why God would die for you, you either need to rethink your vision of His mercy or of your own worth.

 
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