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ON FAITH & MEDIA View Comments

Son of God

By
John Mulderig
Source: Catholic News Service


Diogo Morgado stars in a scene from the movie "Son of God."
As the first wide-release film in nearly 50 years to focus on the life of Jesus as a whole, "Son of God" (Fox) represents an epochal event for believing moviegoers.

Though not the most powerful mass media treatment of its subject—that accolade continues to belong to Franco Zeffirelli's 1977 television miniseries "Jesus of Nazareth"—director Christopher Spencer's reverent but uneven screen version of the Gospel story ranks as a worthy revival of the Hollywood biblical epic.

The screenwriters, led by Nic Young, find an efficient entree into their narrative by entrusting it to an aged St. John the Evangelist (Sebastian Knapp) during his exile on the island of Patmos. This is theologically helpful because the opening lines of the Beloved Disciple's Gospel, as recited here, describe the Incarnation, a mystery without which all that follows could easily be misconstrued.

Early scenes leading up to and including the Nativity will remind at least some viewers that "Son of God" is an outgrowth of last year's highly successful miniseries on the History cable channel series, "The Bible." The new footage that follows is at its best in its portrayal of the events that culminated in the crucifixion of Jesus (Diogo Morgado).

Thus Judas (Joe Wredden), Caiaphas the high priest (Adrian Schiller) and Pontius Pilate (Greg Hicks) are all assigned believable motives, while Morgado succeeds in blending messianic vision with very human pain in a thoroughly compelling way—one that accords, moreover, with the scriptural account.

Catholic viewers will also appreciate the unqualified acknowledgement of St. Peter (Darwin Shaw) as the leader of the Apostles as well as scenes highlighting Mary's (Roma Downey) closeness to her son. And, though the portrayal of the Last Supper seems somewhat noncommittal as to the meaning of the Eucharist, a rough-and-ready celebration of the sacrament is shown to be the chosen moment for the Lord's first post-Resurrection appearance to the Twelve.

As for the ministry and preaching that precede the Passion—during which Jesus draws the disapproving attention of Simon the Pharisee (Paul Marc Davis)—there are moments that range from the moving to the awkward.

Morgado brings the requisite gravity to bear in announcing that the passage from the Prophet Isaiah he has just read aloud in Nazareth's synagogue has now been fulfilled. But the story of Lazarus' death and revivification is truncated—and drained of much of its impact—by the absence of any hint of Jesus' previous friendship with him and with his mourning sisters.

Despite such shortcomings, as produced by Downey, Mark Burnett and Richard Bedser, Spencer's picture offers some solid catechesis and an easy introduction to the Lord's earthly biography. That's all the more valuable given the erosion in religious literacy our society has experienced since the appearance of "Son of God's" most recent predecessor, George Stevens' 1965 Gospel drama "The Greatest Story Ever Told."

In that context, and despite its unflinching treatment of the Redeemer's sufferings, "Son of God" is probably acceptable for older teens.

The film contains strong gory violence. The Catholic News Service classification is A-III—adults. The Motion Picture Association of America rating is PG-13—parents strongly cautioned. Some material may be inappropriate for children under 13.

*****
John Mulderig is on the staff of Catholic News Service.





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First Martyrs of the Church of Rome: There were Christians in Rome within a dozen or so years after the death of Jesus, though they were not the converts of the “Apostle of the Gentiles” (Romans 15:20). Paul had not yet visited them at the time he wrote his great letter in 57-58 A.D.. 
<p>There was a large Jewish population in Rome. Probably as a result of controversy between Jews and Jewish Christians, the Emperor Claudius expelled all Jews from Rome in 49-50 A.D. Suetonius the historian says that the expulsion was due to disturbances in the city “caused by the certain Chrestus” [Christ]. Perhaps many came back after Claudius’s death in 54 A.D. Paul’s letter was addressed to a Church with members from Jewish and Gentile backgrounds. </p><p>In July of 64 A.D., more than half of Rome was destroyed by fire. Rumor blamed the tragedy on Nero, who wanted to enlarge his palace. He shifted the blame by accusing the Christians. According to the historian Tacitus, many Christians were put to death because of their “hatred of the human race.” Peter and Paul were probably among the victims. </p><p>Threatened by an army revolt and condemned to death by the senate, Nero committed suicide in 68 A.D. at the age of 31.</p> American Catholic Blog People are not perfect. But God does not only call upon great saints to reveal his love for the world. He also calls the broken and desperate. We are all called to act as God’s light in this darkening world.

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