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ON FAITH & MEDIA View Comments

Winter's Tale

By
John Mulderig
Source: Catholic News Service


Jessica Brown Findlay and Colin Farrell star in a scene from the movie "Winter's Tale."
What are some insights moviegoers will gain by viewing the sappy supernatural love story "Winter's Tale" (Warner Bros.)?

That the souls of the deceased become stars, that everybody is destined to achieve a miracle and that, if you're lucky, a snow-white flying horse will appear on the scene just when you need his services most.

That's what happens to the film's protagonist, Peter Lake (Colin Farrell). But then again, Peter's life has been rather unusual from the start: When his immigrant parents were turned away from America's shores for flunking the medical exam at Ellis Island, they did their best to secure their infant son's future by setting him adrift in a miniature boat on the waters of New York Harbor.

Did baby Peter's craft capsize into the polluted waves? Of course not, because the movie's version of early 20th-century Gotham is a fantastical place where such un-poetic events are verboten.

Flash-forward a couple of decades and circumstances have forced grown-up Peter, a would-be mechanic, to turn thief. Worse yet, he's on the run from his former mentor, demonic crime lord Pearly Soames (Russell Crowe). But no sooner do Pearly and his gang of thugs have Peter cornered, than his personal Pegasus appears for the first time and whisks him to safety. Equus ex machina, as it were.

It's no wonder that Peter is soon letting the steed guide his burglarizing choices. And a good thing too, as this leads him to the Fifth Avenue home of newspaper magnate Isaac Penn (William Hurt), where his larceny is interrupted by the unexpected presence in the house of Isaac's sequestered invalid of a daughter, comely but consumptive Beverly (Jessica Brown Findlay).

Peter only has to take a single gander at Beverly—and overhear her playing Brahms on the pianoforte—to know she's The One. Fortunately for him, brink-of-the-grave Beverley turns out to be rather unflappable. So much so that, in a trice, she's offering the Irish-accented intruder a nice cup of tea. Quite hospitable, given the circumstances.

On the subject of that brogue, which the County Dublin-born Ferrell certainly comes by honestly, precisely how Peter should have acquired it is a bit of a mystery. The opening scenes suggest his mom and dad hailed from Russia, while a cameo by Graham Greene in the approximate persona of Peter's foster father indicates that he was raised by Native Americans.

Perhaps he picked it up listening to John McCormack records?

Be that as it may, pity our poor unlikely couple. Not only is the Grim Reaper out to thwart their bliss; Pearly is too. Most decidedly opposed to all forms of happiness is scar-faced Pearly. And he's got himself no lesser an ally in his down-with-smiles crusade than Satan (played by a very familiar but jaw-droppingly miscast star).

The nature of the picture's source material invites speculation about what went wrong, more generally, on the way to the big screen. All audience members who haven't read Helprin's book may know for sure is that the characters in writer-director Akiva Goldsman's adaptation of it spout sentimental twaddle. They also subscribe to a version of metaphysics that might have been lifted from a Hallmark greeting card.

Feverish romanticism and the exaltation of erotic love pave the way to a scene glamorizing an objectively sinful bedroom encounter. Taken together with the script's surfeit of noncommittal navel-gazing—do we become stars after one lifetime or a thousand?—as well as the additional elements listed below, that interlude of lush carnality marks "Winter's Tale" as unsuitable for youngsters.

The film contains some harsh but bloodless violence, semi-graphic premarital sexual activity, brief partial nudity, a couple of uses of profanity and at least one instance each of crude and crass language. The Catholic News Service classification is A-III—adults. The Motion Picture Association of America rating is PG-13—parents strongly cautioned. Some material may be inappropriate for children under 13.

*****
John Mulderig is on the staff of Catholic News Service.



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James of the Marche: Meet one of the fathers of the modern pawnshop! 
<p>James was born in the Marche of Ancona, in central Italy along the Adriatic Sea. After earning doctorates in canon and civil law at the University of Perugia, he joined the Friars Minor and began a very austere life. He fasted nine months of the year; he slept three hours a night. St. Bernardine of Siena told him to moderate his penances. </p><p>James studied theology with St. John of Capistrano. Ordained in 1420, James began a preaching career that took him all over Italy and through 13 Central and Eastern European countries. This extremely popular preacher converted many people (250,000 at one estimate) and helped spread devotion to the Holy Name of Jesus. His sermons prompted numerous Catholics to reform their lives and many men joined the Franciscans under his influence. </p><p>With John of Capistrano, Albert of Sarteano and Bernardine of Siena, James is considered one of the "four pillars" of the Observant movement among the Franciscans. These friars became known especially for their preaching. </p><p>To combat extremely high interest rates, James established <i>montes pietatis</i> (literally, mountains of charity)--nonprofit credit organizations that lent money at very low rates on pawned objects. </p><p>Not everyone was happy with the work James did. Twice assassins lost their nerve when they came face to face with him. James died in 1476 and was canonized in 1726.</p> American Catholic Blog We all have fears, but we don’t have to be afraid. Jesus is always with us to protect us and give us courage. We only have to remember that the battle is the Lord’s. When Jesus gives us the victory, let’s be sure to thank Him and praise Him for what He has done.

 
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