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ON FAITH & MEDIA View Comments

Vampire Academy

By
John Mulderig
Source: Catholic News Service


Zoey Deutch and Danila Kozlovsky star in a scene from the movie "Vampire Academy."
Add half a cup of "Twilight" to a teaspoon or two of "Harry Potter" and, voila, you've got the pallid fantasy adventure "Vampire Academy" (Weinstein).

Though intended to please an adolescent palate, this unappealing recipe includes both visual and thematic ingredients that make it inappropriate fare for targeted teens.

Adult moviegoers, on the other hand, will likely be more bored than offended. That's because director Mark Waters' adaptation of a series of books by novelist Richelle Mead relies far too heavily on a complex, self-referential mythology about which it's very hard to care. Doing her best to guide the audience through it all, during the exposition-heavy opening scenes, is plucky teen Rose Hathaway (Zoey Deutch).

Rose, it seems, is a Dhampir, a half-vampire, half-human hybrid. Dhampirs have but one purpose in life: to protect the Moroi, a race of benign, but mortal bloodsuckers. Happily for Rose, the particular object of her care is Moroi princess Lissa Dragomir (Lucy Fry), who also happens to be Rose's BFF. How awesome is that?

And who is it that threatens the Moroi? Why the Strigoi, of course. These nightmarish vein-drainers are not only evil, they're immortal, at least until someone drives a silver stake into their hearts.

All together now, with feeling: Strigoi live forever, but not so the Moroi.

Taking a back seat to all this explanation is the plot, which kicks off with Rose and Lissa on the lam. They've escaped from the titular school for reasons that will only be fully revealed quite a while later. But their yearlong adventure in the real world is about to come to an end as uber-Dhampir Dimitri Belikov (Danila Kozlovsky) supervises their recapture.

So it's back to the old alma mater where, under the benign gaze of Headmistress Kirova (Olga Kurylenko) and Provost Victor Dashkov (Gabriel Byrne), Lissa resumes her royal studies and guardian-in-training Rose gets some remedial martial arts lessons from Dimitri.

Not only are the Strigoi lurking about outside, however; there also seem to be threats to Lissa's welfare from within the supposedly safe confines of the academy.

Still, there's always time for love, right? In Lissa's case, she just can't keep her eyes off bad-boy social outcast Christian Ozera (Dominic Sherwood). Christian is shunned among the Moroi because his parent chose to become Strigoi. As for Rose, it's all about much older, but still dreamy Dimitri.

One characteristic of the good undead is that they regularly attend a version of church. In fact, Vampire Academy is only a nickname; the institution's formal designation is St. Vladimir's Academy, though the Vladimir in question, hero of Moroi and Dhampir alike, bears no resemblance to any real-life champion of faith.

Still, Lissa, Rose and their peers regularly interrupt their high-school style backstabbing to troop off to the chapel, a sanctuary that combines Western art and architecture with a de-Christianized take on Eastern Orthodox vestments.

Such religious trappings hardly mask the fact that fang-sinking as a metaphor for sex is never far from the surface in screenwriter—and director's brother—Daniel Waters' script. This becomes especially problematic early on while Rose and Lissa are on the run. With no other source of nourishment available, Lissa feeds on Rose's blood, and the effect, for her willing victim, is more than merely painful.

As for more conventional fleshly bonding, it's kept under wraps with a single exception, and that occurs when both characters involved have been bewitched. In fact, the students of St. Vladimir's seem to take a refreshingly dim view of premarital high jinks, which they refer to by the old-fashioned F-word: fornication.

For all the sublimation that may be going on, however, there is still, unmistakably, quite a bit of steam being let off.

The film contains much hand-to-hand combat as well as action violence with minimal gore, semi-graphic nonmarital sexual activity, numerous sexual references and considerable crass language. The Catholic News Service classification is A-III—adults. The Motion Picture Association of America rating is PG-13—parents strongly cautioned. Some material may be inappropriate for children under 13.



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Pedro de San José Betancur: Central America claimed its first saint with the canonization of Pedro de San José Betancur by Pope John Paul II in Guatemala City on July 30, 2002. Known as the "St. Francis of the Americas," Pedro de Betancur is the first saint to have worked and died in Guatemala. 
<p>Calling the new saint an “outstanding example” of Christian mercy, the Holy Father noted that St. Pedro practiced mercy “heroically with the lowliest and the most deprived.” Speaking to the estimated 500,000 Guatemalans in attendance, the Holy Father spoke of the social ills that plague the country today and of the need for change. </p><p>“Let us think of the children and young people who are homeless or deprived of an education; of abandoned women with their many needs; of the hordes of social outcasts who live in the cities; of the victims of organized crime, of prostitution or of drugs; of the sick who are neglected and the elderly who live in loneliness,” he said in his homily during the three-hour liturgy. </p><p>Pedro very much wanted to become a priest, but God had other plans for the young man born into a poor family on Tenerife in the Canary Islands. Pedro was a shepherd until age 24, when he began to make his way to Guatemala, hoping to connect with a relative engaged in government service there. By the time he reached Havana, he was out of money. After working there to earn more, he got to Guatemala City the following year. When he arrived he was so destitute that he joined the bread line that the Franciscans had established. </p><p>Soon, Pedro enrolled in the local Jesuit college in hopes of studying for the priesthood. No matter how hard he tried, however, he could not master the material; he withdrew from school. In 1655 he joined the Secular Franciscan Order. Three years later he opened a hospital for the convalescent poor; a shelter for the homeless and a school for the poor soon followed. Not wanting to neglect the rich of Guatemala City, Pedro began walking through their part of town ringing a bell and inviting them to repent. </p><p>Other men came to share in Pedro's work. Out of this group came the Bethlehemite Congregation, which won papal approval after Pedro's death. A Bethlehemite sisters' community, similarly founded after Pedro's death, was inspired by his life of prayer and compassion. </p><p>He is sometimes credited with originating the Christmas Eve <i>posadas</i> procession in which people representing Mary and Joseph seek a night's lodging from their neighbors. The custom soon spread to Mexico and other Central American countries. </p><p>Pedro was canonized in 2002.</p> American Catholic Blog We sometimes try to do everything on our own, forgetting that the Lord wants to help us. Let's never be afraid to admit that we are weak and can't do things on our own. St. Paul gives us a great example: "On my own behalf I will not boast, except of my weaknesses" (2 Corinthians 12:5).


 
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