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ON FAITH & MEDIA View Comments

The Monuments Men

By
John Mulderig
Source: Catholic News Service


John Goodman, Matt Damon, George Clooney, Bob Balaban and Bill Murray star in a scene from the movie "The Monuments Men."
Western civilization owes an incalculable debt to the real-life figures behind the fact-based World War II drama "The Monuments Men" (Columbia). Yet, despite honorable intentions and a cast of heavy hitters, this cinematic salute to their memory falls well short of the monumental.

The film's title comes from the nickname of the Army's Monuments, Fine Arts, and Archives program. Formed in 1943, this collection of art historians and similar experts was charged with -- among other tasks -- tracing and rescuing the vast store of cultural treasures purloined by the Nazis during their more than four-year-long occupation of most of Europe.

The sleuthing required to achieve this goal was recounted in Robert M. Edsel's eponymous 2009 book, written with Bret Witter and subtitled "Allied Heroes, Nazi Thieves and the Greatest Treasure Hunt in History." In bringing Edsel's narrative to the screen, George Clooney takes on multiple roles: co-writer (with Grant Heslov), director and star.

In that last capacity, he plays affable Harvard professor Frank Stokes. After convincing President Roosevelt of the need for a unit along the lines of the Monuments Men, World War I veteran Stokes re-enters the service and sets out to assemble his team.

The ensemble lineup thus provided for includes Matt Damon as medievalist James Granger, Bill Murray as architect Richard Campbell and John Goodman as sculptor Walter Garfield. America's allies are represented by Donald Jeffries (Hugh Bonneville), a British scholar under a cloud of scandal, and Marseilles-based Jewish art dealer Jean-Claude Clermont (Jean Dujardin).

As these over-the-hill soldiers adjust to life in uniform, and to the perils of the Western Front, their attention focuses on Paris museum curator Claire Simone (Cate Blanchett), who witnessed the Teutonic looting firsthand.

James is dispatched to the City of Light to quiz Claire, who has been imprisoned as a collaborator (earlier scenes have vindicated her innocence for the audience). But he finds Claire uncooperative, based on her conviction that the American forces will simply seize the recovered works for themselves and ship them stateside.

The script's comic byplay is amusing enough. Richard and another of the group's number, mousey, bespectacled Preston Savitz (Bob Balaban), tease each other relentlessly. And scenes of basic training find Walter walking casually across an obstacle course, blithely unaware that the shots being fired over the heads of the prone soldiers around him are not blanks.

Yet a firm foundation is never laid for the picture's more solemn moments, most of which concern the band's shared fraternal spirit and pride in its mission. These are too casually flagged by way of dialogue, so that the underlying sentiments register as prefabricated.

Besides the story's primary message about the enduring value of art in all its forms, the background of Nazi persecution implicitly drives home the importance of treating all human beings with equal dignity. And a potentially adulterous encounter that comes too late in the action to be described without a spoiler ends in a way viewers of conscience will welcome.

With wartime bloodletting kept to a minimum and vulgar language probably far less in evidence than it was among the ranks in reality, only a surprising number of violations of the Lord's name pose any serious obstacle to recommendation for a wider audience. With its positive themes in mind, accordingly, at least some parents may consider "The Monuments Men" acceptable for mature teens.

The film contains some combat violence with brief gore, about a half-dozen uses of profanity and a few crude and crass terms. The Catholic News Service classification is A-III—adults. The Motion Picture Association of America rating is PG-13—parents strongly cautioned. Some material may be inappropriate for children under 13.

*****
John Mulderig is on the staff of Catholic News Service.



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Timothy and Titus: 
		<b>Timothy (d. 97?)</b>: What we know from the New Testament of Timothy’s life makes it sound like that of a modern harried bishop. He had the honor of being a fellow apostle with Paul, both sharing the privilege of preaching the gospel and suffering for it. 
<p>Timothy had a Greek father and a Jewish mother named Eunice. Being the product of a “mixed” marriage, he was considered illegitimate by the Jews. It was his grandmother, Lois, who first became Christian. Timothy was a convert of Paul around the year 47 and later joined him in his apostolic work. He was with Paul at the founding of the Church in Corinth. During the 15 years he worked with Paul, he became one of his most faithful and trusted friends. He was sent on difficult missions by Paul—often in the face of great disturbance in local churches which Paul had founded. </p><p>Timothy was with Paul in Rome during the latter’s house arrest. At some period Timothy himself was in prison (Hebrews 13:23). Paul installed him as his representative at the Church of Ephesus. </p><p>Timothy was comparatively young for the work he was doing. (“Let no one have contempt for your youth,” Paul writes in 1 Timothy 4:12a.) Several references seem to indicate that he was timid. And one of Paul’s most frequently quoted lines was addressed to him: “Stop drinking only water, but have a little wine for the sake of your stomach and your frequent illnesses” (1 Timothy 5:23). </p><p><b>Titus (d. 94?)</b>: Titus has the distinction of being a close friend and disciple of Paul as well as a fellow missionary. He was Greek, apparently from Antioch. Even though Titus was a Gentile, Paul would not let him be forced to undergo circumcision at Jerusalem. Titus is seen as a peacemaker, administrator, great friend. Paul’s second letter to Corinth affords an insight into the depth of his friendship with Titus, and the great fellowship they had in preaching the gospel: “When I went to Troas...I had no relief in my spirit because I did not find my brother Titus. So I took leave of them and went on to Macedonia.... For even when we came into Macedonia, our flesh had no rest, but we were afflicted in every way—external conflicts, internal fears. But God, who encourages the downcast, encouraged us by the arrival of Titus...” (2 Corinthians 2:12a, 13; 7:5-6). </p><p>When Paul was having trouble with the community at Corinth, Titus was the bearer of Paul’s severe letter and was successful in smoothing things out. Paul writes he was strengthened not only by the arrival of Titus but also “by the encouragement with which he was encouraged in regard to you, as he told us of your yearning, your lament, your zeal for me, so that I rejoiced even more.... And his heart goes out to you all the more, as he remembers the obedience of all of you, when you received him with fear and trembling” (2 Corinthians 7:7a, 15). </p><p>The Letter to Titus addresses him as the administrator of the Christian community on the island of Crete, charged with organizing it, correcting abuses and appointing presbyter-bishops.</p> American Catholic Blog Meek does not mean weak. Meekness requires true strength (Mt 5:5). True power is robed in humility.

 
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