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ON FAITH & MEDIA View Comments

Labor Day

By
John Mulderig
Source: Catholic News Service


Kate Winslet and Josh Brolin star in a scene from the movie "Labor Day."
Many of the elements that make one or another film objectionable are happily absent from the glossy romantic drama "Labor Day" (Paramount).

Violence is minimal; a single misuse of the Lord's name aside, the dialogue is free of taint; and the movie's portrayal of sexuality is restrained throughout.

Yet the joy of physical passion is one of the primary themes in writer-director Jason Reitman's screen version of Joyce Maynard's best-selling 2009 novel. Consequently, the proceedings are permeated with subtly handled but unmistakable sensuality.

The improbable nature of the plot is equally impossible to miss, despite such potential distractions as the picture's engagingly bucolic look and the skillful performances turned in on all sides.

Adult narrator Henry Wheeler (Tobey Maguire) introduces the bulk of the film in the form of a sustained flashback to his childhood. As a lad of 13 (Gattlin Griffith), Henry is living with his depressed, reclusive mother, Adele (Kate Winslet), a divorcee from whose emotional problems Henry's dad (Clark Gregg) has sought refuge in the arms of his secretary, now Henry's stepmom.

As the 1987 observance of the titular holiday weekend begins, the need to update Henry's wardrobe for the forthcoming school year forces Adele to take a rare drive into town. There she and Henry accidentally cross paths with escaped convict Frank Chambers (Josh Brolin), who appeals to them—not without an unstated threat of violence—to give him temporary shelter in their home. Reluctantly, they comply.

Frank, however, turns out to be quite the houseguest. After assuring his initially intimidated hosts that the case against him is not what it seems, he endeavors to earn his keep by doing various manly domestic chores: repairing a loose step here, quieting a squeaky hinge there. If this endears him to unable-to-cope Adele, a batting lesson is just the thing to win paternally neglected Henry's heart.

Though he may be a handyman and a jock -- not to mention a convicted murderer -- Frank has his softer side too, as he demonstrates by teaching Adele and Henry how to bake a peach pie. Viewers of the trailer for "Labor Day" will know that this process, from which Henry is eventually excluded, takes on a more-than-culinary significance, Frank's concern for the flakiness of his crust notwithstanding.

It's a hop, skip and a jump from the kitchen to the bedroom where Frank and Adele's first romp—they've now known each other for all of 36 hours—is sufficiently enthusiastic to be overheard by Henry. The muffled sounds turn the sleepless young man's fancy not so much to thoughts of love as to the remembered sight of one of his classmate's bra straps.

Indeed, as Frank stokes the banked fires of Adele's eroticism, her carnal revival is uncomfortably juxtaposed with Henry's emerging sexuality. Though our glimpses of the latter only hint at anything beyond a first kiss, the placement of them in tandem with Adele's carryings-on feels queasy. All the more so, since Henry eventually harbors oedipal suspicions that he's been displaced in Adele's affections and that she plans to abandon him by running off to Canada with her wanted man.

It's no spoiler to reveal that Adele and Frank's love shows itself, in the end, ready for the long haul. But that doesn't alter the fact that their relationship took on a physical dimension long before the nature of their bond was, shall we say, ripe?

Oh, those heady peaches.

The film contains fleeting violence, brief semi-graphic premarital sexual activity, another unseen but audible encounter of the same nature, at least one use of profanity and several sexual references. The Catholic News Service classification is L—limited adult audience, films whose problematic content many adults would find troubling. The Motion Picture Association of America rating is PG-13—parents strongly cautioned. Some material may be inappropriate for children under 13.

****
John Mulderig is on the staff of Catholic News Service.





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Hilary of Arles: It’s been said that youth is wasted on the young. In some ways, that was true for today’s saint. 
<p>Born in France in the early fifth century, Hilary came from an aristocratic family. In the course of his education he encountered his relative, Honoratus, who encouraged the young man to join him in the monastic life. Hilary did so. He continued to follow in the footsteps of Honoratus as bishop. Hilary was only 29 when he was chosen bishop of Arles. </p><p>The new, youthful bishop undertook the role with confidence. He did manual labor to earn money for the poor. He sold sacred vessels to ransom captives. He became a magnificent orator. He traveled everywhere on foot, always wearing simple clothing. </p><p>That was the bright side. Hilary encountered difficulty in his relationships with other bishops over whom he had some jurisdiction. He unilaterally deposed one bishop. He selected another bishop to replace one who was very ill–but, to complicate matters, did not die! Pope St. Leo the Great kept Hilary a bishop but stripped him of some of his powers. </p><p>Hilary died at 49. He was a man of talent and piety who, in due time, had learned how to be a bishop.</p> American Catholic Blog True freedom lies in the ability to align one’s actions freely with the truth, so as to achieve authentic human happiness both now and in the life to come. Jesus promised, “If you continue in my word, you are truly my disciples, and you will know the truth, and the truth will make you free” (John 8:31–32).

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