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ON FAITH & MEDIA View Comments

The Legend of Hercules

By
John Mulderig
Source: Catholic News Service


Kellan Lutz stars in a scene from the movie "The Legend of Hercules."
An embarrassingly weak film about the personification of strength, the 3-D action adventure "The Legend of Hercules" (Summit) is nothing short of woeful.

Adult viewers may be too distracted by the film's aesthetic shortcomings to notice the mostly innocuous nature of its vulgarity-free script on which director Renny Harlin collaborated with three others: Daniel Giat, Sean Hood and Giulio Steve.

Co-starring with his own pectoral muscles, Kellan Lutz, veteran of the "Twilight" franchise, takes on the title role.

But first we get the background story: Tired of her power-hungry husband, King Amphitryon's (Scott Adkins) warlike ways, Queen Alcmene (Roxanne McKee) of the Greek city-state Tiryns prayed to the goddess Hera for peace.

Through a priestess, Hera responded to Alcmene's plea by granting her permission to sleep with Zeus, Hera's own hubby, so that the pair could conceive a hero who would deliver the realm from Amphitryon's tyranny. Cut to Alcmene rolling around on her bed as thunder rumbles in the background, and nine months later, along comes baby Hercules.

Once grown and buff, Hercules falls for fetching foreign royalty in the person of Princess Hebe (Gaia Weiss). But mean old Amphitryon—who knows that Hercules is not his son, though he's unaware of the lad's divine paternity—has other plans. Namely, to contract a purely political marriage between Hebe and his heir, Hercules' cowardly half-brother Prince Iphicles (Liam Garrigan). Hebe, who knows a craven black hat when she sees one, doesn't like the idea one bit.

The better to get Hercules out of the way, Amphitryon sends him on a doomed military expedition. But, as the old saying goes, you can't keep a good future deity down. So, despite such travails as being enslaved, branded and forced to fight as a gladiator, we know it's only a matter of time till Hercules makes a triumphant comeback.

Along the way, vaguely drawn and passing parallels are made between Hercules and Jesus. Thus the people of Tiryns repeatedly hail Hercules as their savior, and a climactic scene finds him offering his own life for those of his comrades while hanging in chains in roughly the posture of Christ on the cross.

While not offensive to Christian sensibilities, these sketchy allusions are as ineptly handled as every other element in Harlin's lump of mythological lead.

The dialogue displays a firm grasp of the obvious, falling flower petals signal that it's time for Hercules and Hebe to go all the way, while rain falls in sheets whenever a battle commences. As for the performances, they're uniformly as wooden as that horse the Greeks gave the Trojans.

The film contains considerable but bloodless combat violence, a suicide, implied premarital sexual activity, scenes of sensuality and mature references. The Catholic News Service classification is A-III —adults. The Motion Picture Association of America rating is PG-13—parents strongly cautioned.

*****
John Mulderig is on the staff of Catholic News Service.



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Augustine of Hippo: A Christian at 33, a priest at 36, a bishop at 41: Many people are familiar with the biographical sketch of Augustine of Hippo, sinner turned saint. But really to get to know the man is a rewarding experience. 
<p>There quickly surfaces the intensity with which he lived his life, whether his path led away from or toward God. The tears of his mother (August 27), the instructions of Ambrose (December 7) and, most of all, God himself speaking to him in the Scriptures redirected Augustine’s love of life to a life of love. </p><p>Having been so deeply immersed in creature-pride of life in his early days and having drunk deeply of its bitter dregs, it is not surprising that Augustine should have turned, with a holy fierceness, against the many demon-thrusts rampant in his day. His times were truly decadent—politically, socially, morally. He was both feared and loved, like the Master. The perennial criticism leveled against him: a fundamental rigorism. </p><p>In his day, he providentially fulfilled the office of prophet. Like Jeremiah and other greats, he was hard-pressed but could not keep quiet. “I say to myself, I will not mention him,/I will speak in his name no more./But then it becomes like fire burning in my heart,/imprisoned in my bones;/I grow weary holding it in,/I cannot endure it” (Jeremiah 20:9).</p> American Catholic Blog Silence is the ability to trust that God is acting, teaching, and using me—even before I perform or after my seeming failures. Silence is the necessary space around things that allows them to develop and flourish without my pushing. God takes it from there.

 
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