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ON FAITH & MEDIA View Comments

Her

By
John Mulderig
Source: Catholic News Service


Amy Adams and Joaquin Phoenix star in a scene from the movie "Her."
Many a tech fan, over the years, may have casually declared his love for this or that cutting-edge gadget. But all would have to take a backseat to Theodore Twombly (Joaquin Phoenix), the main character in the quirky romantic drama "Her" (Warner Bros.).

On the rebound from a pending divorce—Rooney Mara plays his soon-to-be-ex, Catherine—depressed Theodore, who lives in a slightly futuristic version of Los Angeles, carries geekiness to a whole new level by falling for an innovative operating system called Samantha (voice of Scarlett Johansson). He does so despite the fact that Samantha has no body other than the casing of whatever computer she's guiding.

Writer-director Spike Jonze ("Where the Wild Things Are") leaps over such issues as whether artificial intelligence can ever include emotion—the feelings at work in the central relationship are shown to be mutual—to achieve some moments of poignancy and humor. And his film's bizarre premise makes it difficult to assess, as a whole, from a real-life moral and spiritual perspective.

But numerous problematic interludes along the way to a fairly acceptable conclusion make this fit fare for the sturdiest grown-ups only.

There's much to sympathize with in Theodore's lonely plight. By day, he works as a writer for a website that provides its clients with eloquent letters designed to express to their loved ones the affection the customers themselves are unable put into words. By night, he pines for Catherine and broods over their breakup.

What little companionship Theodore enjoys comes from his supportive long-term friend and neighbor Amy (Amy Adams) and, to a lesser extent, from Amy's somewhat eccentric husband, Charles (Matt Letscher). His isolation makes Theodore's willingness to give his heart away to a perky collection of software at least marginally more believable.

But corporal considerations remain an issue—both for the characters and the audience. Early scenes, played for laughs, show Theodore's interest in racy photographs of a pregnant celebrity that are circulating on the Internet as well as his late-night, audio-only encounter with a stranger in a chatroom. Though he's left frustrated by their get-together, her satisfaction with the outcome of their conversation could hardly be more audible.

It's not surprising, then, that Samantha, all-observant where Theodore is concerned, worries about her inability to give or receive physical gratification. Yet Theodore seems content to use Samantha's voice as a stimulant to solitary pleasure.

Eventually, Samantha hits on the plan of introducing a human surrogate—a well-meaning but misguided young woman named Isabella (Portia Doubleday)—to supply the missing carnality to their bond.

All this, of course, is not for the casual movie patron or for those lacking in faith formation. Though more thoughtful than many a Hollywood offering, "Her" requires a thoroughly attentive response from those prepared—and equipped—to withstand its often seamy details.

The film contains strong sexual content, including aberrant bedroom behavior, semigraphic nonmarital sexual activity, a glimpse of full female nudity and brief obscene images as well as much rough and crude language. The Catholic News Service classification is L—limited adult audience, films whose problematic content many adults would find troubling. The Motion Picture Association of America rating is R—restricted. Under 17 requires accompanying parent or adult guardian.

*****
John Mulderig is on the staff of Catholic News Service.



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John Francis Burté and Companions: These priests were victims of the French Revolution. Though their martyrdom spans a period of several years, they stand together in the Church’s memory because they all gave their lives for the same principle. The Civil Constitution of the Clergy (1791) required all priests to take an oath which amounted to a denial of the faith. Each of these men refused and was executed.
<p>John Francis Burté became a Franciscan at 16 and after ordination taught theology to the young friars. Later he was guardian of the large Conventual friary in Paris until he was arrested and held in the convent of the Carmelites.
</p><p>Appolinaris of Posat was born in 1739 in Switzerland. He joined the Capuchins and acquired a reputation as an excellent preacher, confessor and instructor of clerics. Sent to the East as a missionary, he was in Paris studying Oriental languages when the French Revolution began. Refusing the oath, he was swiftly arrested and detained in the Carmelite convent.
</p><p>Severin Girault, a member of the Third Order Regular, was a chaplain for a group of sisters in Paris. Imprisoned with the others, he was the first to die in the slaughter at the convent.
</p><p>These three plus 182 others—including several bishops and many religious and diocesan priests—were massacred at the Carmelite house in Paris on September 2, 1792. They were beatified in 1926.
</p><p>John Baptist Triquerie, born in 1737, entered the Conventual Franciscans. He was chaplain and confessor of Poor Clare monasteries in three cities before he was arrested for refusing to take the oath. He and 13 diocesan priests were guillotined in Laval on January 21, 1794. He was beatified in 1955.</p> American Catholic Blog The amazing friends I have: I didn’t “find” them; I certainly
don’t deserve them; but I do have them. And there is only one feasible reason: because my friends are God’s gift to me in proof of His love for me, His friendship.

 
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