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ON FAITH & MEDIA View Comments

Mary of Nazareth

By
Joseph McAleer
Source: Catholic News Service


Luca Marinelli portrays Joseph and Alissa Jung is Mary in a scene from the movie "Mary of Nazareth."

The story of the Gospels unfolds through the eyes of the mother of God in "Mary of Nazareth" (Ignatius Press Films), a beautiful, often moving depiction of the life of Mary from her childhood through the passion and resurrection of her son.

Italian director Giacomo Campiotti (2002's "Doctor Zhivago") has produced a handsome and respectful film, with a gifted international cast and some luminous cinematography shot in Tunisia. The script, by Francesco Arlanch, more or less follows the biblical account, with a few intriguing departures, inspired by apocryphal writings, that heighten the drama.

For example, we are told that King Herod (Andrea Giordana) heard a prophesy of a girl who would one day bring forth a savior, prompting him to terrorize Judea, in a precursor to the slaughter of the innocents. Mary's parents, Ann (Antonella Attili) and Joachim (Roberto Citran), hide their young daughter, keeping her safe.

Mary (Alissa Jung) is a joyful but special child, one whom dogs and snakes fear. Her parents are happy but often perplexed. After Mary's betrothal to Joseph (Luca Marinelli), and the Annunciation, a resigned Joachim tells Mary, "Forgive me. I always knew you were a mystery, but I never knew how great a mystery."

The Nativity (unfortunately, Joseph misses the birth, as he leaves the cave to fetch water) is beautifully rendered. Mary possesses a strong, almost psychic bond with her young son, aware when he is hurt or in danger, and experiencing visions of his future Passion in her mind.

Once Jesus (Andreas Pietschmann) begins his public ministry ("He couldn't stay and be a carpenter forever," Joseph says), Mary is always present, strong and compassionate, helping when she can. But when she asks him for assistance with the wine at Cana, she later worries she was impulsive, forcing Jesus to act before he was ready.

Mary not only shares her son's ministry, but also his pain. Every blow during the scourging is felt by Mary, as is the slow agony of Crucifixion. She literally crawls up the hill of Calvary on her hands and knees to be near her dying son.

The depictions of the slaughter of the innocents and the Passion are graphic, even harrowing, which pre-teens might find upsetting.

But for the rest of the family, "Mary of Nazareth" makes for an enriching catechetical experience that's also both inspiring and entertaining. The film is fittingly dedicated "to all mothers, whose life-giving, sacrificial love, like Mary, changes the world."

"Mary of Nazareth" is available for sponsored screenings in theaters, and is expected to be released on DVD later this year. For more information, visit www.maryfilm.com.

The film contains several scenes of bloody violence and death. The Catholic News Service classification is A-II—adults and adolescents. Not rated by the Motion Picture Association of America.

*****
Joseph McAleer is a guest reviewer for Catholic News Service.



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Bernard of Clairvaux: Man of the century! Woman of the century! You see such terms applied to so many today—“golfer of the century,” “composer of the century,” “right tackle of the century”—that the line no longer has any punch. But Western Europe's “man of the twelfth century,” without doubt or controversy, has to be Bernard of Clairvaux. Adviser of popes, preacher of the Second Crusade, defender of the faith, healer of a schism, reformer of a monastic Order, Scripture scholar, theologian and eloquent preacher: any one of these titles would distinguish an ordinary man. Yet Bernard was all of these—and he still retained a burning desire to return to the hidden monastic life of his younger days. 
<p>In the year 1111, at the age of 20, Bernard left his home to join the monastic community of Citeaux. His five brothers, two uncles and some 30 young friends followed him into the monastery. Within four years a dying community had recovered enough vitality to establish a new house in the nearby valley of Wormwoods, with Bernard as abbot. The zealous young man was quite demanding, though more on himself than others. A slight breakdown of health taught him to be more patient and understanding. The valley was soon renamed Clairvaux, the valley of light. </p><p>His ability as arbitrator and counselor became widely known. More and more he was lured away from the monastery to settle long-standing disputes. On several of these occasions he apparently stepped on some sensitive toes in Rome. Bernard was completely dedicated to the primacy of the Roman See. But to a letter of warning from Rome, he replied that the good fathers in Rome had enough to do to keep the Church in one piece. If any matters arose that warranted their interest, he would be the first to let them know. </p><p>Shortly thereafter it was Bernard who intervened in a full-blown schism and settled it in favor of the Roman pontiff against the antipope. </p><p>The Holy See prevailed on Bernard to preach the Second Crusade throughout Europe. His eloquence was so overwhelming that a great army was assembled and the success of the crusade seemed assured. The ideals of the men and their leaders, however, were not those of Abbot Bernard, and the project ended as a complete military and moral disaster. </p><p>Bernard felt responsible in some way for the degenerative effects of the crusade. This heavy burden possibly hastened his death, which came August 20, 1153.</p> American Catholic Blog One of the things that we need to remember is that we’re preaching Jesus, not the institutional Church. It’s easy to get caught up in the rules and regulations of the institution and forget that we are saved not by the Church but by the person of Jesus or the Church as the body of Christ.

 
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