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ON FAITH & MEDIA View Comments

Mary of Nazareth

By
Joseph McAleer
Source: Catholic News Service


Luca Marinelli portrays Joseph and Alissa Jung is Mary in a scene from the movie "Mary of Nazareth."

The story of the Gospels unfolds through the eyes of the mother of God in "Mary of Nazareth" (Ignatius Press Films), a beautiful, often moving depiction of the life of Mary from her childhood through the passion and resurrection of her son.

Italian director Giacomo Campiotti (2002's "Doctor Zhivago") has produced a handsome and respectful film, with a gifted international cast and some luminous cinematography shot in Tunisia. The script, by Francesco Arlanch, more or less follows the biblical account, with a few intriguing departures, inspired by apocryphal writings, that heighten the drama.

For example, we are told that King Herod (Andrea Giordana) heard a prophesy of a girl who would one day bring forth a savior, prompting him to terrorize Judea, in a precursor to the slaughter of the innocents. Mary's parents, Ann (Antonella Attili) and Joachim (Roberto Citran), hide their young daughter, keeping her safe.

Mary (Alissa Jung) is a joyful but special child, one whom dogs and snakes fear. Her parents are happy but often perplexed. After Mary's betrothal to Joseph (Luca Marinelli), and the Annunciation, a resigned Joachim tells Mary, "Forgive me. I always knew you were a mystery, but I never knew how great a mystery."

The Nativity (unfortunately, Joseph misses the birth, as he leaves the cave to fetch water) is beautifully rendered. Mary possesses a strong, almost psychic bond with her young son, aware when he is hurt or in danger, and experiencing visions of his future Passion in her mind.

Once Jesus (Andreas Pietschmann) begins his public ministry ("He couldn't stay and be a carpenter forever," Joseph says), Mary is always present, strong and compassionate, helping when she can. But when she asks him for assistance with the wine at Cana, she later worries she was impulsive, forcing Jesus to act before he was ready.

Mary not only shares her son's ministry, but also his pain. Every blow during the scourging is felt by Mary, as is the slow agony of Crucifixion. She literally crawls up the hill of Calvary on her hands and knees to be near her dying son.

The depictions of the slaughter of the innocents and the Passion are graphic, even harrowing, which pre-teens might find upsetting.

But for the rest of the family, "Mary of Nazareth" makes for an enriching catechetical experience that's also both inspiring and entertaining. The film is fittingly dedicated "to all mothers, whose life-giving, sacrificial love, like Mary, changes the world."

"Mary of Nazareth" is available for sponsored screenings in theaters, and is expected to be released on DVD later this year. For more information, visit www.maryfilm.com.

The film contains several scenes of bloody violence and death. The Catholic News Service classification is A-II—adults and adolescents. Not rated by the Motion Picture Association of America.

*****
Joseph McAleer is a guest reviewer for Catholic News Service.





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Philip Neri: Philip Neri was a sign of contradiction, combining popularity with piety against the background of a corrupt Rome and a disinterested clergy, the whole post-Renaissance malaise. 
<p>At an early age, he abandoned the chance to become a businessman, moved to Rome from Florence and devoted his life and individuality to God. After three years of philosophy and theology studies, he gave up any thought of ordination. The next 13 years were spent in a vocation unusual at the time—that of a layperson actively engaged in prayer and the apostolate. </p><p>As the Council of Trent (1545-63) was reforming the Church on a doctrinal level, Philip’s appealing personality was winning him friends from all levels of society, from beggars to cardinals. He rapidly gathered around himself a group of laypersons won over by his audacious spirituality. Initially they met as an informal prayer and discussion group, and also served poor people in Rome. </p><p>At the urging of his confessor, he was ordained a priest and soon became an outstanding confessor, gifted with the knack of piercing the pretenses and illusions of others, though always in a charitable manner and often with a joke. He arranged talks, discussions and prayers for his penitents in a room above the church. He sometimes led “excursions” to other churches, often with music and a picnic on the way. </p><p>Some of his followers became priests and lived together in community. This was the beginning of the Oratory, the religious institute he founded. A feature of their life was a daily afternoon service of four informal talks, with vernacular hymns and prayers. Giovanni Palestrina was one of Philip’s followers, and composed music for the services. </p><p>The Oratory was finally approved after suffering through a period of accusations of being an assembly of heretics, where laypersons preached and sang vernacular hymns! (Cardinal Newman founded the first English-speaking house of the Oratory three centuries later.) </p><p>Philip’s advice was sought by many of the prominent figures of his day. He is one of the influential figures of the Counter-Reformation, mainly for converting to personal holiness many of the influential people within the Church itself. His characteristic virtues were humility and gaiety.</p> American Catholic Blog We need do no more than we are doing at present; that is, to love divine Providence and abandon ourselves in his arms and heart.<br />—St. Padre Pio

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