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ON FAITH & MEDIA View Comments

Mary of Nazareth

By
Joseph McAleer
Source: Catholic News Service


Luca Marinelli portrays Joseph and Alissa Jung is Mary in a scene from the movie "Mary of Nazareth."

The story of the Gospels unfolds through the eyes of the mother of God in "Mary of Nazareth" (Ignatius Press Films), a beautiful, often moving depiction of the life of Mary from her childhood through the passion and resurrection of her son.

Italian director Giacomo Campiotti (2002's "Doctor Zhivago") has produced a handsome and respectful film, with a gifted international cast and some luminous cinematography shot in Tunisia. The script, by Francesco Arlanch, more or less follows the biblical account, with a few intriguing departures, inspired by apocryphal writings, that heighten the drama.

For example, we are told that King Herod (Andrea Giordana) heard a prophesy of a girl who would one day bring forth a savior, prompting him to terrorize Judea, in a precursor to the slaughter of the innocents. Mary's parents, Ann (Antonella Attili) and Joachim (Roberto Citran), hide their young daughter, keeping her safe.

Mary (Alissa Jung) is a joyful but special child, one whom dogs and snakes fear. Her parents are happy but often perplexed. After Mary's betrothal to Joseph (Luca Marinelli), and the Annunciation, a resigned Joachim tells Mary, "Forgive me. I always knew you were a mystery, but I never knew how great a mystery."

The Nativity (unfortunately, Joseph misses the birth, as he leaves the cave to fetch water) is beautifully rendered. Mary possesses a strong, almost psychic bond with her young son, aware when he is hurt or in danger, and experiencing visions of his future Passion in her mind.

Once Jesus (Andreas Pietschmann) begins his public ministry ("He couldn't stay and be a carpenter forever," Joseph says), Mary is always present, strong and compassionate, helping when she can. But when she asks him for assistance with the wine at Cana, she later worries she was impulsive, forcing Jesus to act before he was ready.

Mary not only shares her son's ministry, but also his pain. Every blow during the scourging is felt by Mary, as is the slow agony of Crucifixion. She literally crawls up the hill of Calvary on her hands and knees to be near her dying son.

The depictions of the slaughter of the innocents and the Passion are graphic, even harrowing, which pre-teens might find upsetting.

But for the rest of the family, "Mary of Nazareth" makes for an enriching catechetical experience that's also both inspiring and entertaining. The film is fittingly dedicated "to all mothers, whose life-giving, sacrificial love, like Mary, changes the world."

"Mary of Nazareth" is available for sponsored screenings in theaters, and is expected to be released on DVD later this year. For more information, visit www.maryfilm.com.

The film contains several scenes of bloody violence and death. The Catholic News Service classification is A-II—adults and adolescents. Not rated by the Motion Picture Association of America.

*****
Joseph McAleer is a guest reviewer for Catholic News Service.



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Anthony Claret: The "spiritual father of Cuba" was a missionary, religious founder, social reformer, queen’s chaplain, writer and publisher, archbishop and refugee. He was a Spaniard whose work took him to the Canary Islands, Cuba, Madrid, Paris and to the First Vatican Council. 
<p>In his spare time as weaver and designer in the textile mills of Barcelona, he learned Latin and printing: The future priest and publisher was preparing. Ordained at 28, he was prevented by ill health from entering religious life as a Carthusian or as a Jesuit, but went on to become one of Spain’s most popular preachers. </p><p>He spent 10 years giving popular missions and retreats, always placing great emphasis on the Eucharist and devotion to the Immaculate Heart of Mary. Her rosary, it was said, was never out of his hand. At 42, beginning with five young priests, he founded a religious institute of missionaries, known today as the Claretians. </p><p>He was appointed to head the much-neglected archdiocese of Santiago in Cuba. He began its reform by almost ceaseless preaching and hearing of confessions, and suffered bitter opposition mainly for opposing concubinage and giving instruction to black slaves. A hired assassin (whose release from prison Anthony had obtained) slashed open his face and wrist. Anthony succeeded in getting the would-be assassin’s death sentence commuted to a prison term. His solution for the misery of Cubans was family-owned farms producing a variety of foods for the family’s own needs and for the market. This invited the enmity of the vested interests who wanted everyone to work on a single cash crop—sugar. Besides all his religious writings are two books he wrote in Cuba: <i>Reflections on Agriculture</i> and <i>Country Delights</i>. </p><p>He was recalled to Spain for a job he did not relish—being chaplain for the queen. He went on three conditions: He would reside away from the palace, he would come only to hear the queen’s confession and instruct the children and he would be exempt from court functions. In the revolution of 1868, he fled with the queen’s party to Paris, where he preached to the Spanish colony. </p><p>All his life Anthony was interested in the Catholic press. He founded the Religious Publishing House, a major Catholic publishing venture in Spain, and wrote or published 200 books and pamphlets. </p><p>At Vatican I, where he was a staunch defender of the doctrine of infallibility, he won the admiration of his fellow bishops. Cardinal Gibbons of Baltimore remarked of him, "There goes a true saint." At the age of 63, he died in exile near the border of Spain.</p> American Catholic Blog The greatest tragedy of our world is that men do not know, really know, that God loves them. Some believe it in a shadowy sort of way. If they were to really think about it they would soon realize that their belief in God’s love for them is very remote and abstract. Because of this lack of realization of God’s love for them, men do not know how to love God back. —Catherine de Hueck Doherty

 
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