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ON FAITH & MEDIA View Comments

The Secret Life of Walter Mitty

By
John Mulderig
Source: Catholic News Service


Ben Stiller and Sean Penn star in a scene from the movie "The Secret Life of Walter Mitty."
"The Secret Life of Walter Mitty" (Fox) receives its title, the name of its main character and his principal attribute—a tendency to engage in extravagant daydreams—from a classic 1939 short story by humorist James Thurber. But there the similarities pretty much end.

This is the second time Thurber's wry yarn—itself too brief, perhaps, to be adapted for the screen as anything but a short film—has been made into a feature that retains little resemblance to its source material. In 1947, Thurber's work was given the golden-age Hollywood treatment by director Norman Z. McLeod—and emerged as a song-and-dance vehicle for Danny Kaye.

Turning to the new version, helmed by and starring Ben Stiller, it's hard to say what we have. This strange blend of comedy, drama and travelogue is, by turns, claustrophobic and sprawling, puerile and sweetly emotional. Early scenes showcase humor about awkward workplace situations and executive bullies; later ones present a serious study in self-realization.

At least the outline of the plot is fairly easily sketched: Soft-spoken, office-bound photo editor Walter Mitty (Stiller) takes great pride in his work for a fictionalized version of Life magazine, a publication whose credo, inscribed on a lobby wall, he has learned by heart. But otherwise his existence is so mundane that he frequently escapes into fantasies. These often revolve around his imaginary romance with Cheryl Melhoff (Kristen Wiig), the fetching co-worker for whom he secretly pines.

When a crucial negative sent in from the field by Life's leading photographer Sean O'Connell (Sean Penn) goes missing, Walter is facing unemployment unless he can recover it. Thus begins a series of globetrotting expeditions that will transform Walter's delusions of grand adventure into reality.

One of the movie's most enjoyable subplots charts Walter's interaction with recent divorcee Cheryl's teen son, Rich (Marcus Antturi). A former skateboarding whiz, Walter gains Rich's attention and respect by giving him skating tips, and later brings him back an appropriate memento from one of his far-flung journeys. When circumstances suggest a possible reconciliation between Cheryl and her ex, moreover, Walter respectfully steps back from his timid wooing of her.

At the other end of the emotional spectrum lies Walter's caricatured relationship with Ted Hendricks (Adam Scott). This locker-room bully of an executive has no patience for his easily abashed subordinate's woolgathering. Yet he holds Walter's professional future in his callous hands. In fact, Ted is such an irksome overgrown adolescent that Walter imagines various forms of revenge against him ranging from a crushing insult to a violent beating.

To the degree that the unstable proceedings have a moral core, it can be found in Sean. Mellow, weather-beaten, appreciative of nature and of Walter's steady, self-effacing work behind the scenes, Sean is part New Age guru, part dispenser of social commentary on behalf of the unsung 99 percent.

Indeed, the satisfaction viewers derive from this shape-shifting movie—which, although not suitable for teens, involves relatively little that would be problematic for adults—will depend in large part on how much they share Walter's admiration for Sean.

Those who don't can always curl up at home for a profitable half hour or so reading Thurber's masterwork. It's a comic gem that, in all but name, has yet to be set against the backdrop of the silver screen.

The film contains brief but harsh violence, at least one use of profanity and a few crude and crass terms. The Catholic News Service classification is A-III—adults. The Motion Picture Association of America rating is PG—parental guidance suggested. Some material may not be suitable for children.

*****
John Mulderig is on the staff of Catholic News Service.



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Martyrdom of John the Baptist: The drunken oath of a king with a shallow sense of honor, a seductive dance and the hateful heart of a queen combined to bring about the martyrdom of John the Baptist. The greatest of prophets suffered the fate of so many Old Testament prophets before him: rejection and martyrdom. The “voice crying in the desert” did not hesitate to accuse the guilty, did not hesitate to speak the truth. But why? What possesses a man that he would give up his very life? 
<p>This great religious reformer was sent by God to prepare the people for the Messiah. His vocation was one of selfless giving. The only power that he claimed was the Spirit of Yahweh. “I am baptizing you with water, for repentance, but the one who is coming after me is mightier than I. I am not worthy to carry his sandals. He will baptize you with the Holy Spirit and fire” (Matthew 3:11). Scripture tells us that many people followed John looking to him for hope, perhaps in anticipation of some great messianic power. John never allowed himself the false honor of receiving these people for his own glory. He knew his calling was one of preparation. When the time came, he led his disciples to Jesus: “The next day John was there again with two of his disciples, and as he watched Jesus walk by, he said, ‘Behold, the Lamb of God.’ The two disciples heard what he said and followed Jesus” (John 1:35-37). It is John the Baptist who has pointed the way to Christ. John’s life and death were a giving over of self for God and other people. His simple style of life was one of complete detachment from earthly possessions. His heart was centered on God and the call that he heard from the Spirit of God speaking to his heart. Confident of God’s grace, he had the courage to speak words of condemnation or repentance, of salvation.</p> American Catholic Blog Those who pray learn to favor and prefer God’s judgment over that of human beings. God always outdoes us in generosity and in receptivity. God is always more loving than the person who has loved you the most!

 
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