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ON FAITH & MEDIA View Comments

The Book Thief

By
Kurt Jensen
Source: Catholic News Service


Ben Schnetzer and Sophie Nelisse star in a scene from the movie "The Book Thief."
"The Book Thief" (Fox), a film about how the power of reading can transcend the vilest bigotry, is so beautifully crafted and performed, it makes you want to embrace and celebrate it.

But the picture comes with a defect that's too significant to be overlooked.

Director Brian Percival and screenwriter Michael Petroni have squeezed all the nuance and moral ambiguity out of their adaptation of Markus Zusak's much-lauded young-adult novel of 2005. What's left is a well-intentioned, awkwardly sentimental Holocaust story filled with "righteous Gentiles" and sanitized of historical context.

It's still a movie worth seeing, and mature adolescents won't have difficulty with it. In fact, "The Book Thief" could provide the opportunity for worthwhile group discussions, perhaps focusing on key elements missing from the source novel. Just don't take what you're seeing as history.

Sophie Nelisse plays Liesel, adopted by Hans (Geoffrey Rush) and Rosa (Emily Watson) Huberman because her communist mother is on the run. Her younger brother has died en route, leaving her a solitary orphan who, at around age 10, cannot read or write.

She somehow understands that books hold power, beginning with the one she pilfers from one of the men who dug her brother's grave. Hans spurs her hunger for reading by constructing a dictionary on a basement wall, and she finds a stalwart friend in classmate Rudy (Nico Liersch).

Because she's such an avid reader, she even grabs a smoldering book when a pile of them are burned in the town square by the bergmeister, Hermann (Rainer Bock). He hopes to placate the Nazi authorities by this show of cultural "purification." But it turns out he has a substantial library of his own, and his wife, Ilsa (Barbara Auer), happily introduces Liesel to this treasury of knowledge.

Liesel's love of literature combined with the compassion of her adoptive parents, who hide their Jewish family friend, Max (Ben Schnetzer), in their basement, somehow combine to make her immune from the corrupting influence of the Hitler Youth. Rudy is such a good kid that he happily darkens himself with dirt to imitate his favorite track star, Jesse Owens.

That's the uplift. Now for the problem.

First, the film is narrated by Death (voice of Roger Allam), who occasionally comments on the purity of someone's soul. Fine, as far as that goes. But in the scene in which Jews are shown being led at gunpoint to a concentration camp, Death, who's been quite chatty up until then, is oddly silent.

Second, the screenplay omits the pro-Nazi grown son of the Hubermans, who could have created some balance to the Disneyfied goings-on. His character shows that hatred and bigotry are always among us, inside our walls—not merely outside.

A spoonful of sugar can't help the Holocaust go down. It's a big flaw in what otherwise should be a quite inspirational movie.

The film contains anti-Semitic dialogue and scenes of wartime bombings. The Catholic News Service classification is A-II—adults and adolescents. The Motion Picture Association of America rating is PG-13—parents strongly cautioned. Some material may be inappropriate for children under 13.

*****
Kurt Jensen is a guest reviewer for Catholic News Service.



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Jeanne Jugan: 
		<p>Born in northern France during the French Revolution—a time when congregations of women and men religious were being suppressed by the national government, Jeanne would eventually be highly praised in the French academy for her community's compassionate care of elderly poor people.</p>
		<p>When Jeanne was three and a half years old, her father, a fisherman, was lost at sea. Her widowed mother was hard pressed to raise her eight children (four died young) alone. At the age of 15 or 16, Jeanne became a kitchen maid for a family that not only cared for its own members, but also served poor, elderly people nearby. Ten years later, Jeanne became a nurse at the hospital in Le Rosais. Soon thereafter she joined a third order group founded by St. John Eudes (August 19).</p>
		<p>After six years she became a servant and friend of a woman she met through the third order. They prayed, visited the poor and taught catechism to children. After her friend's death, Jeanne and two other women continued a similar life in the city of Saint-Sevran. In 1839, they brought in their first permanent guest. They began an association, received more members and more guests. Mother Marie of the Cross, as Jeanne was now known, founded six more houses for the elderly by the end of 1849, all staffed by members of her association—the Little Sisters of the Poor. By 1853 the association numbered 500 and had houses as far away as England.</p>
		<p>Abbé Le Pailleur, a chaplain, had prevented Jeanne's reelection as superior in 1843; nine year later, he had her assigned to duties within the congregation, but would not allow her to be recognized as its founder. He was removed from office by the Holy See in 1890. </p>
		<p>By the time Pope Leo XIII gave her final approval to the community's constitutions in 1879, there were 2,400 Little Sisters of the Poor. Jeanne died later that same year, on August 30. Her cause was introduced in Rome in 1970, and she was beatified in 1982 and canonized in 2009. </p>
		<p> </p>
American Catholic Blog The people who know God well—the hermits, the prayerful people, those who risk everything to find God—always meet a lover, not a dictator. God is never found to be an abusive father or a manipulative mother, but a lover who is more than we dared hope for.

 
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