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ON FAITH & MEDIA View Comments

Out of the Furnace

By
John Mulderig
Source: Catholic News Service


Woody Harrelson and Christian Bale star in a scene from the movie "Out of the Furnace."
Director and co-writer Scott Cooper's often bleak, sometimes touching drama "Out of the Furnace" (Relativity) is a grim journey into hardscrabble, rust-belt America. Religion in general, and Catholicism in particular, are shown to offer a ray of hope to the good characters who must live within this impoverished landscape. But late plot developments involving vigilantism are treated equivocally at best in Cooper and Brad Ingelsby's script—and thus require mature interpretation.

Set in the decaying mill town of Braddock, Pa., this is the story of two brothers: stalwart steel worker Russell Baze (Christian Bale) and his younger sibling Rodney (Casey Affleck), a directionless Iraq War vet. Together they endure a series of personal misfortunes, ranging from their bedridden father Rodney Sr.'s (Bingo O'Malley) lingering illness and young Rodney's repeated tours of duty overseas to Russell's run-in with the law and the subsequent departure of his live-in girlfriend Lena (Zoe Saldana).

These afflictions culminate when Rodney tries to make a living as a bare-knuckle boxer. Despite the warnings of local bookie John Petty (Willem Dafoe), who organizes the spectacle in Braddock, Rodney wants a shot at the bigger purses on offer in the Ramapo Mountains of New Jersey. But that means getting mixed up with vicious backwoods fight promoter Harlan DeGroat (Woody Harrelson).

With naive Rodney discovering, too late, that he's out of his depth, it's up to Russell and their Uncle Red (Sam Shepard)—effectively the family patriarch -- to try to rescue him.

Though their presence is welcome, the religious details in the background of these downbeat proceedings are somewhat confused. Rodney Sr. has a statue of the Madonna by his bedside, and Red is shown praying the rosary. Yet when Russell goes to church, which he does more than once, the setting seems more Protestant than Catholic.

Perhaps this is merely a bid not to appear too sectarian. At any rate, the implicit message is that faith is a source of at least some minimal sustenance in an otherwise comfortless environment.

Scriptural values are left in the dust, however, as one of the main characters takes justice into his own hands. Though this is hardly presented as a good thing, there is also no clear-cut condemnation of it. So adult viewers will need to bring a well-formed conscience and seasoned judgment to bear on a conclusion as bleak as what has gone before.

The film contains much harsh violence, with some gore, revenge and narcotics themes, cohabitation, several uses of profanity and pervasive rough and crude language. The Catholic News Service classification is L—limited adult audience, films whose problematic content many adults would find troubling. The Motion Picture Association of America rating is R—restricted. Under 17 requires accompanying parent or adult guardian.

*****
John Mulderig is on the staff of Catholic News Service.



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Anthony Claret: The "spiritual father of Cuba" was a missionary, religious founder, social reformer, queen’s chaplain, writer and publisher, archbishop and refugee. He was a Spaniard whose work took him to the Canary Islands, Cuba, Madrid, Paris and to the First Vatican Council. 
<p>In his spare time as weaver and designer in the textile mills of Barcelona, he learned Latin and printing: The future priest and publisher was preparing. Ordained at 28, he was prevented by ill health from entering religious life as a Carthusian or as a Jesuit, but went on to become one of Spain’s most popular preachers. </p><p>He spent 10 years giving popular missions and retreats, always placing great emphasis on the Eucharist and devotion to the Immaculate Heart of Mary. Her rosary, it was said, was never out of his hand. At 42, beginning with five young priests, he founded a religious institute of missionaries, known today as the Claretians. </p><p>He was appointed to head the much-neglected archdiocese of Santiago in Cuba. He began its reform by almost ceaseless preaching and hearing of confessions, and suffered bitter opposition mainly for opposing concubinage and giving instruction to black slaves. A hired assassin (whose release from prison Anthony had obtained) slashed open his face and wrist. Anthony succeeded in getting the would-be assassin’s death sentence commuted to a prison term. His solution for the misery of Cubans was family-owned farms producing a variety of foods for the family’s own needs and for the market. This invited the enmity of the vested interests who wanted everyone to work on a single cash crop—sugar. Besides all his religious writings are two books he wrote in Cuba: <i>Reflections on Agriculture</i> and <i>Country Delights</i>. </p><p>He was recalled to Spain for a job he did not relish—being chaplain for the queen. He went on three conditions: He would reside away from the palace, he would come only to hear the queen’s confession and instruct the children and he would be exempt from court functions. In the revolution of 1868, he fled with the queen’s party to Paris, where he preached to the Spanish colony. </p><p>All his life Anthony was interested in the Catholic press. He founded the Religious Publishing House, a major Catholic publishing venture in Spain, and wrote or published 200 books and pamphlets. </p><p>At Vatican I, where he was a staunch defender of the doctrine of infallibility, he won the admiration of his fellow bishops. Cardinal Gibbons of Baltimore remarked of him, "There goes a true saint." At the age of 63, he died in exile near the border of Spain.</p> American Catholic Blog The greatest tragedy of our world is that men do not know, really know, that God loves them. Some believe it in a shadowy sort of way. If they were to really think about it they would soon realize that their belief in God’s love for them is very remote and abstract. Because of this lack of realization of God’s love for them, men do not know how to love God back. —Catherine de Hueck Doherty

 
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