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ON FAITH & MEDIA View Comments

Black Nativity

By
John Mulderig
Source: Catholic News Service


Forest Whitaker and Jacob Latimore star in a scene from the movie "Black Nativity."
If you're tempted to bewail the absence of Christ from Christmas these days, you'll find the Lord right where he belongs -- front and center, receiving praise and worship -- in the rousing musical drama "Black Nativity" (Fox Searchlight).

In fact, redemption-centered Christian faith pervades the picture to a degree rarely seen in a mainstream movie.

That's just as well, since the urban setting of this adaptation—and updating—of poet Langston Hughes' 1961 song-play surrounds its characters with a host of ills from which to be saved. A case in point: the poverty besetting Baltimore single mother Naima Cobb (Jennifer Hudson).

Facing eviction from the home she shares with her good-hearted but naive son, Langston (Jacob Latimore)—named for the author, of course—Naima sends Langston to New York to live with her estranged parents: stern Harlem minister Cornell (Forest Whitaker) and his more sympathetic wife, Aretha (Angela Bassett). Naima hopes the arrangement will only be temporary.

Miserable in his new surroundings, Langston pines for his mom and chafes under the exacting standards of respectability enforced by his grandfather. He's also plagued by misadventures, one of which lands him in jail for a time.

Tempted to solve Naima's financial woes by stealing enough loot to get her back on her feet, misguided Langston seems headed for the life of a petty criminal. But the annual holiday pageant Cornell's church puts on—during which Langston has a vision of the first Christmas—helps him to see the light.

So too does the unexpected intervention of a concerned acquaintance (Tyrese Gibson), a man Langston first encountered during his brief incarceration.

Soulful musical performances, unabashed piety and resoundingly positive values go a long way to smoothing over the rough patches in screenwriter and director Kasi Lemmons' screen parable. Though not a movie for small children, this heartfelt salute to forgiveness, family unity and the power of religious belief will likely delight most others.

The film contains mature themes and the occasional threat of violence. The Catholic News Service classification is A-II—adults and adolescents. The Motion Picture Association of America rating is PG—parental guidance suggested. Some material may not be suitable for children.

*****
John Mulderig is on the staff of Catholic News Service.



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Feast of the Guardian Angels: Perhaps no aspect of Catholic piety is as comforting to parents as the belief that an angel protects their little ones from dangers real and imagined. Yet guardian angels are not only for children. Their role is to represent individuals before God, to watch over them always, to aid their prayer and to present their souls to God at death. 
<p>The concept of an angel assigned to guide and nurture each human being is a development of Catholic doctrine and piety based on Scripture but not directly drawn from it. Jesus' words in Matthew 18:10 best support the belief: "See that you do not despise one of these little ones, for I say to you that their angels in heaven always look upon the face of my heavenly Father." </p><p>Devotion to the angels began to develop with the birth of the monastic tradition. St. Benedict gave it impetus and Bernard of Clairvaux, the great 12th-century reformer, was such an eloquent spokesman for the guardian angels that angelic devotion assumed its current form in his day. </p><p>A feast in honor of the guardian angels was first observed in the 16th century. In 1615, Pope Paul V added it to the Roman calendar.</p> American Catholic Blog Nothing then, must keep us back, nothing separate us from Him, and nothing come between us and Him.

 
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