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ON FAITH & MEDIA View Comments

Carrie

By
Kurt Jensen
Source: Catholic News Service


Chloe Grace Moretz and Julianne Moore star in a scene from the movie "Carrie."
Since high school bullying can now bring felony charges, the telekinetic revenge of "Carrie" (Screen Gems) seems almost quaint.

Someone decided that a reboot of the 1976 horror film based on Stephen King's 1974 novel was a good idea, though. So by gosh, by golly and by rote, director Kimberly Peirce has taken a crack at it, and here we are.

In the wake of the original film headlining Sissy Spacek, there followed a disastrous 1988 Broadway musical, a 1999 big-screen sequel, "The Rage: Carrie 2," and a 2002 TV movie on NBC. Troubled, naive Carrie White, humiliatingly splattered at the senior prom by a bucket of blood, now ranks in the remake league somewhere between "Anna Karenina" and "Dracula."

Peirce's version, scripted by Lawrence D. Cohen and Roberto Aguirre-Sacasa, stars Chloe Grace Moretz as Carrie and Julianne Moore as her deranged fundamentalist Christian mother, Margaret.

Let's be clear what we mean by deranged: Margaret likes to lock her daughter into a closet to repent whenever she feels the girl has sinned, she refers to breasts as "dirty pillows" and she nearly killed Carrie at birth with a pair of scissors.

Peirce's religious imagery includes reproducing one of the earlier film's famous scenes in which Carrie directs a drawer full of cutlery at her mother, who's then stuck onto a door like the arrow-riven St. Sebastian. Pierce also makes a nod to the novel's use of Tennessee Ernie Ford's gospel classic, "Let the Lower Lights Be Burning."

The plot, set in the present day, remains the same. Carrie does not understand menstruation; her ignorance leads to a mortifying scene in the communal high school showers. A cruel classmate, Chris Hargensen (Portia Doubleday), takes advantage of current technology to capture this on her cellphone and upload it to YouTube.

Kindly gym teacher Ms. Desjardin (Judy Greer) bans Chris from the prom as punishment, and Tommy Ross (Ansel Elgort) breaks through Carrie's shyness to ask her to the dance. Carrie's so happy, she makes her own gown. Chris is so angry, she plots a very public revenge.

In the meantime, though, Carrie discovers her ability to move objects around by directing them with her hands or by just glaring at them. She begins with water jugs and a restroom mirror, moves up to Stickley chairs and her mother, and by the time she's queen of the prom, is ready to unleash mayhem.

Blood, and lots of it, is the leitmotif here. There's so much gore, in fact, that it quickly loses all shock value. What's left is a pretty tame gross-out attempt.

The film contains considerable gory violence, implied premarital sexual activity, disturbing imagery, mature themes, a few uses of profanity and fleeting crass language. The Catholic News Service classification is L—limited adult audience, films whose problematic content many adults would find troubling. The Motion Picture Association of America rating is R—restricted. Under 17 requires accompanying parent or adult guardian.

*****
Kurt Jensen is a guest reviewer for Catholic News Service.





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Michael Giedroyc: A life of physical pain and mental torment didn’t prevent Michael Giedroyc from achieving holiness. 
<p>Born near Vilnius, Lithuania, Michael suffered from physical and permanent handicaps from birth. He was a dwarf who had the use of only one foot. Because of his delicate physical condition, his formal education was frequently interrupted. But over time, Michael showed special skills at metalwork. Working with bronze and silver, he created sacred vessels, including chalices.</p><p>He traveled to Kraków, Poland, where he joined the Augustinians. He received permission to live the life of a hermit in a cell adjoining the monastery. There Michael spent his days in prayer, fasted and abstained from all meat and lived to an old age. Though he knew the meaning of suffering throughout his years, his rich spiritual life brought him consolation. Michael’s long life ended in 1485 in Kraków.</p><p>Five hundred years later, Pope John Paul II visited the city and spoke to the faculty of the Pontifical Academy of Theology. The 15th century in Kraków, the pope said, was “the century of saints.” Among those he cited was Blessed Michael Giedroyc.</p> American Catholic Blog The French novelist Leon Bloy once said that there is only one tragedy in life: not to be a saint. It may be that God permits some suffering as the only way to wake someone from a dream of self-sufficiency and illusory happiness.

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