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ON FAITH & MEDIA View Comments

Carrie

By
Kurt Jensen
Source: Catholic News Service


Chloe Grace Moretz and Julianne Moore star in a scene from the movie "Carrie."
Since high school bullying can now bring felony charges, the telekinetic revenge of "Carrie" (Screen Gems) seems almost quaint.

Someone decided that a reboot of the 1976 horror film based on Stephen King's 1974 novel was a good idea, though. So by gosh, by golly and by rote, director Kimberly Peirce has taken a crack at it, and here we are.

In the wake of the original film headlining Sissy Spacek, there followed a disastrous 1988 Broadway musical, a 1999 big-screen sequel, "The Rage: Carrie 2," and a 2002 TV movie on NBC. Troubled, naive Carrie White, humiliatingly splattered at the senior prom by a bucket of blood, now ranks in the remake league somewhere between "Anna Karenina" and "Dracula."

Peirce's version, scripted by Lawrence D. Cohen and Roberto Aguirre-Sacasa, stars Chloe Grace Moretz as Carrie and Julianne Moore as her deranged fundamentalist Christian mother, Margaret.

Let's be clear what we mean by deranged: Margaret likes to lock her daughter into a closet to repent whenever she feels the girl has sinned, she refers to breasts as "dirty pillows" and she nearly killed Carrie at birth with a pair of scissors.

Peirce's religious imagery includes reproducing one of the earlier film's famous scenes in which Carrie directs a drawer full of cutlery at her mother, who's then stuck onto a door like the arrow-riven St. Sebastian. Pierce also makes a nod to the novel's use of Tennessee Ernie Ford's gospel classic, "Let the Lower Lights Be Burning."

The plot, set in the present day, remains the same. Carrie does not understand menstruation; her ignorance leads to a mortifying scene in the communal high school showers. A cruel classmate, Chris Hargensen (Portia Doubleday), takes advantage of current technology to capture this on her cellphone and upload it to YouTube.

Kindly gym teacher Ms. Desjardin (Judy Greer) bans Chris from the prom as punishment, and Tommy Ross (Ansel Elgort) breaks through Carrie's shyness to ask her to the dance. Carrie's so happy, she makes her own gown. Chris is so angry, she plots a very public revenge.

In the meantime, though, Carrie discovers her ability to move objects around by directing them with her hands or by just glaring at them. She begins with water jugs and a restroom mirror, moves up to Stickley chairs and her mother, and by the time she's queen of the prom, is ready to unleash mayhem.

Blood, and lots of it, is the leitmotif here. There's so much gore, in fact, that it quickly loses all shock value. What's left is a pretty tame gross-out attempt.

The film contains considerable gory violence, implied premarital sexual activity, disturbing imagery, mature themes, a few uses of profanity and fleeting crass language. The Catholic News Service classification is L—limited adult audience, films whose problematic content many adults would find troubling. The Motion Picture Association of America rating is R—restricted. Under 17 requires accompanying parent or adult guardian.

*****
Kurt Jensen is a guest reviewer for Catholic News Service.



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Mary Magdalene: Except for the mother of Jesus, few women are more honored in the Bible than Mary Magdalene. Yet she could well be the patron of the slandered, since there has been a persistent legend in the Church that she is the unnamed sinful woman who anointed the feet of Jesus in Luke 7:36-50. 
<p>Most Scripture scholars today point out that there is no scriptural basis for confusing the two women. Mary Magdalene, that is, “of Magdala,” was the one from whom Christ cast out “seven demons” (Luke 8:2)—an indication, at the worst, of extreme demonic possession or, possibly, severe illness. </p><p>Father Wilfrid J. Harrington, O.P., writing in the <i>New Catholic Commentary</i>, says that “seven demons” “does not mean that Mary had lived an immoral life—a conclusion reached only by means of a mistaken identification with the anonymous woman of Luke 7:36.” Father Edward Mally, S.J., writing in the <i>Jerome Biblical Commentary,</i> agrees that she “is not...the same as the sinner of Luke 7:37, despite the later Western romantic tradition about her.” </p><p>Mary Magdalene was one of the many “who were assisting them [Jesus and the Twelve] out of their means.” She was one of those who stood by the cross of Jesus with his mother. And, of all the “official” witnesses that might have been chosen for the first awareness of the Resurrection, she was the one to whom that privilege was given. She is known as the "Apostle to the Apostles."</p> American Catholic Blog Jesus does not save us as individuals, but as members of His Body. We are not just people—unconnected and isolated arms and legs. We are a people—in fact, the People of God.

 
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