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ON FAITH & MEDIA View Comments

Gravity

By
Joseph McAleer
Source: Catholic News Service


Sandra Bullock and George Clooney star in a scene from the movie "Gravity."
Hold on tight for the ride of your life in "Gravity" (Warner Bros.), a lost-in-space adventure as exhilarating as it is terrifying.

Director Alfonso Cuaron ("Children of Men"), who co-wrote the screenplay with his son Jonas, serves up a modern-day horror story with top-notch performances and dazzling 3-D cinematography that envelops the audience in the majesty of space.

The film's life-or-death scenario evokes the spirit of the 2011 movie "Apollo 18." But the danger here doesn't come from aliens as it did in that feature. Instead, it results from all-too-human technology gone badly wrong.

Amid the mayhem, "Gravity" has another, deeper story to tell, as the nearness of death provokes reflections on mortality and the afterlife.

The space shuttle is in orbit 370 miles above Earth, and astronauts Ryan Stone (Sandra Bullock) and Matt Kowalski (George Clooney) are outside it, making repairs to the Hubble Space Telescope. The two crewmates are chalk and cheese: Stone the cool, reserved scientist on her first mission; Kowalski the cocky veteran, a fun-loving space cowboy with the gift of the gab who's savoring his final voyage.

"Houston, I have a bad feeling about this mission," Kowalski quips lightheartedly to mission control before breaking into another yarn as his favorite country music plays in the background.

Kowalski's levity is misplaced. When the Russians launch a missile against a spy satellite, it causes a chain reaction in space, raining debris on the astronauts. Within seconds, the shuttle is destroyed, and Kowalski and Stone are the only survivors, cut off from Earth and spiraling into outer space.

What ensues is "E.T." in reverse, as our plucky marooned humans search for a way to go home (where gravity is taken for granted). With Kowalski steering his jet pack and Stone on a tether, they make their way to the nearest oasis, the International Space Station, where more challenges await.

To describe what happens next would be a spoiler. Suffice it to say that, in the deafening silence of space, the duo has plenty of time to meditate as they stare death in the face.

For Stone, this is an epiphany. She laments that she is alone in the world, mourning the loss of her only child in an accident years ago. "Who will pray for my soul?" she asks.

While she admits that she has never prayed herself, she regrets that no one ever taught her how.

Such feelings are hardly surprising when the possibility of death is imminent. But "Gravity"—which provides a rare combination of enlightenment and excitement—uses these sentiments as stepping stones toward a resolution that viewers of faith will find both satisfying and refreshingly pro-life.

In view of its underlying significance, and despite the elements listed below, some parents may consider "Gravity" acceptable for mature adolescents.

The film contains scenes of intense peril and horror, brief gore, at least one use of profanity and a few crude expressions. The Catholic News Service classification is A-III—adults. The Motion Picture Association of America rating is PG-13—parents strongly cautioned. Some material may be inappropriate for children under 13.

*****
Joseph McAleer is a guest reviewer for Catholic News Service.



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Thomas Aquinas: By universal consent, Thomas Aquinas is the preeminent spokesman of the Catholic tradition of reason and of divine revelation. He is one of the great teachers of the medieval Catholic Church, honored with the titles Doctor of the Church and Angelic Doctor. 
<p>At five he was given to the Benedictine monastery at Monte Cassino in his parents’ hopes that he would choose that way of life and eventually became abbot. In 1239 he was sent to Naples to complete his studies. It was here that he was first attracted to Aristotle’s philosophy. </p><p>By 1243, Thomas abandoned his family’s plans for him and joined the Dominicans, much to his mother’s dismay. On her order, Thomas was captured by his brother and kept at home for over a year. </p><p>Once free, he went to Paris and then to Cologne, where he finished his studies with Albert the Great. He held two professorships at Paris, lived at the court of Pope Urban IV, directed the Dominican schools at Rome and Viterbo, combated adversaries of the mendicants, as well as the Averroists, and argued with some Franciscans about Aristotelianism. </p><p>His greatest contribution to the Catholic Church is his writings. The unity, harmony and continuity of faith and reason, of revealed and natural human knowledge, pervades his writings. One might expect Thomas, as a man of the gospel, to be an ardent defender of revealed truth. But he was broad enough, deep enough, to see the whole natural order as coming from God the Creator, and to see reason as a divine gift to be highly cherished. </p><p>The <i>Summa Theologiae</i>, his last and, unfortunately, uncompleted work, deals with the whole of Catholic theology. He stopped work on it after celebrating Mass on December 6, 1273. When asked why he stopped writing, he replied, “I cannot go on.... All that I have written seems to me like so much straw compared to what I have seen and what has been revealed to me.” He died March 7, 1274.</p> American Catholic Blog We talk often about how we are God’s “hands and feet,” which is true. That being said, we can’t fall into the trap of thinking God needs us like we need Him. He’s God—which makes the reality that He wants to use us and be in a relationship with us an even sweeter, more profound truth.

 
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