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ON FAITH & MEDIA View Comments

Baggage Claim

By
Joseph McAleer
Source: Catholic News Service


Jill Scott, Adam Brody, and Paula Patton star in a scene from the movie "Baggage Claim."
 A good man is hard to find, especially at 30,000 feet. So a determined flight attendant searching for a soul mate among her passengers discovers in the romantic comedy "Baggage Claim" (Fox Searchlight).

Director David E. Talbert ("First Sunday"), who also adapted the screenplay from his 2005 novel, charts an old-fashioned, predictable course with some thematic turbulence along the way. Though riddled with cliches and overly sentimental, "Baggage Claim" is ultimately a trip worth taking. It's that Hollywood rarity, a film that upholds and promotes the institution of marriage.

Montana Moore (Paula Patton) thinks she's finally found Mr. Right in wealthy businessman Graham (Boris Kodjoe). Unfortunately, on the eve of their "engagement," he turns out to be married.

"My relationships have never been cleared for takeoff," Montana laments to William (Derek Luke), her neighbor and friend since childhood. "I don't want to end up alone in a house full of cats."

Her mother, Catherine (Jenifer Lewis), has the opposite problem, having been married five times.

When Montana's younger sister, Sheree, (Lauren London), announces her engagement, Montana is determined to make it to the altar at last (and shed her relationship "baggage"). With the help of colleagues Gail (Jill Scott) and Sam (Adam Brody), Montana arranges in-flight rendezvous' with a series of ex-boyfriends, hoping to rekindle a past romance.

We follow Montana's slapstick adventures in the air and on the ground as she reunites with, among others, record producer Damon (Tremaine "Trey Songz" Neverson), rising politician Langston (Taye Diggs), and millionaire Quinton (Djimon Hounsou).

To her credit, Montana resists the temptation to settle for second-best and a life of submission and exploitation. She's looking for true love, a lifelong commitment, and mutual respect, and is willing to wait. Unfortunately, she's not always so patient where sex is concerned.

In the end, Montana realizes that staying married is a bigger challenge than just getting hitched. For that reason alone, "Baggage Claim" deserves a test flight.

The film contains implied nonmarital sex, mature references, including to homosexuality and contraception, a same-sex kiss, innuendo and some crude language. The Catholic News Service classification is A-III—adults. The Motion Picture Association of America rating is PG-13—parents strongly cautioned. Some material may be inappropriate for children under 13.

*****
Joseph McAleer is a guest reviewer for Catholic News Service.





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Joachim and Anne: In the Scriptures, Matthew and Luke furnish a legal family history of Jesus, tracing ancestry to show that Jesus is the culmination of great promises. Not only is his mother’s family neglected, we also know nothing factual about them except that they existed. Even the names <i>Joachim</i> and <i>Anne</i> come from a legendary source written more than a century after Jesus died. 
<p>The heroism and holiness of these people, however, is inferred from the whole family atmosphere around Mary in the Scriptures. Whether we rely on the legends about Mary’s childhood or make guesses from the information in the Bible, we see in her a fulfillment of many generations of prayerful persons, herself steeped in the religious traditions of her people. </p><p>The strong character of Mary in making decisions, her continuous practice of prayer, her devotion to the laws of her faith, her steadiness at moments of crisis, and her devotion to her relatives—all indicate a close-knit, loving family that looked forward to the next generation even while retaining the best of the past. </p><p>Joachim and Anne—whether these are their real names or not—represent that entire quiet series of generations who faithfully perform their duties, practice their faith and establish an atmosphere for the coming of the Messiah, but remain obscure.</p> American Catholic Blog My hope is that my children reach beyond me in character. I don’t want to be their moral ceiling. That makes me responsible to guide and discipline them in directions I don’t always follow. And above all, to show them mercy for their human frailty, as I ask them to show me that same mercy for mine.

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