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ON FAITH & MEDIA View Comments

Rush

By
John Mulderig
Source: Catholic News Service


Chris Hemsworth and James Hunt star in a scene from the movie "Rush."
The 1976 Formula One racing season provides the backdrop for the fact-based drama "Rush" (Universal).

As he portrays the rivalry between that year's two leading drivers—freewheeling British playboy James Hunt (Chris Hemsworth) and obsessively disciplined Austrian Niki Lauda (Daniel Bruhl)—director Ron Howard skillfully ratchets up the suspense, and the foreboding.

Yet, as scripted by Peter Morgan, Howard's film presents audiences with a range of morally unsettling elements as well as with an emotionally wrenching sequence involving gory wounds. Accordingly, it makes appropriate viewing neither for the squeamish nor for those lacking in maturity and discernment.

Hunt's dissolute ways draw his relentlessly focused chief competitor's jealousy and resentment; while Lauda's humorless Teutonic temperament becomes the target of Hunt's contempt. Recklessly, the two contenders spur each other on to ever more dangerous tactics.

Off the track, in a bid to mute his own excesses, Hunt impulsively proposes to high-profile model Suzy Miller (Olivia Wilde). Though their union reins in his alley-cat impulses, it does nothing to curb his drinking or his self-centeredness, and the stage is set for future conflicts.

Lauda, meanwhile, falls for chance acquaintance Marlene (Alexandra Maria Lara), a fellow German-speaker who knows nothing, initially, of his fame as a racer. Though their romance is a predictably low-key affair, events prove their connection durable, Lauda's prickly personality notwithstanding.

The movie's climax highlights the folly of Hunt and Lauda's safety-disdaining feud. Still, viewers committed to the sanctity of life will note that the prospect of some fatal disaster is precisely what imbues both their sport—and this picture about it—with the dynamics of high-stakes drama.

As for the sexual escapades that make up a significant aspect of Hunt's private life, they're presented not only unblinkingly, but in a way that tends to glamorize them as well. Such bedroom scenes, however, take up only a tiny fraction of the running time.

Though it's equally fleeting, and set within the context of an extremely stressful situation, an exchange of dialogue showing one central character's obscenely expressed aversion to the ministrations of a Catholic priest can hardly fail to give offense to those who cherish the faith.

In the larger scheme of things, though, Hunt and Lauda's respective fates, detailed before the final credits roll, can be taken as a cautionary tale—one that would seem to vindicate moderation over decadence.

The film contains strong sexual content—including graphic casual sexual activity, an aberrant situation, and upper female and rear nudity—drug use, gruesome medical images, brief harsh violence, an instance of highly irreverent humor, an adultery theme, about a half-dozen uses of profanity and frequent rough and crude language. The Catholic News Service classification is L—limited adult audience, films whose problematic content many adults would find troubling. The Motion Picture Association of America rating is R—restricted. Under 17 requires accompanying parent or adult guardian.

*****
John Mulderig is on the staff of Catholic News Service.





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Louis of France: At his coronation as king of France, Louis IX bound himself by oath to behave as God’s anointed, as the father of his people and feudal lord of the King of Peace. Other kings had done the same, of course. Louis was different in that he actually interpreted his kingly duties in the light of faith. After the violence of two previous reigns, he brought peace and justice. 
<p>He was crowned king at 12, at his father’s death. His mother, Blanche of Castile, ruled during his minority. When he was 19 and his bride 12, he was married to Marguerite of Provence. It was a loving marriage, though not without challenge. They had 11 children. </p><p>Louis “took the cross” for a Crusade when he was 30. His army seized Damietta ini Egypt but not long after, weakened by dysentery and without support, they were surrounded and captured. Louis obtained the release of the army by giving up the city of Damietta in addition to paying a ransom. He stayed in Syria four years. </p><p>He deserves credit for extending justice in civil administration. His regulations for royal officials became the first of a series of reform laws. He replaced trial by battle with a form of examination of witnesses and encouraged the use of written records in court. </p><p>Louis was always respectful of the papacy, but defended royal interests against the popes and refused to acknowledge Innocent IV’s sentence against Emperor Frederick II. </p><p>Louis was devoted to his people, founding hospitals, visiting the sick and, like his patron St. Francis (October 4), caring even for people with leprosy. (He is one of the patrons of the Secular Franciscan Order.) Louis united France—lords and townsfolk, peasants and priests and knights—by the force of his personality and holiness. For many years the nation was at peace. </p><p>Every day Louis had 13 special guests from among the poor to eat with him, and a large number of poor were served meals near his palace. During Advent and Lent, all who presented themselves were given a meal, and Louis often served them in person. He kept lists of needy people, whom he regularly relieved, in every province of his dominion. </p><p>Disturbed by new Muslim advances in Syria, he led another crusade in 1267, at the age of 41. His crusade was diverted to Tunis for his brother’s sake. The army was decimated by disease within a month, and Louis himself died on foreign soil at the age of 44. He was canonized 27 years later.</p> American Catholic Blog God passes through the thicket of the world, and wherever His glance falls He turns all things to beauty. <br />–St. John of the Cross

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