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John Mulderig
Source: Catholic News Service

Chris Hemsworth and James Hunt star in a scene from the movie "Rush."
The 1976 Formula One racing season provides the backdrop for the fact-based drama "Rush" (Universal).

As he portrays the rivalry between that year's two leading drivers—freewheeling British playboy James Hunt (Chris Hemsworth) and obsessively disciplined Austrian Niki Lauda (Daniel Bruhl)—director Ron Howard skillfully ratchets up the suspense, and the foreboding.

Yet, as scripted by Peter Morgan, Howard's film presents audiences with a range of morally unsettling elements as well as with an emotionally wrenching sequence involving gory wounds. Accordingly, it makes appropriate viewing neither for the squeamish nor for those lacking in maturity and discernment.

Hunt's dissolute ways draw his relentlessly focused chief competitor's jealousy and resentment; while Lauda's humorless Teutonic temperament becomes the target of Hunt's contempt. Recklessly, the two contenders spur each other on to ever more dangerous tactics.

Off the track, in a bid to mute his own excesses, Hunt impulsively proposes to high-profile model Suzy Miller (Olivia Wilde). Though their union reins in his alley-cat impulses, it does nothing to curb his drinking or his self-centeredness, and the stage is set for future conflicts.

Lauda, meanwhile, falls for chance acquaintance Marlene (Alexandra Maria Lara), a fellow German-speaker who knows nothing, initially, of his fame as a racer. Though their romance is a predictably low-key affair, events prove their connection durable, Lauda's prickly personality notwithstanding.

The movie's climax highlights the folly of Hunt and Lauda's safety-disdaining feud. Still, viewers committed to the sanctity of life will note that the prospect of some fatal disaster is precisely what imbues both their sport—and this picture about it—with the dynamics of high-stakes drama.

As for the sexual escapades that make up a significant aspect of Hunt's private life, they're presented not only unblinkingly, but in a way that tends to glamorize them as well. Such bedroom scenes, however, take up only a tiny fraction of the running time.

Though it's equally fleeting, and set within the context of an extremely stressful situation, an exchange of dialogue showing one central character's obscenely expressed aversion to the ministrations of a Catholic priest can hardly fail to give offense to those who cherish the faith.

In the larger scheme of things, though, Hunt and Lauda's respective fates, detailed before the final credits roll, can be taken as a cautionary tale—one that would seem to vindicate moderation over decadence.

The film contains strong sexual content—including graphic casual sexual activity, an aberrant situation, and upper female and rear nudity—drug use, gruesome medical images, brief harsh violence, an instance of highly irreverent humor, an adultery theme, about a half-dozen uses of profanity and frequent rough and crude language. The Catholic News Service classification is L—limited adult audience, films whose problematic content many adults would find troubling. The Motion Picture Association of America rating is R—restricted. Under 17 requires accompanying parent or adult guardian.

John Mulderig is on the staff of Catholic News Service.

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Bruno: This saint has the honor of having founded a religious order which, as the saying goes, has never had to be reformed because it was never deformed. No doubt both the founder and the members would reject such high praise, but it is an indication of the saint's intense love of a penitential life in solitude. 
<p>Bruno was born in Cologne, Germany, became a famous teacher at Rheims and was appointed chancellor of the archdiocese at the age of 45. He supported Pope Gregory VII in his fight against the decadence of the clergy and took part in the removal of his own scandalous archbishop, Manasses. Bruno suffered the plundering of his house for his pains. </p><p>He had a dream of living in solitude and prayer, and persuaded a few friends to join him in a hermitage. After a while he felt the place unsuitable and, through a friend, was given some land which was to become famous for his foundation "in the Chartreuse" (from which comes the word Carthusians). The climate, desert, mountainous terrain and inaccessibility guaranteed silence, poverty and small numbers. </p><p>Bruno and his friends built an oratory with small individual cells at a distance from each other. They met for Matins and Vespers each day and spent the rest of the time in solitude, eating together only on great feasts. Their chief work was copying manuscripts. </p><p>The pope, hearing of Bruno's holiness, called for his assistance in Rome. When the pope had to flee Rome, Bruno pulled up stakes again, and spent his last years (after refusing a bishopric) in the wilderness of Calabria. </p><p>He was never formally canonized, because the Carthusians were averse to all occasions of publicity. However Pope Clement X extended his feast to the whole Church in 1674.</p> American Catholic Blog The saints in heaven love and care for us, and so it is fitting that we pray to them and ask for their prayers, as we on earth assist one another through prayer.

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