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ON FAITH & MEDIA View Comments

Prisoners

By
John Mulderig
Source: Catholic News Service


Hugh Jackman and Paul Dano star in a scene from the movie "Prisoners."
Any film that begins with a character earnestly reciting the Our Father is well calculated to grab the attention of Christian viewers. And, in the case of the powerful drama "Prisoners" (Warner Bros.), such concentration on the part of believers will be, in some respects at least, well rewarded by what follows.

Yet, for all its thematic and symbolic richness, this foray into psychological darkness is too bleak to pass for casual fare. Weighty but wrenching, it can only be endorsed for older moviegoers of considerable fortitude.

The voice delivering the Lord's Prayer belongs to devout family man Keller Dover (Hugh Jackman). A working stiff in a hardscrabble Pennsylvania suburb, Keller is a seemingly decent man who operates by traditional values.

His commitment to such ethics is put to the test, however, by a horrifying scenario: On a rainy Thanksgiving Day, Keller's 6-year-old daughter Anna disappears, together with one of her playmates. It soon becomes apparent that the girls have been kidnapped, and suspicion focuses on mentally challenged local loner Alex Jones (Paul Dano).

Though the lead investigator on the case, Detective Loki (Jake Gyllenhaal), takes Jones in for questioning, the evidence against him is insufficient to press charges. Outraged by Jones' release, and desperate to locate Anna, Keller turns vicious vigilante. He abducts Jones at gunpoint and holds him prisoner while trying to beat information out of him.

Loki, meanwhile, doggedly pursues other angles, eventually uncovering a hidden web of satanically evil events and relationships.

Though it presents the facade of a thriller, director Denis Villeneuve's film is primarily an exploration of the human condition, including the chain reaction by which sin begets sin, as well as of the role of religious faith in a fallen world.

Keller is never identified with a particular denomination, and the question of his specific beliefs is muddled by the fact that his devotions include both Catholic and Protestant prayers. But he is a test case for faith under fire and an illustration of the dangers involved in any attempt to make the ends justify the means.

Screenwriter Aaron Guzikowski's script is unflinching in its portrayal of the increasingly brutal measures to which Keller is driven. Add to that such seamy details as an incidental priest figure who is both a sex offender and an alcoholic, and it becomes clear that "Prisoners" requires of its audience not only a capacity for grim material but mature interpretive skills as well.

The film contains harrowing violence, including beatings, torture and a gory suicide, mature themes, a negative treatment of Catholic clergy, at least one use of profanity and constant rough and crude language. The Catholic News Service classification is L—limited adult audience, films whose problematic content many adults would find troubling. The Motion Picture Association of America rating is R—restricted. Under 17 requires accompanying parent or adult guardian.

*****
John Mulderig is on the staff of Catholic News Service.



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Th&eacute;r&egrave;se of Lisieux: "I prefer the monotony of obscure sacrifice to all ecstasies. To pick up a pin for love can convert a soul." These are the words of Thérèse of the Child Jesus, a Carmelite nun called the "Little Flower," who lived a cloistered life of obscurity in the convent of Lisieux, France. (In French-speaking areas, she is known as Thérèse of Lisieux.) And her preference for hidden sacrifice did indeed convert souls. Few saints of God are more popular than this young nun. Her autobiography, <i>The Story of a Soul</i>, is read and loved throughout the world. Thérèse Martin entered the convent at the age of 15 and died in 1897 at the age of 24. She was canonized in 1925, and two years later she and St. Francis Xavier were declared co-patrons of the missions. 
<p>Life in a Carmelite convent is indeed uneventful and consists mainly of prayer and hard domestic work. But Thérèse possessed that holy insight that redeems the time, however dull that time may be. She saw in quiet suffering redemptive suffering, suffering that was indeed her apostolate. Thérèse said she came to the Carmel convent "to save souls and pray for priests." And shortly before she died, she wrote: "I want to spend my heaven doing good on earth." </p><p>On October 19, 1997, Saint John Paul II proclaimed her a Doctor of the Church, the third woman to be so recognized, in light of her holiness and the influence on the Church of her teaching on spirituality. Her parents, Louis and Zélie were beatified in 2008.</p> American Catholic Blog How glorious, how holy and wonderful it is to have a Father in Heaven.

 
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