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ON FAITH & MEDIA View Comments

The Grandmaster

By
Joseph McAleer
Source: Catholic News Service


Chen Chang stars in a scene from the movie "The Grandmaster."
Romance and kung-fu fighting may seem like incompatible film ingredients. But in "The Grandmaster" (Weinstein), these unlikely elements meld into the lush and lyrical re-creation of a neglected era of recent Chinese history. Director Wong Kar Wai ("My Blueberry Nights"), who also wrote the screenplay, recounts the true story of the development of the martial arts in early 20th-century China. He offers up the expected, namely, highly stylized fights in slow motion. But, happily, he also presents viewers with more surprising sights: lingering tight close-ups of facial expressions, a raindrop, a flower blossom. The result is an arty, immersive experience resurrecting a lost world where honor, family and tradition were sacrosanct. In 1930s China, the nation was divided regarding the practice of the martial arts. In the south, Ip Man (Tony Leung) claimed supremacy as the "grandmaster" of the "Wing Chun" style of kung fu, which focuses on proper stance and the skillful use of poles and swords. Ip Man sums up kung fu in two words: horizontal and vertical. "If you're wrong, you'll be left lying down. If you're right, you're left standing -- and only the ones who stand have the right to talk." Standing tall in the north, where jumping and kicking are the norm, is grandmaster Gong Baosen (Wang Qingxiang). Before retirement he decides to challenge Ip Man in one last duel (held in the local brothel, which masquerades as a fight club). Gong Baosen loses, much to the humiliation of his daughter, Gong Er (Ziyi Zhang), a fierce fighter herself. Gong Er is ambitious, and a potential contender for grandmaster status, were it not for her gender and the rigid tradition that stands in her way. Even that doesn't stop Gong Er from heading south to challenge Ip Man so that she can restore her father's honor. That's when the sparks really fly. Their intense battle -- akin to a mildly erotic aerial ballet -- is decided only when someone breaks a piece of furniture. When Ip Man lands hard and snaps a stair, he concedes defeat -- but not his heart. Their love is not consummated -- Ip Man is happily married -- but a strong bond of mutual respect and admiration is forged. Time marches on, followed by the Japanese invaders, and then the communists. As their respective worlds crumble, Ip Man and Gong Er face different challenges for survival. Eventually, he becomes a world-renowned teacher of kung fu, and secures his place in history by acquiring a young student of unusual promise by the name of Bruce Lee. In Chinese. Subtitles. The film contains intense but largely bloodless martial arts fighting, brief drug use, a prostitution theme and some rough language. The Catholic News Service classification is A-III -- adults. The Motion Picture Association of America rating is PG-13 -- parents strongly cautioned. Some material may be inappropriate for children under 13. ***** Joseph McAleer is a guest reviewer for Catholic News Service.

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Conversion of St. Paul: Paul’s entire life can be explained in terms of one experience—his meeting with Jesus on the road to Damascus. In an instant, he saw that all the zeal of his dynamic personality was being wasted, like the strength of a boxer swinging wildly. Perhaps he had never seen Jesus, who was only a few years older. But he had acquired a zealot’s hatred of all Jesus stood for, as he began to harass the Church: “...entering house after house and dragging out men and women, he handed them over for imprisonment” (Acts 8:3b). Now he himself was “entered,” possessed, all his energy harnessed to one goal—being a slave of Christ in the ministry of reconciliation, an instrument to help others experience the one Savior. 
<p>One sentence determined his theology: “I am Jesus, whom you are persecuting” (Acts 9:5b). Jesus was mysteriously identified with people—the loving group of people Saul had been running down like criminals. Jesus, he saw, was the mysterious fulfillment of all he had been blindly pursuing. </p><p>From then on, his only work was to “present everyone perfect in Christ. For this I labor and struggle, in accord with the exercise of his power working within me” (Colossians 1:28b-29). “For our gospel did not come to you in word alone, but also in power and in the Holy Spirit and [with] much conviction” (1 Thessalonians 1:5a). </p><p>Paul’s life became a tireless proclaiming and living out of the message of the cross: Christians die baptismally to sin and are buried with Christ; they are dead to all that is sinful and unredeemed in the world. They are made into a new creation, already sharing Christ’s victory and someday to rise from the dead like him. Through this risen Christ the Father pours out the Spirit on them, making them completely new. </p><p>So Paul’s great message to the world was: You are saved entirely by God, not by anything you can do. Saving faith is the gift of total, free, personal and loving commitment to Christ, a commitment that then bears fruit in more “works” than the Law could ever contemplate.</p> American Catholic Blog If you’re confused as to why God would die for you, you either need to rethink your vision of His mercy or of your own worth.

 
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