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ON FAITH & MEDIA View Comments

The Grandmaster

By
Joseph McAleer
Source: Catholic News Service


Chen Chang stars in a scene from the movie "The Grandmaster."
Romance and kung-fu fighting may seem like incompatible film ingredients. But in "The Grandmaster" (Weinstein), these unlikely elements meld into the lush and lyrical re-creation of a neglected era of recent Chinese history. Director Wong Kar Wai ("My Blueberry Nights"), who also wrote the screenplay, recounts the true story of the development of the martial arts in early 20th-century China. He offers up the expected, namely, highly stylized fights in slow motion. But, happily, he also presents viewers with more surprising sights: lingering tight close-ups of facial expressions, a raindrop, a flower blossom. The result is an arty, immersive experience resurrecting a lost world where honor, family and tradition were sacrosanct. In 1930s China, the nation was divided regarding the practice of the martial arts. In the south, Ip Man (Tony Leung) claimed supremacy as the "grandmaster" of the "Wing Chun" style of kung fu, which focuses on proper stance and the skillful use of poles and swords. Ip Man sums up kung fu in two words: horizontal and vertical. "If you're wrong, you'll be left lying down. If you're right, you're left standing -- and only the ones who stand have the right to talk." Standing tall in the north, where jumping and kicking are the norm, is grandmaster Gong Baosen (Wang Qingxiang). Before retirement he decides to challenge Ip Man in one last duel (held in the local brothel, which masquerades as a fight club). Gong Baosen loses, much to the humiliation of his daughter, Gong Er (Ziyi Zhang), a fierce fighter herself. Gong Er is ambitious, and a potential contender for grandmaster status, were it not for her gender and the rigid tradition that stands in her way. Even that doesn't stop Gong Er from heading south to challenge Ip Man so that she can restore her father's honor. That's when the sparks really fly. Their intense battle -- akin to a mildly erotic aerial ballet -- is decided only when someone breaks a piece of furniture. When Ip Man lands hard and snaps a stair, he concedes defeat -- but not his heart. Their love is not consummated -- Ip Man is happily married -- but a strong bond of mutual respect and admiration is forged. Time marches on, followed by the Japanese invaders, and then the communists. As their respective worlds crumble, Ip Man and Gong Er face different challenges for survival. Eventually, he becomes a world-renowned teacher of kung fu, and secures his place in history by acquiring a young student of unusual promise by the name of Bruce Lee. In Chinese. Subtitles. The film contains intense but largely bloodless martial arts fighting, brief drug use, a prostitution theme and some rough language. The Catholic News Service classification is A-III -- adults. The Motion Picture Association of America rating is PG-13 -- parents strongly cautioned. Some material may be inappropriate for children under 13. ***** Joseph McAleer is a guest reviewer for Catholic News Service.

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Gabriel of Our Lady of Sorrows: Born in Italy into a large family and baptized Francis, he lost his mother when he was only four years old. He was educated by the Jesuits and, having been cured twice of serious illnesses, came to believe that God was calling him to the religious life. Young Francis wished to join the Jesuits but was turned down, probably because of his age, not yet 17. Following the death of a sister to cholera, his resolve to enter religious life became even stronger and he was accepted by the Passionists. Upon entering the novitiate he was given the name Gabriel of Our Lady of Sorrows.
<p>Ever popular and cheerful, Gabriel quickly was successful in his effort to be faithful in little things. His spirit of prayer, love for the poor, consideration of the feelings of others, exact observance of the Passionist Rule as well as his bodily penances—always subject to the will of his wise superiors— made a deep impression on everyone.
</p><p>His superiors had great expectations of Gabriel as he prepared for the priesthood, but after only four years of religious life symptoms of tuberculosis appeared. Ever obedient, he patiently bore the painful effects of the disease and the restrictions it required, seeking no special notice. He died peacefully on February 27, 1862, at age 24, having been an example to both young and old.
</p><p>Gabriel of Our Lady of Sorrows was canonized in 1920.</p> American Catholic Blog Life is not always happy, but our connections to others can create a simple and grace-filled quiet celebration of our own and others’ lives. These others are the presence of Christ in our lives.


 
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