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ON FAITH & MEDIA View Comments

The Grandmaster

By
Joseph McAleer
Source: Catholic News Service


Chen Chang stars in a scene from the movie "The Grandmaster."
Romance and kung-fu fighting may seem like incompatible film ingredients. But in "The Grandmaster" (Weinstein), these unlikely elements meld into the lush and lyrical re-creation of a neglected era of recent Chinese history. Director Wong Kar Wai ("My Blueberry Nights"), who also wrote the screenplay, recounts the true story of the development of the martial arts in early 20th-century China. He offers up the expected, namely, highly stylized fights in slow motion. But, happily, he also presents viewers with more surprising sights: lingering tight close-ups of facial expressions, a raindrop, a flower blossom. The result is an arty, immersive experience resurrecting a lost world where honor, family and tradition were sacrosanct. In 1930s China, the nation was divided regarding the practice of the martial arts. In the south, Ip Man (Tony Leung) claimed supremacy as the "grandmaster" of the "Wing Chun" style of kung fu, which focuses on proper stance and the skillful use of poles and swords. Ip Man sums up kung fu in two words: horizontal and vertical. "If you're wrong, you'll be left lying down. If you're right, you're left standing -- and only the ones who stand have the right to talk." Standing tall in the north, where jumping and kicking are the norm, is grandmaster Gong Baosen (Wang Qingxiang). Before retirement he decides to challenge Ip Man in one last duel (held in the local brothel, which masquerades as a fight club). Gong Baosen loses, much to the humiliation of his daughter, Gong Er (Ziyi Zhang), a fierce fighter herself. Gong Er is ambitious, and a potential contender for grandmaster status, were it not for her gender and the rigid tradition that stands in her way. Even that doesn't stop Gong Er from heading south to challenge Ip Man so that she can restore her father's honor. That's when the sparks really fly. Their intense battle -- akin to a mildly erotic aerial ballet -- is decided only when someone breaks a piece of furniture. When Ip Man lands hard and snaps a stair, he concedes defeat -- but not his heart. Their love is not consummated -- Ip Man is happily married -- but a strong bond of mutual respect and admiration is forged. Time marches on, followed by the Japanese invaders, and then the communists. As their respective worlds crumble, Ip Man and Gong Er face different challenges for survival. Eventually, he becomes a world-renowned teacher of kung fu, and secures his place in history by acquiring a young student of unusual promise by the name of Bruce Lee. In Chinese. Subtitles. The film contains intense but largely bloodless martial arts fighting, brief drug use, a prostitution theme and some rough language. The Catholic News Service classification is A-III -- adults. The Motion Picture Association of America rating is PG-13 -- parents strongly cautioned. Some material may be inappropriate for children under 13. ***** Joseph McAleer is a guest reviewer for Catholic News Service.



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Rose of Lima: The first canonized saint of the New World has one characteristic of all saints—the suffering of opposition—and another characteristic which is more for admiration than for imitation—excessive practice of mortification. 
<p>She was born to parents of Spanish descent in Lima, Peru, at a time when South America was in its first century of evangelization. She seems to have taken Catherine of Siena (April 29) as a model, in spite of the objections and ridicule of parents and friends. </p><p>The saints have so great a love of God that what seems bizarre to us, and is indeed sometimes imprudent, is simply a logical carrying out of a conviction that anything that might endanger a loving relationship with God must be rooted out. So, because her beauty was so often admired, Rose used to rub her face with pepper to produce disfiguring blotches. Later, she wore a thick circlet of silver on her head, studded on the inside, like a crown of thorns. </p><p>When her parents fell into financial trouble, she worked in the garden all day and sewed at night. Ten years of struggle against her parents began when they tried to make Rose marry. They refused to let her enter a convent, and out of obedience she continued her life of penance and solitude at home as a member of the Third Order of St. Dominic. So deep was her desire to live the life of Christ that she spent most of her time at home in solitude. </p><p>During the last few years of her life, Rose set up a room in the house where she cared for homeless children, the elderly and the sick. This was a beginning of social services in Peru. Though secluded in life and activity, she was brought to the attention of Inquisition interrogators, who could only say that she was influenced by grace. </p><p>What might have been a merely eccentric life was transfigured from the inside. If we remember some unusual penances, we should also remember the greatest thing about Rose: a love of God so ardent that it withstood ridicule from without, violent temptation and lengthy periods of sickness. When she died at 31, the city turned out for her funeral. Prominent men took turns carrying her coffin.</p> American Catholic Blog Never be in a hurry; do everything quietly and in a calm spirit. Do not lose your inner peace for anything whatsoever, even if your whole worlds seems upset. <br />–St. Francis de Sales

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