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ON FAITH & MEDIA View Comments

The Spectacular Now

By
Joseph McAleer
Source: Catholic News Service


Shailene Woodley and Miles Teller star in a scene from the movie "The Spectacular Now."

"Teen Alcoholics in Love" would be a more accurate title for "The Spectacular Now" (A24), a coming-of-age saga that paints a disturbing picture of high-school life in small-town America. Based on the novel by Tim Tharp and directed by James Ponsoldt (who tackled another drinking theme in 2012's "Smashed"), the film—a familiar story of good girl meets popular but flawed guy—takes an indifferent stance toward a multitude of sins as it charts the romance between these attracted opposites.

Over the course of much angst, the audience wonders whether she will redeem him before he has the chance to corrupt her. High school has never seemed so complicated. Sutter (Miles Teller) is the most popular senior in school, with not a care in the world. He prefers to live—and party—in the moment (the "now" which he finds "spectacular"), rather than accept any responsibility or plan for his future, let alone graduate.

His fecklessness repels his longtime girlfriend Cassidy (Brie Larson), who has the good sense to want more out of life. Sutter is also an alcoholic, forever sipping from a cup of "soda" fortified with booze from his hip flask, drifting through each day in a drunken fog. Worse still, everyone around him seems to be aware of his problem, but excuses his addiction because of his sunny personality. After an all-night bender, Sutter is found, unconscious, on a stranger's front lawn by Aimee (Shailene Woodley), who thinks he's dead.

Prince Charming awakens, however, and Aimee is besotted. Aimee has never had a boyfriend, yet the Big Man on Campus has just landed in her lap. Aimee, a dreamer who longs for companionship, ignores all the red-flag signals that should tell her to flee. Sutter leads her on but is also intrigued by her goodness. Both of them come from troubled backgrounds, but Aimee works to support her widowed mom, while Sutter is consistently enabled by his mother, divorced nurse Sara (Jennifer Jason Leigh).

Over tutoring sessions and rolls in the hay, Aimee plans their future together, while Sutter buys her a flask. Fortunately, Aimee keeps her wits (if not her sobriety), and gently encourages Sutter to mend his selfish ways. First, Sutter must confront the past, and his absent father (Kyle Chandler). Sara has done everything in her power to prevent contact, and for good reason. For Dad is revealed to be a grown-up version of his son, a drunk and drifter, life of the local bar and not interested in anyone but himself.

This should be an epiphany for Sutter, but "The Spectacular Now" has more drama in store, including an ambiguous ending. The movie inhabits an irritating judgment-free zone, which works only so long Aimee is sober and able to keep a grip on the moral compass. The film contains underage drinking, nongraphic, nonmarital, possibly underage sexual activity and occasional profane and crude language.

The Catholic News Service classification is L—limited adult audience, films whose problematic content many adults would find troubling. The Motion Picture Association of America rating is R—restricted. Under 17 requires accompanying parent or adult guardian.

*****
Joseph McAleer is a guest reviewer for Catholic News Service.



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Mary Ann of Jesus of Paredes: Mary Ann grew close to God and his people during her short life. 
<p>The youngest of eight, Mary Ann was born in Quito, Ecuador, which had been brought under Spanish control in 1534. She joined the Secular Franciscans and led a life of prayer and penance at home, leaving her parents’ house only to go to church and to perform some work of charity. She established in Quito a clinic and a school for Africans and indigenous Americans. When a plague broke out, she nursed the sick and died shortly thereafter.</p><p>She was canonized by Pope Pius XII in 1950.</p> American Catholic Blog At times Scripture holds a mirror up to our face and we don’t like what we see. The Word is truth, and sometimes the truth is painful. But so is antiseptic on a wound. Scripture challenges us only to heal us and call us to growth. No pain, no gain.


 
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