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ON FAITH & MEDIA View Comments

Turbo

By
Joseph McAleer
Source: Catholic News Service


Turbo, center, voiced by Ryan Reynolds, is shown in a scene from the animated movie "Turbo."
Aesop's fable of the tortoise and the hare gets a Formula One makeover in "Turbo" (DreamWorks), a rollicking 3-D animated comedy about a garden snail whose wish for super-speed is unexpectedly granted.

Directed and co-written by newcomer David Soren, "Turbo" is a warmhearted family adventure that champions the underdog in the spirit of Rocky Balboa.

In the tomato patch of a suburban Los Angeles home lives a colony of snails, whose daily regimen is to harvest the ripest of fruit for consumption, while avoiding predators like birds, lawnmowers and obnoxious kids. It's a mundane existence from which Theo (voice of Ryan Reynolds) longs to escape.

Theo's passion is speed, and he commandeers the homeowner's VCR at night to watch Grand Prix racing, especially the exploits of champion driver Guy Gagne (voice of Bill Hader).

He takes to heart Guy's mantra, "No dream's too big and no dreamer's too small," much to the chagrin of Theo's more practical-minded brother snail, Chet (voice of Paul Giamatti).

Watching the cars zooming along the freeway one evening, Theo is sucked into the engine of a souped-up drag racer. Doused with chemicals, he undergoes a physical transformation a la Spider-Man. Suddenly, he's capable of speeds exceeding 200 mph -- and adopts a new moniker, Turbo.

Turbo's superpowers are put to good use when he chases a crow that has snatched Chet. He saves his brother, but they find themselves in a down-and-out strip mall anchored by the Dos Bros Tacos shack, run by brothers Angelo (voice of Luis Guzman) and Tito (voice of Michael Pena).

Sensible Angelo manages the failing business, while lazy Tito schemes for new customers. When the snails drop into his lap, he's delighted, as he "races" snails in his spare time. But Turbo is no ordinary snail now, and his super-speed shocks Tito ("Santa Maria!" he exclaims, in the film's sole reference to Christianity) and inspires him to dream big.

Against Angelo's wishes, Tito rallies his fellow shopowners to join him on a cross-country odyssey to enter Turbo in the Indianapolis 500, where he will be pitted against his idol, Guy.

Joining Turbo as his pit crew are a rout of eccentric but similar-minded snails with names like Whiplash (voice of Samuel L. Jackson), Burn (voice of Maya Rudolph), and Skid Mark (voice of Ben Schwartz).

What ensues is a tale of two brothers, human and escargot, and how chasing a seemingly impossible dream strengthens the bonds of love and trust.

Chet, like Angelo, is a realist, concerned for his brother's safety and mental health.

"What will happen if you wake up tomorrow and your powers are gone?" he asks.

"Then I better make the most of today," Turbo replies.

Indeed he does, and this Little Mollusk That Could roars around the track to a thumping soundtrack which includes -- naturally -- Survivor's "Eye of the Tiger" theme from "Rocky III."

Cartoonish action sequences involving menacing birds and car crashes may frighten the smallest youngsters, but "Turbo" is silly and innocent fun for all ages.

The film contains a few perilous situations. The Catholic News Service classification is A-I -- general patronage. The Motion Picture Association of America rating is PG -- parental guidance suggested. Some material may not be suitable for children.

*****
Joseph McAleer is a guest reviewer for Catholic News Service.



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Rose Philippine Duchesne: Born in Grenoble, France, of a family that was among the new rich, Philippine learned political skills from her father and a love of the poor from her mother. The dominant feature of her temperament was a strong and dauntless will, which became the material—and the battlefield—of her holiness. She entered the convent at 19 and remained despite their opposition. As the French Revolution broke, the convent was closed, and she began taking care of the poor and sick, opened a school for homeless children and risked her life helping priests in the underground. 
<p>When the situation cooled, she personally rented her old convent, now a shambles, and tried to revive its religious life. The spirit was gone, and soon there were only four nuns left. They joined the infant Society of the Sacred Heart, whose young superior, St. Madeleine Sophie Barat, would be her lifelong friend. In a short time Philippine was a superior and supervisor of the novitiate and a school. But her ambition, since hearing tales of missionary work in Louisiana as a little girl, was to go to America and work among the Indians. At 49, she thought this would be her work. With four nuns, she spent 11 weeks at sea en route to New Orleans, and seven weeks more on the Mississippi to St. Louis. She then met one of the many disappointments of her life. The bishop had no place for them to live and work among Native Americans. Instead, he sent her to what she sadly called "the remotest village in the U.S.," St. Charles, Missouri. With characteristic drive and courage, she founded the first free school for girls west of the Mississippi. </p><p>It was a mistake. Though she was as hardy as any of the pioneer women in the wagons rolling west, cold and hunger drove them out—to Florissant, Missouri, where she founded the first Catholic Indian school, adding others in the territory. "In her first decade in America, Mother Duchesne suffered practically every hardship the frontier had to offer, except the threat of Indian massacre—poor lodging, shortages of food, drinking water, fuel and money, forest fires and blazing chimneys, the vagaries of the Missouri climate, cramped living quarters and the privation of all privacy, and the crude manners of children reared in rough surroundings and with only the slightest training in courtesy" (Louise Callan, R.S.C.J., <i>Philippine Duchesne</i>). </p><p>Finally at 72, in poor health and retired, she got her lifelong wish. A mission was founded at Sugar Creek, Kansas, among the Potawatomi. She was taken along. Though she could not learn their language, they soon named her "Woman-Who-Prays-Always." While others taught, she prayed. Legend has it that Native American children sneaked behind her as she knelt and sprinkled bits of paper on her habit, and came back hours later to find them undisturbed. She died in 1852 at the age of 83 and was canonized in 1988.</p> American Catholic Blog It was important for some saints to vanish from view, to “decrease” so that God could “increase” in the scheme of things. Many saints actively fought promotions. If obedience required embracing them, they found other ways to remain lowly.

 
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