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ON FAITH & MEDIA View Comments

The Lone Ranger

By
John Mulderig
Source: Catholic News Service


Johnny Depp and Armie Hammer star in a scene from the movie "The Lone Ranger."
The golden-age radio program that first had America asking, "Who was that masked man?" was a favorite with youngsters, as too was the popular television series it later spawned.

So parents may assume, going in, that "The Lone Ranger" (Disney)—a big-screen attempt to provide an answer to that now 80-year-old question—is a family-friendly project geared to kids. Alas, for a variety of reasons, especially the film's treatment of religion, such an assumption would be dead wrong.

This eccentric and overlong reinterpretation of the familiar story centers not on the crime-fighting frontier hero (Armie Hammer) of the title, but on his faithful Native American companion, Tonto (Johnny Depp). When we first encounter Depp's whimsical Tonto, he's an elderly man living, inexplicably, within a 1930s diorama of the Wild West.

Viewers are invited to feel their first enjoyable shiver of revisionist superiority as they observe that the display case holding Tonto labels him "The Noble Savage." Oh, those insensitive Depression-era lug heads!

The chance visit of a boy in a Lone Ranger outfit provokes a stream of reminiscences from Tonto, during which he recounts the circumstances that initially brought him together with lawyer-turned-lawman John Reid, his future "Ke-mo sah-bee." He also recalls their struggle to capture Butch Cavendish (William Fichtner), a viciously depraved outlaw one of whose crimes was to have a life-altering impact on Reid.

Set primarily amid the race to complete the transcontinental railroad—with Tom Wilkinson playing train company executive Latham Cole, the shady driving force behind that effort—director Gore Verbinski's action comedy offers a warning about the corrupting influence of greed. It also portrays, at least in accurate outline, the victimization of native peoples that resulted from the headlong pursuit of wealth and industrial expansion.

But one of the aspects of European culture that gets trounced is Christianity, with believers shown up as either weaklings or hypocrites.

Early on, one of the former, a Presbyterian church lady, invites Reid to pray with her during a train ride. In response, Reid holds up the book he's been reading on the journey—philosopher John Locke's 1689 text "Two Treatises of Government"—and identifies it as "my Bible."

Later, a cavalry officer who is responsible for massacring Indians repeatedly invokes God while ordering his troops into battle. And Cole, whose villainy becomes increasingly obvious, offers a smarmy grace that shows he uses God to his own purposes. By contrast, and in keeping with Hollywood's current norms, Native American spirituality and values are generally glorified.

Add to these factors Cavendish's taste for human flesh, the played-for-laughs proclivity on the part of one of his accomplices for wearing women's clothes and a series of scenes set in a brothel, and the resulting mix does not recommend itself for youthful—or even casual adult—consumption.

The film contains a negative treatment of Christian faith, considerable action violence with some gore, mature themes, including cannibalism and prostitution, a transvestite character, brief scatological imagery and humor and at least one crass term. The Catholic News Service classification is L—limited adult audience, films whose problematic content many adults would find troubling. The Motion Picture Association of America rating is PG-13—parents strongly cautioned. Some material may be inappropriate for children under 13.

*****
John Mulderig is on the staff of Catholic News Service.



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Antônio de Sant’Anna Galvão: God’s plan in a person’s life often takes unexpected turns which become life-giving through cooperation with God’s grace. 
<p>Born in Guarantingueta near São Paulo (Brazil), Antônio attended the Jesuit seminary in Belem but later decided to become a Franciscan friar. Invested in 1760, he made final profession the following year and was ordained in 1762. </p><p>In São Paulo, he served as preacher, confessor and porter. Within a few years he was appointed confessor to the Recollects of St. Teresa, a group of nuns in that city. He and Sister Helena Maria of the Holy Spirit founded a new community of sisters under the patronage of Our Lady of the Conception of Divine Providence. Sister Helena Maria’s premature death the next year left Father Antônio responsible for the new congregation, especially for building a convent and church adequate for their growing numbers. </p><p>He served as novice master for the friars in Macacu and as guardian of St. Francis Friary in São Paulo. He founded St. Clare Friary in Sorocaba. With the permission of his provincial and the bishop, he spent his last days at the Recolhimento de Nossa Senhora da Luz, the convent of the sisters’ congregation he had helped establish. </p><p>He was beatified in Rome on October 25, 1998, and canonized in 2007.</p> American Catholic Blog Christians must realize that the Christian faith is a love affair between God and man. Not just a simple love affair: It is a passionate love affair. God so loved man that he became man himself, died on a cross, was raised from the dead by the Father, ascended into heaven—and all this in order to bring man back to himself, to that heaven which he had lost through his own fault. —Catherine de Hueck Doherty

 
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