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ON FAITH & MEDIA View Comments

The Lone Ranger

By
John Mulderig
Source: Catholic News Service


Johnny Depp and Armie Hammer star in a scene from the movie "The Lone Ranger."
The golden-age radio program that first had America asking, "Who was that masked man?" was a favorite with youngsters, as too was the popular television series it later spawned.

So parents may assume, going in, that "The Lone Ranger" (Disney)—a big-screen attempt to provide an answer to that now 80-year-old question—is a family-friendly project geared to kids. Alas, for a variety of reasons, especially the film's treatment of religion, such an assumption would be dead wrong.

This eccentric and overlong reinterpretation of the familiar story centers not on the crime-fighting frontier hero (Armie Hammer) of the title, but on his faithful Native American companion, Tonto (Johnny Depp). When we first encounter Depp's whimsical Tonto, he's an elderly man living, inexplicably, within a 1930s diorama of the Wild West.

Viewers are invited to feel their first enjoyable shiver of revisionist superiority as they observe that the display case holding Tonto labels him "The Noble Savage." Oh, those insensitive Depression-era lug heads!

The chance visit of a boy in a Lone Ranger outfit provokes a stream of reminiscences from Tonto, during which he recounts the circumstances that initially brought him together with lawyer-turned-lawman John Reid, his future "Ke-mo sah-bee." He also recalls their struggle to capture Butch Cavendish (William Fichtner), a viciously depraved outlaw one of whose crimes was to have a life-altering impact on Reid.

Set primarily amid the race to complete the transcontinental railroad—with Tom Wilkinson playing train company executive Latham Cole, the shady driving force behind that effort—director Gore Verbinski's action comedy offers a warning about the corrupting influence of greed. It also portrays, at least in accurate outline, the victimization of native peoples that resulted from the headlong pursuit of wealth and industrial expansion.

But one of the aspects of European culture that gets trounced is Christianity, with believers shown up as either weaklings or hypocrites.

Early on, one of the former, a Presbyterian church lady, invites Reid to pray with her during a train ride. In response, Reid holds up the book he's been reading on the journey—philosopher John Locke's 1689 text "Two Treatises of Government"—and identifies it as "my Bible."

Later, a cavalry officer who is responsible for massacring Indians repeatedly invokes God while ordering his troops into battle. And Cole, whose villainy becomes increasingly obvious, offers a smarmy grace that shows he uses God to his own purposes. By contrast, and in keeping with Hollywood's current norms, Native American spirituality and values are generally glorified.

Add to these factors Cavendish's taste for human flesh, the played-for-laughs proclivity on the part of one of his accomplices for wearing women's clothes and a series of scenes set in a brothel, and the resulting mix does not recommend itself for youthful—or even casual adult—consumption.

The film contains a negative treatment of Christian faith, considerable action violence with some gore, mature themes, including cannibalism and prostitution, a transvestite character, brief scatological imagery and humor and at least one crass term. The Catholic News Service classification is L—limited adult audience, films whose problematic content many adults would find troubling. The Motion Picture Association of America rating is PG-13—parents strongly cautioned. Some material may be inappropriate for children under 13.

*****
John Mulderig is on the staff of Catholic News Service.



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Agnes of Bohemia: Agnes had no children of her own but was certainly life-giving for all who knew her. 
<p>Agnes was the daughter of Queen Constance and King Ottokar I of Bohemia. At the age of three, she was betrothed to the Duke of Silesia, who died three years later. As she grew up, she decided she wanted to enter the religious life. </p><p>After declining marriages to King Henry VII of Germany and Henry III of England, Agnes was faced with a proposal from Frederick II, the Holy Roman Emperor. She appealed to Pope Gregory IX for help. The pope was persuasive; Frederick magnanimously said that he could not be offended if Agnes preferred the King of Heaven to him. </p><p>After Agnes built a hospital for the poor and a residence for the friars, she financed the construction of a Poor Clare monastery in Prague. In 1236, she and seven other noblewomen entered this monastery. St. Clare sent five sisters from San Damiano to join them, and wrote Agnes four letters advising her on the beauty of her vocation and her duties as abbess. </p><p>Agnes became known for prayer, obedience and mortification. Papal pressure forced her to accept her election as abbess; nevertheless, the title she preferred was "senior sister." Her position did not prevent her from cooking for the other sisters and mending the clothes of lepers. The sisters found her kind but very strict regarding the observance of poverty; she declined her royal brother’s offer to set up an endowment for the monastery. </p><p>Devotion to Agnes arose soon after her death on March 6, 1282. She was canonized in 1989.</p> American Catholic Blog We do not need to pile up words upon words in order to be heard in the heart of God. Jesus also has a very comforting message: The Father knows what we need even before we ask for it.


 
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