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ON FAITH & MEDIA View Comments

Mud

By
John Mulderig
Source: Catholic News Service


Jacob Lofland, Matthew McConaughey and Tye Sheridan star in a scene from the movie "Mud."
Set in rural Arkansas, along the banks of the Mississippi, writer-director Jeff Nichols' leisurely coming of age story "Mud" (Lionsgate/Roadside) owes an obvious debt to Mark Twain's classic tale "The Adventures of Huckleberry Finn."

Realistically updating some of the most famous passages of Twain's iconic story, Nichols' script uses the template of what is arguably the Great American Novel to explore delicate moral shadings, the nature of friendship and the interplay of innocence and disillusionment in the mind of one of its main characters.

The still-shaping consciousness in question belongs to 14-year-old Ellis (Tye Sheridan). Gentle and idealistic, Ellis is opposites-attract best friends with peppery Neckbone (Jacob Lofland). With no parents on the scene -- he's being raised by his caring but hardly authoritative Uncle Galen (Michael Shannon) -- Neckbone is far less cautious than Ellis, but also more cynical.

Together, the two boys like to escape their hardscrabble environment by taking motorboat outings on the river. During one such journey, they discover a man named Mud (Matthew McConaughey) living on an otherwise uninhabited island in the waterway.

It emerges that Mud is a fugitive. Reared nearby, he's returned to the area on the run from his mysterious, but clearly freighted past.

Drawn by the stranger's charismatic personality and eccentric ways, the initially frightened Ellis goodheartedly agrees to help him, bringing him food and keeping his presence a secret. Characteristically, Neckbone takes more convincing, but Mud eventually wins him over as well.

As they assist Mud in refitting a disabled boat so he can make a waterborne getaway to the Gulf of Mexico, Ellis and Neckbone are increasingly drawn into -- and endangered by -- the tangled relationships in their new friend's life. The most significant of these is his obsessive on-again, off-again romance with comely girl-next-door Juniper (Reese Witherspoon).

According to Mud's version of events, the pair first fell for each other while they were still children. And it was his love for Juniper -- and the need to protect her from harm -- that drove Mud to commit the crime that now has both the police and a team of bounty hunters on his trail. He hopes to arrange for Juniper to be with him when he makes his escape.

Disputing Mud's account of all this is one of his few adult allies, Ellis' reclusive neighbor Tom Blankenship (Sam Shepard). Though he sympathizes with Mud, and has been something of a father figure to him in the past, Tom warns Ellis not to be swayed by Mud's charm or too persuaded by his glib discourse.

The complex bond between Mud and Juniper becomes a shifting prism through which Ellis views other relationships in his life.

At home, Ellis is coping with his quarreling parents' (Sarah Paulson and Ray McKinnon) impending divorce. He's also grappling with his puppy love for May Pearl (Bonnie Sturdivant), a sometimes disdainful older girl who's unsure whether, as an exalted high school student, she should lower herself to date a mere ninth grader.

Viewers conversant with scripture will note that the dangerous serpents who call the Mississippi home become a recurring symbol of evil in Nichols' narrative. The ambiguous mix of light and dark elements in Mud's personality, for example -- an embodiment of the effects of original sin -- can be connected to his past interaction with these malign creatures.

Character-centered and moving, "Mud" provides thoughtful entertainment for mature moviegoers.

The film contains intense but largely bloodless violence, some adolescent sex talk, including references to pornography, a couple of uses of profanity and considerable crude and crass language. The Catholic News Service classification is A-III -- adults. The Motion Picture Association of America rating is PG-13 -- parents strongly cautioned. Some material may be inappropriate for children under 13.

*****
John Mulderig is on the staff of Catholic News Service.



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Th&eacute;r&egrave;se of Lisieux: "I prefer the monotony of obscure sacrifice to all ecstasies. To pick up a pin for love can convert a soul." These are the words of Thérèse of the Child Jesus, a Carmelite nun called the "Little Flower," who lived a cloistered life of obscurity in the convent of Lisieux, France. (In French-speaking areas, she is known as Thérèse of Lisieux.) And her preference for hidden sacrifice did indeed convert souls. Few saints of God are more popular than this young nun. Her autobiography, <i>The Story of a Soul</i>, is read and loved throughout the world. Thérèse Martin entered the convent at the age of 15 and died in 1897 at the age of 24. She was canonized in 1925, and two years later she and St. Francis Xavier were declared co-patrons of the missions. 
<p>Life in a Carmelite convent is indeed uneventful and consists mainly of prayer and hard domestic work. But Thérèse possessed that holy insight that redeems the time, however dull that time may be. She saw in quiet suffering redemptive suffering, suffering that was indeed her apostolate. Thérèse said she came to the Carmel convent "to save souls and pray for priests." And shortly before she died, she wrote: "I want to spend my heaven doing good on earth." </p><p>On October 19, 1997, Saint John Paul II proclaimed her a Doctor of the Church, the third woman to be so recognized, in light of her holiness and the influence on the Church of her teaching on spirituality. Her parents, Louis and Zélie were beatified in 2008.</p> American Catholic Blog How glorious, how holy and wonderful it is to have a Father in Heaven.

 
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