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ON FAITH & MEDIA View Comments

The Great Gatsby

By
John Mulderig
Source: Catholic News Service


Leonardo DiCaprio and Carey Mulligan star in a scene from the movie "The Great Gatsby."
A great American novel doesn't always, it seems, translate into a sure-fire film property. A case in point: F. Scott Fitzgerald's classic 1925 tale, "The Great Gatsby."

Director and co-writer Baz Luhrmann's current 3-D adaptation (Warner Bros.) is at least the fourth effort to being Fitzgerald's chronicle of the Jazz Age to the big screen, the first of which dates back to the silent era.

Since that 1926 production -- helmed by Herbert Brenon -- has long been lost, it's impossible to assess its merits from this remove. But neither of its successors -- director Elliott Nugent's 1949 version starring Alan Ladd and Betty Field and Jack Clayton's 1974 release featuring Robert Redford and Mia Farrow -- generated much critical enthusiasm.

Despite its star power and a script by Francis Ford Coppola, Clayton's offering was widely regarded as pretty but listless. Though that's unlikely to be anyone's assessment of Luhrmann's film -- which is, if anything, overcharged and bursting at the seams -- there are other problems afoot.

In particular, Luhrmann's splashy, sometimes cartoonish approach to the material creates a fablelike setting that distances viewers from Fitzgerald's characters -- and thereby lessens the emotional impact of their downfall.

For those who failed to peruse even the Cliff Notes during high school or college, here's the setup: Narrator Nick Carraway (Tobey Maguire), Mid-western-bred scion of the WASP establishment, moves to New York, becomes a tyro bond salesman and rents an inexpensive summer cottage on Long Island as a venue for weekend getaways.

His neighbor there, the occupant of a vast, fantastical mansion, is iconic self-made man and would-be social insider Jay Gatsby (Leonardo DiCaprio). Gatsby's past is shadowy; so too is the source of his seemingly inexhaustible wealth.

Besides sharing the same neighborhood, Nick and Gatsby have something else in common as well: Nick's alluring cousin Daisy (Carey Mulligan), whom Gatsby, as a World War I-era G.I., once romanced and for whom he continues to carry an obsessively-blazing torch. There's just one difficulty: Daisy is now married to old-money millionaire and despicable cad Tom Buchanan (Joel Edgerton).

At Gatsby's request, Nick engineers a reunion for the duo, hardly guessing that the renewed connection will lead on, first to adultery, then to a disastrous confrontation with Tom and finally, through convoluted circumstances, to tragedy.

Luhrmann revels in the frenzied decadence of Gatsby's lifestyle, choreographing the riotous, gin-laden parties the mystery man hosts in a manner that suggests Busby Berkeley on hallucinogens.

Additionally, Luhrmann's script, penned in collaboration with Craig Pearce, tends to glamorize the sinful relationship at the heart of the story, suggesting that an unpleasant spouse and the inherent superiority of the illicit lovers are reason enough to ignore the Sixth Commandment.

As Gatsby himself might put it: Not so, old sport.

The film contains scenes of both lethal and nonlethal violence with minimal gore, an uncritical view of adultery, brief semi-graphic adulterous activity as well as some other sexual content, a glimpse of partial nudity, a few uses of profanity, a couple of crude terms and a religious slur. The Catholic News Service classification is A-III -- adults. The Motion Picture Association of America rating is PG-13 -- parents strongly cautioned. Some material may be inappropriate for children under 13.

*****
John Mulderig is on the staff of Catholic News Service.



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Ignatius of Loyola: The founder of the Jesuits was on his way to military fame and fortune when a cannon ball shattered his leg. Because there were no books of romance on hand during his convalescence, Ignatius whiled away the time reading a life of Christ and lives of the saints. His conscience was deeply touched, and a long, painful turning to Christ began. Having seen the Mother of God in a vision, he made a pilgrimage to her shrine at Montserrat (near Barcelona). He remained for almost a year at nearby Manresa, sometimes with the Dominicans, sometimes in a pauper’s hospice, often in a cave in the hills praying. After a period of great peace of mind, he went through a harrowing trial of scruples. There was no comfort in anything—prayer, fasting, sacraments, penance. At length, his peace of mind returned. 
<p>It was during this year of conversion that Ignatius began to write down material that later became his greatest work, the <em>Spiritual Exercises</em>. </p><p>He finally achieved his purpose of going to the Holy Land, but could not remain, as he planned, because of the hostility of the Turks. He spent the next 11 years in various European universities, studying with great difficulty, beginning almost as a child. Like many others, his orthodoxy was questioned; Ignatius was twice jailed for brief periods. </p><p>In 1534, at the age of 43, he and six others (one of whom was St. Francis Xavier, December 2) vowed to live in poverty and chastity and to go to the Holy Land. If this became impossible, they vowed to offer themselves to the apostolic service of the pope. The latter became the only choice. Four years later Ignatius made the association permanent. The new Society of Jesus was approved by Paul III, and Ignatius was elected to serve as the first general. </p><p>When companions were sent on various missions by the pope, Ignatius remained in Rome, consolidating the new venture, but still finding time to found homes for orphans, catechumens and penitents. He founded the Roman College, intended to be the model of all other colleges of the Society. </p><p>Ignatius was a true mystic. He centered his spiritual life on the essential foundations of Christianity—the Trinity, Christ, the Eucharist. His spirituality is expressed in the Jesuit motto, <i>ad majorem Dei gloriam</i>—“for the greater glory of God.” In his concept, obedience was to be the prominent virtue, to assure the effectiveness and mobility of his men. All activity was to be guided by a true love of the Church and unconditional obedience to the Holy Father, for which reason all professed members took a fourth vow to go wherever the pope should send them for the salvation of souls.</p> American Catholic Blog Jesus’s humanity and His biological need to be fed Himself gives power and personal force to His teaching that when we feed the hungry and give drink to the thirsty, we do it to Him.

 
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