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ON FAITH & MEDIA View Comments

Star Trek Into Darkness

By
John Mulderig
Source: Catholic News Service


Chris Pine and Zachary Quinto star in a scene from the movie "Star Trek Into Darkness."
The original fans of the long-lived "Star Trek" franchise may be getting older; the TV series that started everything off, after all, first hit antennas (remember them?) nearly 50 years ago.

But director J.J. Abrams continues to keep the perennially appealing characters of this sci-fi stalwart young with his second chronicle of their early professional lives, "Star Trek Into Darkness" (Paramount).

In following up on his 2009 reboot of -- and prequel to -- Gene Roddenberry's mythos, Abrams crafts a snappy adventure on a spectacular scale. And the story -- penned by Alex Kurtzman, Roberto Orci and Damon Lindelof -- carries an ethically respectable thematic cargo.

Still, the parents of teen Trekkies will need to weigh the profit of the film's positive central message against the debit of some sensual imagery and vulgar talk.

You'd have to have been living in a dark cave on Kronos since at least the Johnson administration not to know that Capt. James T. Kirk (Chris Pine) is dynamic and impetuous. But just in case, early scenes confirm that he hasn't changed his ways.

Neither has his seemingly emotionless half-Vulcan, half-human first officer Spock (Zachary Quinto). Spock's devotion to pure logic endures, so too does his exactitude where regulations are concerned.

Despite their apparent oil-and-water chemistry, of course, the two share a deep bond. They also collaborate successfully in providing leadership to the intrepid crew of the Starship Enterprise. This United Nations-like ensemble includes such familiar figures as Communications Officer Uhura (Zoe Saldana), Medical Officer McCoy (Karl Urban), Chief Engineer Scott (Simon Pegg), navigator Chekov (Anton Yelchin) and helmsman Sulu (John Cho).

The Enterprise's current quest involves a high-stakes, sometimes morally fraught crusade against Starfleet officer-turned- intergalactic-terrorist John Harrison (Benedict Cumberbatch, oozing elegant evil). Kirk and company are helped along the way by a new crew member, fetching auxiliary Science Officer Carol Marcus (Alice Eve).

Marcus pushes Kirk's buttons even as she steps on Spock's toes (science being Spock's traditional bailiwick). But neither she nor Harrison, it turns out, are quite who they initially appear to be.

To solve at least one of these mysteries, Kirk will have to resist both his own impulse to wreak revenge on Harrison -- one of whose victims was someone close to Kirk's heart -- and the orders he's been issued to eliminate the fugitive without trial.

As Kirk struggles to be true to his own better nature, with sage encouragement from Spock, the script issues a warning against employing immoral means to overcome evil -- an admonition that registers as both scripturally resonant and timely. Other, equally weighty, subjects touched on include friendship and even death.

In connection with the latter topic, it cuts somewhat against the grain that McCoy manages to produce a deus ex machina-style plot reversal by means of a chemically engineered resurrection. Christian viewers may be willing to dismiss this as either trivial or desperate. But it doesn't help matters that Spock, at another juncture, flatly denies the possibility of miracles.

Perhaps only a great theologian like St. Thomas Aquinas could work through such a contradiction. A saying attributed to him holds that everything that happens has a natural explanation; and everything that happens is a miracle.

Many youthful viewers may lack the angelic doctor's far-seeing wisdom, and may also be edged out of the appropriate audience for "Star Trek Into Darkness" by the elements listed below. But at least some adult guardians may consider the picture acceptable for older adolescents.

"Star Trek Into Darkness" will be shown on both Imax and conventional screens.

The film contains much bloodless battling but also occasional harsh violence, some sexual content -- including a trio glimpsed waking up together and scenes with skimpy costuming -- a few uses of crude language and a half-dozen crass terms. The Catholic News Service classification is A-III -- adults. The Motion Picture Association of America rating is PG-13 -- parents strongly cautioned. Some material may be inappropriate for children under 13.

*****
John Mulderig is on the staff of Catholic News Service.



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Cyril and Methodius: Because their father was an officer in a part of Greece inhabited by many Slavs, these two Greek brothers ultimately became missionaries, teachers and patrons of the Slavic peoples. 
<p>After a brilliant course of studies, Cyril (called Constantine until he became a monk shortly before his death) refused the governorship of a district such as his brother had accepted among the Slavic-speaking population. Cyril withdrew to a monastery where his brother Methodius had become a monk after some years in a governmental post. </p><p>A decisive change in their lives occurred when the Duke of Moravia (present-day Czech Republic) asked the Eastern Emperor Michael for political independence from German rule and ecclesiastical autonomy (having their own clergy and liturgy). Cyril and Methodius undertook the missionary task. </p><p>Cyril’s first work was to invent an alphabet, still used in some Eastern liturgies. His followers probably formed the Cyrillic alphabet (for example, modern Russian) from Greek capital letters. Together they translated the Gospels, the psalter, Paul’s letters and the liturgical books into Slavonic, and composed a Slavonic liturgy, highly irregular then. </p><p>That and their free use of the vernacular in preaching led to opposition from the German clergy. The bishop refused to consecrate Slavic bishops and priests, and Cyril was forced to appeal to Rome. On the visit to Rome, he and Methodius had the joy of seeing their new liturgy approved by Pope Adrian II. Cyril, long an invalid, died in Rome 50 days after taking the monastic habit. </p><p>Methodius continued mission work for 16 more years. He was papal legate for all the Slavic peoples, consecrated a bishop and then given an ancient see (now in the Czech Republic). When much of their former territory was removed from their jurisdiction, the Bavarian bishops retaliated with a violent storm of accusation against Methodius. As a result, Emperor Louis the German exiled Methodius for three years. Pope John VIII secured his release. </p><p>Because the Frankish clergy, still smarting, continued their accusations, Methodius had to go to Rome to defend himself against charges of heresy and uphold his use of the Slavonic liturgy. He was again vindicated. </p><p>Legend has it that in a feverish period of activity, Methodius translated the whole Bible into Slavonic in eight months. He died on Tuesday of Holy Week, surrounded by his disciples, in his cathedral church. </p><p>Opposition continued after his death, and the work of the brothers in Moravia was brought to an end and their disciples scattered. But the expulsions had the beneficial effect of spreading the spiritual, liturgical and cultural work of the brothers to Bulgaria, Bohemia and southern Poland. Patrons of Moravia, and specially venerated by Catholic Czechs, Slovaks, Croatians, Orthodox Serbians and Bulgarians, Cyril and Methodius are eminently fitted to guard the long-desired unity of East and West. In 1980, Pope John Paul II named them additional co-patrons of Europe (with Benedict).</p> American Catholic Blog This is the beauty of self-giving love: Men and women, driven by love, freely choose to give up their autonomy, to limit their freedom, by committing themselves to the good of the spouse. Love is so powerful that it impels them to want to surrender their will to their beloved in this profound way.

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