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ON FAITH & MEDIA View Comments

Oblivion

By
John Mulderig
Source: Catholic News Service


Olga Kurylenko and Tom Cruise star in a scene from the movie "Oblivion."
Large-scale landscapes and shiny gadgets make for arresting visuals in the science fiction epic "Oblivion" (Universal). But director Joseph Kosinski's emotionally shallow adaptation of his own graphic novel is further undermined by logical lapses and some dubious philosophizing.

While mature moviegoers may shrug off the amateur metaphysics of Karl Gajdusek's script easily enough, taken together with its ethical complexities -- difficult to probe for fear of spoilers -- they make this convoluted dystopian drama wholly unsuitable for young or impressionable viewers.

Protagonist Jack Harper (Tom Cruise) does his best to fill us in: It's 2077; 60 years ago invading aliens known as Scavengers shattered the moon and almost conquered Earth. Though they failed, the consequences of lunar fragmentation and worldwide combat made global warming seem like meteorological chump change. Fortunately, humanity managed to find itself a new home on Saturn's moon Titan.

So what's Jack, a trained technician, doing back on the home planet? Along with a navigator named Victoria (Andrea Riseborough), Jack has been dispatched to tend machinery that allows the folks on Titan to continue harvesting Earth's natural resources, especially water. A romantic as well as professional pair, Jack and Victoria lead a cozy, placid life under the watchful guidance of mission control.

All of that begins to change with the unexpected arrival of Julia (Olga Kurylenko), an astronaut from the days before the intergalactic war. Her crash landing draws an unexpected and troubling response from Jack's superiors.

Jack's peace of mind is further disturbed by his encounter with a group of guerilla freedom fighters. Beech (Morgan Freeman), their chief, challenges the inquisitive repairman to test the version of history mission control has long been feeding him.

The far end of Jack's journey of discovery offers audiences some self-sacrificing heroics and a resolution that sees pride-based blasphemy receive its comeuppance. Yet potentially troubling questions about the relationship of physical and spiritual identity also are thrown into the mix. And the revelation of Julia's true role makes Jack's initial domestic situation retrospectively problematic.

Well-grounded audience members may succeed in winnowing through all these elements. But they may also wind up asking themselves whether the material at hand justifies so much prudential effort.

The film contains an objectively immoral living arrangement, a scene of sensuality with shadowy rear and partial nudity, a couple of uses of profanity, at least one rough term and a smattering of crude and crass language. The Catholic News Service classification is A-III -- adults. The Motion Picture Association of America rating is PG-13 -- parents strongly cautioned. Some material may be inappropriate for children under 13.

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Mulderig is on the staff of Catholic News Service.



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Agnes of Bohemia: Agnes had no children of her own but was certainly life-giving for all who knew her. 
<p>Agnes was the daughter of Queen Constance and King Ottokar I of Bohemia. At the age of three, she was betrothed to the Duke of Silesia, who died three years later. As she grew up, she decided she wanted to enter the religious life. </p><p>After declining marriages to King Henry VII of Germany and Henry III of England, Agnes was faced with a proposal from Frederick II, the Holy Roman Emperor. She appealed to Pope Gregory IX for help. The pope was persuasive; Frederick magnanimously said that he could not be offended if Agnes preferred the King of Heaven to him. </p><p>After Agnes built a hospital for the poor and a residence for the friars, she financed the construction of a Poor Clare monastery in Prague. In 1236, she and seven other noblewomen entered this monastery. St. Clare sent five sisters from San Damiano to join them, and wrote Agnes four letters advising her on the beauty of her vocation and her duties as abbess. </p><p>Agnes became known for prayer, obedience and mortification. Papal pressure forced her to accept her election as abbess; nevertheless, the title she preferred was "senior sister." Her position did not prevent her from cooking for the other sisters and mending the clothes of lepers. The sisters found her kind but very strict regarding the observance of poverty; she declined her royal brother’s offer to set up an endowment for the monastery. </p><p>Devotion to Agnes arose soon after her death on March 6, 1282. She was canonized in 1989.</p> American Catholic Blog We do not need to pile up words upon words in order to be heard in the heart of God. Jesus also has a very comforting message: The Father knows what we need even before we ask for it.


 
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