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ON FAITH & MEDIA View Comments

Oblivion

By
John Mulderig
Source: Catholic News Service


Olga Kurylenko and Tom Cruise star in a scene from the movie "Oblivion."
Large-scale landscapes and shiny gadgets make for arresting visuals in the science fiction epic "Oblivion" (Universal). But director Joseph Kosinski's emotionally shallow adaptation of his own graphic novel is further undermined by logical lapses and some dubious philosophizing.

While mature moviegoers may shrug off the amateur metaphysics of Karl Gajdusek's script easily enough, taken together with its ethical complexities -- difficult to probe for fear of spoilers -- they make this convoluted dystopian drama wholly unsuitable for young or impressionable viewers.

Protagonist Jack Harper (Tom Cruise) does his best to fill us in: It's 2077; 60 years ago invading aliens known as Scavengers shattered the moon and almost conquered Earth. Though they failed, the consequences of lunar fragmentation and worldwide combat made global warming seem like meteorological chump change. Fortunately, humanity managed to find itself a new home on Saturn's moon Titan.

So what's Jack, a trained technician, doing back on the home planet? Along with a navigator named Victoria (Andrea Riseborough), Jack has been dispatched to tend machinery that allows the folks on Titan to continue harvesting Earth's natural resources, especially water. A romantic as well as professional pair, Jack and Victoria lead a cozy, placid life under the watchful guidance of mission control.

All of that begins to change with the unexpected arrival of Julia (Olga Kurylenko), an astronaut from the days before the intergalactic war. Her crash landing draws an unexpected and troubling response from Jack's superiors.

Jack's peace of mind is further disturbed by his encounter with a group of guerilla freedom fighters. Beech (Morgan Freeman), their chief, challenges the inquisitive repairman to test the version of history mission control has long been feeding him.

The far end of Jack's journey of discovery offers audiences some self-sacrificing heroics and a resolution that sees pride-based blasphemy receive its comeuppance. Yet potentially troubling questions about the relationship of physical and spiritual identity also are thrown into the mix. And the revelation of Julia's true role makes Jack's initial domestic situation retrospectively problematic.

Well-grounded audience members may succeed in winnowing through all these elements. But they may also wind up asking themselves whether the material at hand justifies so much prudential effort.

The film contains an objectively immoral living arrangement, a scene of sensuality with shadowy rear and partial nudity, a couple of uses of profanity, at least one rough term and a smattering of crude and crass language. The Catholic News Service classification is A-III -- adults. The Motion Picture Association of America rating is PG-13 -- parents strongly cautioned. Some material may be inappropriate for children under 13.

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Mulderig is on the staff of Catholic News Service.





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Antonio Lucci: Antonio studied with and was a friend of St. Francesco Antonio Fasani, who after Antonio Lucci’s death testified at the diocesan hearings regarding the holiness of Lucci. 
<p>Born in Agnone in southern Italy, a city famous for manufacturing bells and copper crafts, he was given the name Angelo at Baptism. He attended the local school run by the Conventual Franciscans and joined them at the age of 16. Antonio completed his studies for the priesthood in Assisi, where he was ordained in 1705. Further studies led to a doctorate in theology and appointments as a teacher in Agnone, Ravello and Naples. He also served as guardian in Naples. </p><p>Elected minister provincial in 1718, the following year he was appointed professor at St. Bonaventure College in Rome, a position he held until Pope Benedict XIII chose him as bishop of Bovino (near Foggia) in 1729. The pope explained, "I have chosen as bishop of Bovino an eminent theologian and a great saint." </p><p>His 23 years as bishop were marked by visits to local parishes and a renewal of gospel living among the people of his diocese. He dedicated his episcopal income to works of education and charity. At the urging of the Conventual minister general, Bishop Lucci wrote a major book about the saints and blesseds in the first 200 years of the Conventual Franciscans. </p><p>He was beatified in 1989, three years after his friend Francesco Antonio Fasani was canonized.</p> American Catholic Blog Not too many people need academia to teach them the power of positives. That has been known since Adam and Eve. The soul of strong family life is wrapped throughout with positives—love, affection, praise, commitment. The more a child receives the positives, the less he gives the negatives.

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