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ON FAITH & MEDIA View Comments

Oblivion

By
John Mulderig
Source: Catholic News Service


Olga Kurylenko and Tom Cruise star in a scene from the movie "Oblivion."
Large-scale landscapes and shiny gadgets make for arresting visuals in the science fiction epic "Oblivion" (Universal). But director Joseph Kosinski's emotionally shallow adaptation of his own graphic novel is further undermined by logical lapses and some dubious philosophizing.

While mature moviegoers may shrug off the amateur metaphysics of Karl Gajdusek's script easily enough, taken together with its ethical complexities -- difficult to probe for fear of spoilers -- they make this convoluted dystopian drama wholly unsuitable for young or impressionable viewers.

Protagonist Jack Harper (Tom Cruise) does his best to fill us in: It's 2077; 60 years ago invading aliens known as Scavengers shattered the moon and almost conquered Earth. Though they failed, the consequences of lunar fragmentation and worldwide combat made global warming seem like meteorological chump change. Fortunately, humanity managed to find itself a new home on Saturn's moon Titan.

So what's Jack, a trained technician, doing back on the home planet? Along with a navigator named Victoria (Andrea Riseborough), Jack has been dispatched to tend machinery that allows the folks on Titan to continue harvesting Earth's natural resources, especially water. A romantic as well as professional pair, Jack and Victoria lead a cozy, placid life under the watchful guidance of mission control.

All of that begins to change with the unexpected arrival of Julia (Olga Kurylenko), an astronaut from the days before the intergalactic war. Her crash landing draws an unexpected and troubling response from Jack's superiors.

Jack's peace of mind is further disturbed by his encounter with a group of guerilla freedom fighters. Beech (Morgan Freeman), their chief, challenges the inquisitive repairman to test the version of history mission control has long been feeding him.

The far end of Jack's journey of discovery offers audiences some self-sacrificing heroics and a resolution that sees pride-based blasphemy receive its comeuppance. Yet potentially troubling questions about the relationship of physical and spiritual identity also are thrown into the mix. And the revelation of Julia's true role makes Jack's initial domestic situation retrospectively problematic.

Well-grounded audience members may succeed in winnowing through all these elements. But they may also wind up asking themselves whether the material at hand justifies so much prudential effort.

The film contains an objectively immoral living arrangement, a scene of sensuality with shadowy rear and partial nudity, a couple of uses of profanity, at least one rough term and a smattering of crude and crass language. The Catholic News Service classification is A-III -- adults. The Motion Picture Association of America rating is PG-13 -- parents strongly cautioned. Some material may be inappropriate for children under 13.

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Mulderig is on the staff of Catholic News Service.



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Thomas Aquinas: By universal consent, Thomas Aquinas is the preeminent spokesman of the Catholic tradition of reason and of divine revelation. He is one of the great teachers of the medieval Catholic Church, honored with the titles Doctor of the Church and Angelic Doctor. 
<p>At five he was given to the Benedictine monastery at Monte Cassino in his parents’ hopes that he would choose that way of life and eventually became abbot. In 1239 he was sent to Naples to complete his studies. It was here that he was first attracted to Aristotle’s philosophy. </p><p>By 1243, Thomas abandoned his family’s plans for him and joined the Dominicans, much to his mother’s dismay. On her order, Thomas was captured by his brother and kept at home for over a year. </p><p>Once free, he went to Paris and then to Cologne, where he finished his studies with Albert the Great. He held two professorships at Paris, lived at the court of Pope Urban IV, directed the Dominican schools at Rome and Viterbo, combated adversaries of the mendicants, as well as the Averroists, and argued with some Franciscans about Aristotelianism. </p><p>His greatest contribution to the Catholic Church is his writings. The unity, harmony and continuity of faith and reason, of revealed and natural human knowledge, pervades his writings. One might expect Thomas, as a man of the gospel, to be an ardent defender of revealed truth. But he was broad enough, deep enough, to see the whole natural order as coming from God the Creator, and to see reason as a divine gift to be highly cherished. </p><p>The <i>Summa Theologiae</i>, his last and, unfortunately, uncompleted work, deals with the whole of Catholic theology. He stopped work on it after celebrating Mass on December 6, 1273. When asked why he stopped writing, he replied, “I cannot go on.... All that I have written seems to me like so much straw compared to what I have seen and what has been revealed to me.” He died March 7, 1274.</p> American Catholic Blog We talk often about how we are God’s “hands and feet,” which is true. That being said, we can’t fall into the trap of thinking God needs us like we need Him. He’s God—which makes the reality that He wants to use us and be in a relationship with us an even sweeter, more profound truth.

 
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