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ON FAITH & MEDIA View Comments

The Host

By
John Mulderig
Source: Catholic News Service


Max Irons and Saoirse Ronan star in a scene from the movie "The Host."
Derived from a novel by "Twilight" author Stephenie Meyer, the ponderous, dramatically inept science fiction tale "The Host" (Open Road) is clearly aimed at teen viewers. But the murky circumstances of its central love affair make it too morally obscure for most adolescents.

As for those in a more mature demographic, while they may be better equipped to discern an ethically acceptable path through it all, they may not want to bother.

This ill-conceived dystopian project rests on the premise that alien spirits have taken over the bodies of most human beings.

As the opening narrative informs us, these highly evolved hijackers, with their tranquil personalities, have managed to resolve most of humanity's most pressing problems: war, world hunger, you name it. But, while they may be enlightened and unflappable, they also brook no opposition—just ask our youthful heroine Melanie Stryder (Saoirse Ronan).

Understandably unwilling to be transformed into an intergalactic Stepford wife, Melanie has been on the lam. But her fugitive days come to an abrupt end when she's captured and subjected to the forced infusion of an extraterrestrial consciousness (visualized as a kind of luminous creepy-crawly surgically inserted into the back of Melanie's neck).

Far from going quietly, however, spunky Melanie manages to retain her own soul through the process, much to the surprise of her new corporeal roommate, an entity called Wanderer. Here the fatal absurdity that undermines all that follows kicks in as Melanie and Wanderer begin an endless debate with each other via voice-over (Melanie) and dialogue (Wanderer).

The result might aptly be called "Sybil Meets the Body Snatchers."

If only this were an old-fashioned Western, Wanderer could put us all out of our misery by declaring: "This body ain't big enough for the both of us!" Instead, the increasingly sympathetic invader allows Melanie to convince her to return to, and aid, the band of earthlings with whom Melanie sheltered while on the run.

Led by folksy Uncle Jeb (William Hurt), these refugees include both Melanie's long-standing boyfriend, Jared (Max Irons), and the lad destined to win Wanderer's heart, Ian (Jake Abel). With two competing love interests, but only one mouth to kiss with, romantic complications—and more schizophrenic squabbling—inevitably ensue.

Flashbacks reveal that, before they came under Uncle Jeb's protection, Melanie and Jared were living together as a couple and doing their best to rear Melanie's kid brother, Jamie (Chandler Canterbury). The duo's relationship became physical, we learn, at Melanie's explicit invitation.

The extreme situation—talk about a clergy shortage!—may excuse this improvised marriage between two characters clearly destined to make their way into the sunset together. But, even so, immature moviegoers might easily be led astray by such a do-it-yourself approach to bonded bliss.

With Uncle Jeb, et al., struggling to trust Wanderer and Wanderer discovering some of the less savory aspects of human nature, writer-director Andrew Niccol earnestly introduces honorable themes concerning tolerance, nonviolence and altruism. But cavernous aesthetic flaws hopelessly undermine all his good intentions.

The film contains much action violence, fleeting gore, a suicide theme, cohabitation with brief semi-graphic sexual activity and a couple of crass terms. The Catholic News Service classification is A-III—adults. The Motion Picture Association of America rating is PG-13—parents strongly cautioned. Some material may be inappropriate for children under 13.

*****
John Mulderig is on the staff of Catholic News Service.



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Columban: Columban was the greatest of the Irish missionaries who worked on the European continent. As a young man who was greatly tormented by temptations of the flesh, he sought the advice of a religious woman who had lived a hermit’s life for years. He saw in her answer a call to leave the world. He went first to a monk on an island in Lough Erne, then to the great monastic seat of learning at Bangor. 
<p>After many years of seclusion and prayer, he traveled to Gaul (modern-day France) with 12 companion missionaries. They won wide respect for the rigor of their discipline, their preaching, and their commitment to charity and religious life in a time characterized by clerical laxity and civil strife. Columban established several monasteries in Europe which became centers of religion and culture. </p><p>Like all saints, he met opposition. Ultimately he had to appeal to the pope against complaints of Frankish bishops, for vindication of his orthodoxy and approval of Irish customs. He reproved the king for his licentious life, insisting that he marry. Since this threatened the power of the queen mother, Columban was deported to Ireland. His ship ran aground in a storm, and he continued his work in Europe, ultimately arriving in Italy, where he found favor with the king of the Lombards. In his last years he established the famous monastery of Bobbio, where he died. His writings include a treatise on penance and against Arianism, sermons, poetry and his monastic rule.</p> American Catholic Blog There are not a hundred people in America who hate the Catholic Church. There are millions of people who hate what they wrongly believe to be the Catholic Church—which is, of course, quite a different thing. –Bishop Fulton Sheen

 
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