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ON FAITH & MEDIA View Comments

The Incredible Burt Wonderstone

By
Joseph McAleer
Source: Catholic News Service


Alan Arkin, Jim Carrey, Steve Carell, Michael Bully and Jay Mohr star in a scene from the movie "The Incredible Burt Wonderstone."
By turns repellent and charming, "The Incredible Burt Wonderstone" (Warner Bros.) comically charts the rise and fall of dueling magicians on the famed Las Vegas Strip.

On the surface, the film, directed by television veteran Don Scardino ("30 Rock"), seeks its laughs the conventional Hollywood way, via sexual innuendo or gross-out sight gags. Regrettably, such sleaze—together with a morally flawed conclusion—obscures interesting commentaries on the wickedness of narcissism and a fallen idol's potential path to redemption.

For years, the hottest ticket in Sin City has been "A Magical Friendship," headlined by the superstar—and colorfully named—magicians Burt Wonderstone (Steve Carell) and Anton Marvelton (Steve Buscemi). The two have been pals since elementary school, when a shared love for sleight-of-hand built confidence and provided armor against bullies.

"Everyone loves a magician," intoned the great illusionist Rance Holloway (Alan Arkin) in his how-to videotape watched by the wide-eyed boys. "And they will all love you, too."

Audiences did, but lately changing tastes and increased competition have dimmed the spotlight and strained the friendship. Burt, channeling Siegfried and Roy with his flowing blond locks, spray tan and sequined jumpsuit, has become an obnoxious diva who beds lady volunteers from the audience. He's bored with the act and, especially, with Anton, who has never wavered in his self-discipline and loyalty.

When a new stunt fails in spectacular fashion, the duo parts ways, and Burt falls on hard times, forced to work as an entertainer in an old folks' home.

Meanwhile, a new star is rising in the person of outrageous street performer Steve Gray (Jim Carrey), who goes by the title "The Brain Rapist." Steve's form of magic involves squeamish physical challenges, such as using his head to pound nails into wood or holding his urine for days on end.

To Steve, magicians such as Burt and Anton are old school and must be destroyed. "It's natural for a dying leaf to be frightened of this autumn wind," he tells Burt.

To make matters worse, Burt and Anton's former assistant, the lovely Jane (Olivia Wilde), has become Steve's aide. But Jane, a magician herself, has a soft spot for the down-and-out Burt, and supports efforts to turn his life around.

"The Incredible Burt Wonderstone" takes a decisive wrong turn at its climax—when a big comeback stunt depends more on narcotics than on magic. Coming on top of all the dubious humor on display, this development ramps up the problematic content of the picture—and will leave viewers questioning whether Burt's values have really changed after all.

The film contains a benign view of drug use and contraception, much crude humor, sexual innuendo and occasional profane and rough language. The Catholic News Service classification is L—limited adult audience, films whose problematic content many adults would find troubling. The Motion Picture Association of America rating is PG-13—parents strongly cautioned. Some material may be inappropriate for children under 13.

*****
Joseph McAleer is a guest reviewer for Catholic News Service.



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Maria Goretti: One of the largest crowds ever assembled for a canonization—250,000—symbolized the reaction of millions touched by the simple story of Maria Goretti. 
<p>She was the daughter of a poor Italian tenant farmer, had no chance to go to school, never learned to read or write. When she made her First Communion not long before her death at age 12, she was one of the larger and somewhat backward members of the class. </p><p>On a hot afternoon in July, Maria was sitting at the top of the stairs of her house, mending a shirt. She was not quite 12 years old, but physically mature. A cart stopped outside, and a neighbor, Alessandro, 18 years old, ran up the stairs. He seized her and pulled her into a bedroom. She struggled and tried to call for help. “No, God does not wish it," she cried out. "It is a sin. You would go to hell for it.” Alessandro began striking at her blindly with a long dagger. </p><p>She was taken to a hospital. Her last hours were marked by the usual simple compassion of the good—concern about where her mother would sleep, forgiveness of her murderer (she had been in fear of him, but did not say anything lest she cause trouble to his family) and her devout welcoming of Viaticum, her last Holy Communion. She died about 24 hours after the attack. </p><p>Her murderer was sentenced to 30 years in prison. For a long time he was unrepentant and surly. One night he had a dream or vision of Maria, gathering flowers and offering them to him. His life changed. When he was released after 27 years, his first act was to go to beg the forgiveness of Maria’s mother. </p><p>Devotion to the young martyr grew, miracles were worked, and in less than half a century she was canonized. At her beatification in 1947, her mother (then 82), two sisters and a brother appeared with Pope Pius XII on the balcony of St. Peter’s. Three years later, at her canonization, a 66-year-old Alessandro Serenelli knelt among the quarter-million people and cried tears of joy.</p> American Catholic Blog Lord, may the medals we wear be constant reminders of the lives they depict. While wearing them, may we be blessed through the saints’ intercession and protected from harm. Help us to continue to spread the messages of Jesus and Mary and the saints and angels.

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