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ON FAITH & MEDIA View Comments

Beautiful Creatures

By
John Mulderig
Source: Catholic News Service


Alden Ehrenreich and Alice Englert star in a scene from the movie "Beautiful Creatures."
On its surface, the gothic romance "Beautiful Creatures" (Warner Bros.) comprises a passable if pretentious, blend of supernatural elements reminiscent of the "Twilight" franchise and a lush setting straight out of a Nicholas Sparks adaptation.

But a mixed religious outlook makes the occult elements underlying writer-director Richard LaGravenese's screen version of Kami Garcia and Margaret Stohl's 2009 novel more troubling than they might otherwise seem.

In fact, few in the targeted audience of teen date movie consumers are likely to possess the discernment necessary to bring this kaleidoscope of positive and negative spiritual attitudes into proper focus.

Viewed from the perspective of restless teen Ethan Wate (Alden Ehrenreich), life in the small town of Gatlin, S.C., is nothing short of a nightmare. Overrun with churches and populated by moronic, book-banning evangelical Christians, it's a venue of stultifying boredom.

All that begins to change, though, with the arrival of mysterious new-girl-in-town Lena Duchannes (Alice Englert), for whom Ethan quickly falls.

Like Ethan, who can't get enough of Kurt Vonnegut Jr.'s "Slaughterhouse-Five," Lena is a literary rebel. She not only fancies Harper Lee's "To Kill a Mockingbird"—which the Gatlin authorities, for unexplained reasons, have seen fit to censor—but the works of anarchic poet Charles Bukowski as well. (How LaGravenese resists the temptation to drop angst icon Sylvia Plath's name into the mix is anyone's guess.)

Since Lena's blue-state cultural tastes obviously make her "different," her blinkered classmates and their equally close-minded parents jump to the ridiculous conclusion that she's a witch. Thing is, they're right. But Ethan is no disapproving Darrin Stephens of "Bewitched," so this revelation doesn't bother him a bit.

Still, it's not all monotony-breaking fun and games for Ethan and Lena. Their heterogeneous relationship draws the steadfast opposition of Lena's warlock uncle and guardian Macon Ravenwood (Jeremy Irons); it also places them at risk due to the schemes of her spell-casting mother, Sarafine (Emma Thompson).

Appropriately, given that he's 17 and she's approaching her 16th birthday -- a pivotal event in the life of a young witch, so we're told—Ethan and Lena's physical interaction is generally restrained. One scene, however, does end ambiguously enough to leave the audience wondering whether their onscreen necking leads on, after the cut-away, to something less acceptable.

In the case of Ethan's best pal, Link (Thomas Mann), plot complications and writhing visuals leave us in no doubt that he has been seduced, as well as bewitched, by Ridley (Emmy Rossum), a troublemaking relative of Lena's.

By contrast to the mercilessly caricatured Anglo-Saxons of Gatlin, the burgh's African-American librarian Amma (Viola Davis) is enlightenment personified. Thus she blithely combines her role as a custodian of conjuring lore—as well as her practice of seeking guidance from deceased ancestors after placating them by placing tidbits of their favorite foods on top of their graves—with faithful church attendance.

The wrap-up does celebrate the power of sacrificial love, a theme obviously in keeping with scriptural faith, and even a local preacher's sermon is used to reinforce this message. But by then, most of the Christians of Gatlin have been shown to be so hateful—and witchcraft portrayed as so much fun—that impressionable viewers may be too confused to pick the wheat from the chaff.

The film contains an ambivalent portrayal of Christianity, brief sacrilegious behavior, restrained scenes of violence with fleeting gore, semi-graphic nonmarital sexual activity, at least one use of profanity and some crude and crass language. The Catholic News Service classification is L—limited adult audience, films whose problematic content many adults would find troubling. The Motion Picture Association of America rating is PG-13—parents strongly cautioned. Some material may be inappropriate for children under 13.

*****
John Mulderig is on the staff of Catholic News Service.



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Gregory the Great: Coming events cast their shadows before: Gregory was the prefect of Rome before he was 30. After five years in office he resigned, founded six monasteries on his Sicilian estate and became a Benedictine monk in his own home at Rome. 
<p>Ordained a priest, he became one of the pope's seven deacons, and also served six years in the East as papal representative in Constantinople. He was recalled to become abbot, and at the age of 50 was elected pope by the clergy and people of Rome. </p><p>He was direct and firm. He removed unworthy priests from office, forbade taking money for many services, emptied the papal treasury to ransom prisoners of the Lombards and to care for persecuted Jews and the victims of plague and famine. He was very concerned about the conversion of England, sending 40 monks from his own monastery. He is known for his reform of the liturgy, for strengthening respect for doctrine. Whether he was largely responsible for the revision of "Gregorian" chant is disputed. </p><p>Gregory lived in a time of perpetual strife with invading Lombards and difficult relations with the East. When Rome itself was under attack, he interviewed the Lombard king. </p><p>An Anglican historian has written: "It is impossible to conceive what would have been the confusion, the lawlessness, the chaotic state of the Middle Ages without the medieval papacy; and of the medieval papacy, the real father is Gregory the Great." </p><p>His book, <i>Pastoral Care</i>, on the duties and qualities of a bishop, was read for centuries after his death. He described bishops mainly as physicians whose main duties were preaching and the enforcement of discipline. In his own down-to-earth preaching, Gregory was skilled at applying the daily gospel to the needs of his listeners. Called "the Great," Gregory has been given a place with Augustine (August 28), Ambrose (December 7) and Jerome (September 30)as one of the four key doctors of the Western Church.</p> American Catholic Blog Loving trust and total surrender made Our Lady say yes to the message of the angel, and cheerfulness made her run in haste to serve her cousin Elizabeth. So much in our lives, too, is saying yes to Jesus, and running haste to serve him in the poorest of the poor.  –Mother Theresa

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