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ON FAITH & MEDIA View Comments

Beautiful Creatures

By
John Mulderig
Source: Catholic News Service


Alden Ehrenreich and Alice Englert star in a scene from the movie "Beautiful Creatures."
On its surface, the gothic romance "Beautiful Creatures" (Warner Bros.) comprises a passable if pretentious, blend of supernatural elements reminiscent of the "Twilight" franchise and a lush setting straight out of a Nicholas Sparks adaptation.

But a mixed religious outlook makes the occult elements underlying writer-director Richard LaGravenese's screen version of Kami Garcia and Margaret Stohl's 2009 novel more troubling than they might otherwise seem.

In fact, few in the targeted audience of teen date movie consumers are likely to possess the discernment necessary to bring this kaleidoscope of positive and negative spiritual attitudes into proper focus.

Viewed from the perspective of restless teen Ethan Wate (Alden Ehrenreich), life in the small town of Gatlin, S.C., is nothing short of a nightmare. Overrun with churches and populated by moronic, book-banning evangelical Christians, it's a venue of stultifying boredom.

All that begins to change, though, with the arrival of mysterious new-girl-in-town Lena Duchannes (Alice Englert), for whom Ethan quickly falls.

Like Ethan, who can't get enough of Kurt Vonnegut Jr.'s "Slaughterhouse-Five," Lena is a literary rebel. She not only fancies Harper Lee's "To Kill a Mockingbird"—which the Gatlin authorities, for unexplained reasons, have seen fit to censor—but the works of anarchic poet Charles Bukowski as well. (How LaGravenese resists the temptation to drop angst icon Sylvia Plath's name into the mix is anyone's guess.)

Since Lena's blue-state cultural tastes obviously make her "different," her blinkered classmates and their equally close-minded parents jump to the ridiculous conclusion that she's a witch. Thing is, they're right. But Ethan is no disapproving Darrin Stephens of "Bewitched," so this revelation doesn't bother him a bit.

Still, it's not all monotony-breaking fun and games for Ethan and Lena. Their heterogeneous relationship draws the steadfast opposition of Lena's warlock uncle and guardian Macon Ravenwood (Jeremy Irons); it also places them at risk due to the schemes of her spell-casting mother, Sarafine (Emma Thompson).

Appropriately, given that he's 17 and she's approaching her 16th birthday -- a pivotal event in the life of a young witch, so we're told—Ethan and Lena's physical interaction is generally restrained. One scene, however, does end ambiguously enough to leave the audience wondering whether their onscreen necking leads on, after the cut-away, to something less acceptable.

In the case of Ethan's best pal, Link (Thomas Mann), plot complications and writhing visuals leave us in no doubt that he has been seduced, as well as bewitched, by Ridley (Emmy Rossum), a troublemaking relative of Lena's.

By contrast to the mercilessly caricatured Anglo-Saxons of Gatlin, the burgh's African-American librarian Amma (Viola Davis) is enlightenment personified. Thus she blithely combines her role as a custodian of conjuring lore—as well as her practice of seeking guidance from deceased ancestors after placating them by placing tidbits of their favorite foods on top of their graves—with faithful church attendance.

The wrap-up does celebrate the power of sacrificial love, a theme obviously in keeping with scriptural faith, and even a local preacher's sermon is used to reinforce this message. But by then, most of the Christians of Gatlin have been shown to be so hateful—and witchcraft portrayed as so much fun—that impressionable viewers may be too confused to pick the wheat from the chaff.

The film contains an ambivalent portrayal of Christianity, brief sacrilegious behavior, restrained scenes of violence with fleeting gore, semi-graphic nonmarital sexual activity, at least one use of profanity and some crude and crass language. The Catholic News Service classification is L—limited adult audience, films whose problematic content many adults would find troubling. The Motion Picture Association of America rating is PG-13—parents strongly cautioned. Some material may be inappropriate for children under 13.

*****
John Mulderig is on the staff of Catholic News Service.



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Bernadette Soubirous: Bernadette Soubirous was born in 1844, the first child of an extremely poor miller in the town of Lourdes in southern France. The family was living in the basement of a dilapidated building when on February 11,1858, the Blessed Virgin Mary appeared to Bernadette in a cave above the banks of the Gave River near Lourdes. Bernadette, 14 years old, was known as a virtuous girl though a dull student who had not even made her first Holy Communion. In poor health, she had suffered from asthma from an early age. 
<p>There were 18 appearances in all, the final one occurring on the feast of Our Lady of Mt. Carmel, July 16. Although Bernadette's initial reports provoked skepticism, her daily visions of "the Lady" brought great crowds of the curious. The Lady, Bernadette explained, had instructed her to have a chapel built on the spot of the visions. There the people were to come to wash in and drink of the water of the spring that had welled up from the very spot where Bernadette had been instructed to dig. </p><p>According to Bernadette, the Lady of her visions was a girl of 16 or 17 who wore a white robe with a blue sash. Yellow roses covered her feet, a large rosary was on her right arm. In the vision on March 25 she told Bernadette, "I am the Immaculate Conception." It was only when the words were explained to her that Bernadette came to realize who the Lady was. </p><p>Few visions have ever undergone the scrutiny that these appearances of the Immaculate Virgin were subject to. Lourdes became one of the most popular Marian shrines in the world, attracting millions of visitors. Miracles were reported at the shrine and in the waters of the spring. After thorough investigation Church authorities confirmed the authenticity of the apparitions in 1862. </p><p>During her life Bernadette suffered much. She was hounded by the public as well as by civic officials until at last she was protected in a convent of nuns. Five years later she petitioned to enter the Sisters of Notre Dame. After a period of illness she was able to make the journey from Lourdes and enter the novitiate. But within four months of her arrival she was given the last rites of the Church and allowed to profess her vows. She recovered enough to become infirmarian and then sacristan, but chronic health problems persisted. She died on April 16, 1879, at the age of 35. </p><p>She was canonized in 1933.</p> American Catholic Blog In humility, a woman ultimately forgets 
herself; forgets both her shortcomings and accomplishments equally and 
strives to remain empty of self to make room for Jesus, just as Mary 
did.

 
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