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ON FAITH & MEDIA View Comments

Beautiful Creatures

By
John Mulderig
Source: Catholic News Service


Alden Ehrenreich and Alice Englert star in a scene from the movie "Beautiful Creatures."
On its surface, the gothic romance "Beautiful Creatures" (Warner Bros.) comprises a passable if pretentious, blend of supernatural elements reminiscent of the "Twilight" franchise and a lush setting straight out of a Nicholas Sparks adaptation.

But a mixed religious outlook makes the occult elements underlying writer-director Richard LaGravenese's screen version of Kami Garcia and Margaret Stohl's 2009 novel more troubling than they might otherwise seem.

In fact, few in the targeted audience of teen date movie consumers are likely to possess the discernment necessary to bring this kaleidoscope of positive and negative spiritual attitudes into proper focus.

Viewed from the perspective of restless teen Ethan Wate (Alden Ehrenreich), life in the small town of Gatlin, S.C., is nothing short of a nightmare. Overrun with churches and populated by moronic, book-banning evangelical Christians, it's a venue of stultifying boredom.

All that begins to change, though, with the arrival of mysterious new-girl-in-town Lena Duchannes (Alice Englert), for whom Ethan quickly falls.

Like Ethan, who can't get enough of Kurt Vonnegut Jr.'s "Slaughterhouse-Five," Lena is a literary rebel. She not only fancies Harper Lee's "To Kill a Mockingbird"—which the Gatlin authorities, for unexplained reasons, have seen fit to censor—but the works of anarchic poet Charles Bukowski as well. (How LaGravenese resists the temptation to drop angst icon Sylvia Plath's name into the mix is anyone's guess.)

Since Lena's blue-state cultural tastes obviously make her "different," her blinkered classmates and their equally close-minded parents jump to the ridiculous conclusion that she's a witch. Thing is, they're right. But Ethan is no disapproving Darrin Stephens of "Bewitched," so this revelation doesn't bother him a bit.

Still, it's not all monotony-breaking fun and games for Ethan and Lena. Their heterogeneous relationship draws the steadfast opposition of Lena's warlock uncle and guardian Macon Ravenwood (Jeremy Irons); it also places them at risk due to the schemes of her spell-casting mother, Sarafine (Emma Thompson).

Appropriately, given that he's 17 and she's approaching her 16th birthday -- a pivotal event in the life of a young witch, so we're told—Ethan and Lena's physical interaction is generally restrained. One scene, however, does end ambiguously enough to leave the audience wondering whether their onscreen necking leads on, after the cut-away, to something less acceptable.

In the case of Ethan's best pal, Link (Thomas Mann), plot complications and writhing visuals leave us in no doubt that he has been seduced, as well as bewitched, by Ridley (Emmy Rossum), a troublemaking relative of Lena's.

By contrast to the mercilessly caricatured Anglo-Saxons of Gatlin, the burgh's African-American librarian Amma (Viola Davis) is enlightenment personified. Thus she blithely combines her role as a custodian of conjuring lore—as well as her practice of seeking guidance from deceased ancestors after placating them by placing tidbits of their favorite foods on top of their graves—with faithful church attendance.

The wrap-up does celebrate the power of sacrificial love, a theme obviously in keeping with scriptural faith, and even a local preacher's sermon is used to reinforce this message. But by then, most of the Christians of Gatlin have been shown to be so hateful—and witchcraft portrayed as so much fun—that impressionable viewers may be too confused to pick the wheat from the chaff.

The film contains an ambivalent portrayal of Christianity, brief sacrilegious behavior, restrained scenes of violence with fleeting gore, semi-graphic nonmarital sexual activity, at least one use of profanity and some crude and crass language. The Catholic News Service classification is L—limited adult audience, films whose problematic content many adults would find troubling. The Motion Picture Association of America rating is PG-13—parents strongly cautioned. Some material may be inappropriate for children under 13.

*****
John Mulderig is on the staff of Catholic News Service.





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Cyril of Alexandria: Saints are not born with halos around their heads. Cyril, recognized as a great teacher of the Church, began his career as archbishop of Alexandria, Egypt, with impulsive, often violent, actions. He pillaged and closed the churches of the Novatian heretics (who required those who denied the faith to be rebaptized), participated in the deposing of St. John Chrysostom (September 13) and confiscated Jewish property, expelling the Jews from Alexandria in retaliation for their attacks on Christians. 
<p>Cyril’s importance for theology and Church history lies in his championing the cause of orthodoxy against the heresy of Nestorius, who taught that in Christ there were two persons, one human and one divine.</p><p>The controversy centered around the two natures in Christ. Nestorius would not agree to the title “God-bearer” for Mary (January 1). He preferred “Christ-bearer,” saying there are two distinct persons in Christ (divine and human) joined only by a moral union. He said Mary was not the mother of God but only of the man Christ, whose humanity was only a temple of God. Nestorianism implied that the humanity of Christ was a mere disguise. </p><p>Presiding as the pope’s representative at the Council of Ephesus (431), Cyril condemned Nestorianism and proclaimed Mary truly the “God-bearer” (the mother of the one Person who is truly God and truly human). In the confusion that followed, Cyril was deposed and imprisoned for three months, after which he was welcomed back to Alexandria as a second Athanasius (the champion against Arianism). </p><p>Besides needing to soften some of his opposition to those who had sided with Nestorius, Cyril had difficulties with some of his own allies, who thought he had gone too far, sacrificing not only language but orthodoxy. Until his death, his policy of moderation kept his extreme partisans under control. On his deathbed, despite pressure, he refused to condemn the teacher of Nestorius.</p> American Catholic Blog Father, I have come to the understanding that Jesus asks very little from us, only that we accept him as our friend and love him and care for one another. How simple! And yet how difficult! Please give me grace not to disappoint him, who has given his all for me. I ask this in Jesus's name, Amen.

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