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ON FAITH & MEDIA View Comments

Broken City

By
Adam Shaw
Source: Catholic News Service


Russell Crowe and Mark Wahlberg star in a scene from the movie "Broken City."
Scandal, intrigue and a surfeit of bad language combine to form "Broken City" (Fox). This thriller with political overtones is strictly for those who can withstand actors growling their lines, downing two shots of whiskey in one go and dropping a payload worth of F-bombs.

Seven years after being acquitted in the suspicious shooting of a rapist and murderer, ex-cop Billy Taggart (Mark Wahlberg) is approached by the mayor of New York, Nicolas Hostetler (a sensational Russell Crowe), who wants to make a deal: Hizzoner withheld evidence of Taggart's wrongdoing; now, he wants Taggart to return the favor with some private-eye work.

With the mayoral election looming and feisty new rival Jack Valliant (Barry Pepper) posing a threat to his reign, Hostetler is determined to retain his office by any means necessary. But he fears that his wife, Cathleen (Catherine Zeta-Jones), is two-timing him. So, for $50,000, the former officer is dispatched to follow, find, and film the illicit couple.

Predictably, things are not what they seem in director Allen Hughes' picture, and the grizzled Taggart quickly finds himself caught in a web of intrigue and blackmail. He has other troubles as well, namely, his struggle with alcoholism and his complicated, frequently strained relationship with girlfriend—and wannabe actress—Natalie (Natalie Martinez).

Moviegoers of faith will be pleased by Taggart's commitment to justice, despite the sometimes murky means by which he seeks to achieve it. Laudably, Brian Tucker's screenplay shows the true costs and consequences of corruption. And, while it encourages viewers to understand Taggart's morally dubious choices, his script doesn't prompt them to approve.

Yet the evident desire to turn out a gritty movie sends things off track, with scenes of heavy drinking interspersed with locker-room vulgarities.

Although at least one scene implies that Taggart and Natalie are living together, he is at least shown to be a believer in marital fidelity. In fact, when he reproaches the mayor's wife with her breach of trust, she tauntingly responds, "Are you stupid or Catholic?"

The film contains occasional graphic violence, possible cohabitation, fleeting but strong sexual imagery, brief upper female nudity, mature themes, including adultery and homosexuality, about half-a-dozen uses of profanity, pervasive rough language, occasional crude and crass terms and a couple of anti-gay slurs. The Catholic News Service classification is L—limited adult audience, films whose problematic content many adults would find troubling. The Motion Picture Association of America rating is R—restricted. Under 17 requires accompanying parent or adult guardian.

*****
Adam Shaw is a guest reviewer for Catholic News Service.



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Mary Angela Truszkowska: Today we honor a woman who submitted to God's will throughout her life—a life filled with pain and suffering. 
<p>Born in 1825 in central Poland and baptized Sophia, she contracted tuberculosis as a young girl. The forced period of convalescence gave her ample time for reflection. Sophia felt called to serve God by working with the poor, including street children and the elderly homeless in Warsaw's slums. In time, her cousin joined her in the work. </p><p>In 1855, the two women made private vows and consecrated themselves to the Blessed Mother. New followers joined them. Within two years they formed a new congregation, which came to be known as the Felician Sisters. As their numbers grew, so did their work, and so did the pressures on Mother Angela (the new name Sophia took in religious life). </p><p>Mother Angela served as superior for many years until ill health forced her to resign at the age of 44. She watched the order grow and expand, including missions to the United States among the sons and daughters of Polish immigrants. </p><p>Pope John Paul II beatified her in 1993.</p> American Catholic Blog I truly seek a very solitary, simple and primitive life with no labels attached. However, there must be love in it, and not an abstract love but a real love for real people.

 
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