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ON FAITH & MEDIA View Comments

Quartet

By
Joseph McAleer
Source: Catholic News Service


Billy Connolly, Maggie Smith, Tom Courtenay and Pauline Collins star in a scene from the movie "Quartet."
Dustin Hoffman steps behind the camera for his directorial debut with "Quartet" (Weinstein), a comedy-drama about musical artists who face the ultimate curtain call: a date with the Grim Reaper.

Based on the play by Ronald Harwood (who also wrote the screenplay), "Quartet" casts senior citizens in the same warm and fuzzy glow as last year's "The Best Exotic Marigold Hotel." Amid the gags and catfights, however, lie serious reflections on the challenges of aging and a reminder to embrace the talents of our still-vital elderly.

Beecham House in the picturesque English countryside is a home for retired singers and musicians. As such, it's a haven for eccentrics and outsize egos, ringing true Bette Davis' famous observation, "Old age is not for sissies."

Impresario Cedric Livingston (Michael Gambon) corrals the residents to put on a fundraiser every year on composer Giuseppe Verdi's birthday. His dream is to reunite four legendary opera singers who once performed the "Quartet" from Verdi's "Rigoletto."

"It would be as if Maria Callas made her comeback," he predicts.

The ensemble is made up of newly arrived, acid-tongued diva Jean Horton (Maggie Smith), her gentle ex-husband Reginald Paget (Tom Courtenay), dotty Cecily Robson (Pauline Collins), who's in the early stages of dementia, and randy rogue Wilfred Bond (Billy Connolly). Wilf, as he's known, is forever flirting with the young staff.

All of the singers are keen for the reunion, except Jean, who fears stepping into the spotlight again. "My gift deserted me," she tells Reginald.

"It deserted us all," he says. "It's called life."

Jean has an ulterior motive: to reconcile with Reginald, whom she abandoned for an affair with a rival tenor. She regrets the indiscretion, but Reginald is still bitter.

"I wanted a dignified senility," he muses. "Fat chance now that she's here."

Still, the show must go on, and nothing tempts an aging performer more than the smell of greasepaint and the glare of the footlights.

The salty language in "Quartet" and the script's rather juvenile obsession with sex (it's ripe with British euphemisms like "rumpy-pumpy") distract somewhat from the fun of watching the veteran actors perform as well as from the pleasures afforded by the glorious soundtrack.

The film contains sexual innuendo and some profane and rough language. The Catholic News Service classification is A-III—adults. The Motion Picture Association of America rating is PG-13—parents strongly cautioned. Some material may be inappropriate for children under 13.

*****
Joseph McAleer is a guest reviewer for Catholic News Service.



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Conrad of Parzham: Conrad spent most of his life as porter in Altoetting, Bavaria, letting people into the friary and indirectly encouraging them to let God into their lives. 
<p>His parents, Bartholomew and Gertrude Birndorfer, lived near Parzham, Bavaria. In those days this region was recovering from the Napoleonic wars. A lover of solitary prayer and a peacemaker as a young man, Conrad joined the Capuchins as a brother. He made his profession in 1852 and was assigned to the friary in Altoetting. That city’s shrine to Mary was very popular; at the nearby Capuchin friary there was a lot of work for the porter, a job Conrad held for 41 years. </p><p>At first some of the other friars were jealous that such a young friar held this important job. Conrad’s patience and holy life overcame their doubts. As porter he dealt with many people, obtaining many of the friary supplies and generously providing for the poor who came to the door. He treated them all with the courtesy Francis expected of his followers. </p><p>Conrad’s helpfulness was sometimes unnerving. Once Father Vincent, seeking quiet to prepare a sermon, went up the belltower of the church. Conrad tracked him down when someone wanting to go to confession specifically requested Father Vincent. </p><p>Conrad also developed a special rapport with the children of the area. He enthusiastically promoted the Seraphic Work of Charity, which aided neglected children. </p><p>Conrad spent hours in prayer before the Blessed Sacrament. He regularly asked the Blessed Mother to intercede for him and for the many people he included in his prayers. The ever-patient Conrad was canonized in 1934.</p> American Catholic Blog The Resurrection is neither optimism nor idealism; it is truth. Atheism proclaims the tomb is full; Christians know it is empty.

 
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