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ON FAITH & MEDIA View Comments

Quartet

By
Joseph McAleer
Source: Catholic News Service


Billy Connolly, Maggie Smith, Tom Courtenay and Pauline Collins star in a scene from the movie "Quartet."
Dustin Hoffman steps behind the camera for his directorial debut with "Quartet" (Weinstein), a comedy-drama about musical artists who face the ultimate curtain call: a date with the Grim Reaper.

Based on the play by Ronald Harwood (who also wrote the screenplay), "Quartet" casts senior citizens in the same warm and fuzzy glow as last year's "The Best Exotic Marigold Hotel." Amid the gags and catfights, however, lie serious reflections on the challenges of aging and a reminder to embrace the talents of our still-vital elderly.

Beecham House in the picturesque English countryside is a home for retired singers and musicians. As such, it's a haven for eccentrics and outsize egos, ringing true Bette Davis' famous observation, "Old age is not for sissies."

Impresario Cedric Livingston (Michael Gambon) corrals the residents to put on a fundraiser every year on composer Giuseppe Verdi's birthday. His dream is to reunite four legendary opera singers who once performed the "Quartet" from Verdi's "Rigoletto."

"It would be as if Maria Callas made her comeback," he predicts.

The ensemble is made up of newly arrived, acid-tongued diva Jean Horton (Maggie Smith), her gentle ex-husband Reginald Paget (Tom Courtenay), dotty Cecily Robson (Pauline Collins), who's in the early stages of dementia, and randy rogue Wilfred Bond (Billy Connolly). Wilf, as he's known, is forever flirting with the young staff.

All of the singers are keen for the reunion, except Jean, who fears stepping into the spotlight again. "My gift deserted me," she tells Reginald.

"It deserted us all," he says. "It's called life."

Jean has an ulterior motive: to reconcile with Reginald, whom she abandoned for an affair with a rival tenor. She regrets the indiscretion, but Reginald is still bitter.

"I wanted a dignified senility," he muses. "Fat chance now that she's here."

Still, the show must go on, and nothing tempts an aging performer more than the smell of greasepaint and the glare of the footlights.

The salty language in "Quartet" and the script's rather juvenile obsession with sex (it's ripe with British euphemisms like "rumpy-pumpy") distract somewhat from the fun of watching the veteran actors perform as well as from the pleasures afforded by the glorious soundtrack.

The film contains sexual innuendo and some profane and rough language. The Catholic News Service classification is A-III—adults. The Motion Picture Association of America rating is PG-13—parents strongly cautioned. Some material may be inappropriate for children under 13.

*****
Joseph McAleer is a guest reviewer for Catholic News Service.



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David of Wales: David is the patron saint of Wales and perhaps the most famous of British saints. Ironically, we have little reliable information about him. 
<p>It is known that he became a priest, engaged in missionary work and founded many monasteries, including his principal abbey in southwestern Wales. Many stories and legends sprang up about David and his Welsh monks. Their austerity was extreme. They worked in silence without the help of animals to till the soil. Their food was limited to bread, vegetables and water. </p><p>In about the year 550, David attended a synod where his eloquence impressed his fellow monks to such a degree that he was elected primate of the region. The episcopal see was moved to Mynyw, where he had his monastery (now called St. David's). He ruled his diocese until he had reached a very old age. His last words to his monks and subjects were: "Be joyful, brothers and sisters. Keep your faith, and do the little things that you have seen and heard with me." </p><p>St. David is pictured standing on a mound with a dove on his shoulder. The legend is that once while he was preaching a dove descended to his shoulder and the earth rose to lift him high above the people so that he could be heard. Over 50 churches in South Wales were dedicated to him in pre-Reformation days.</p> American Catholic Blog When we recognize the wounded Jesus in ourselves, we are quite likely to go out of our hearts and minds to recognize Him in those around us. And, as we tend our own selves, we are moved to tend others as we can, whether through action or prayer. Our lives can truly echo the caring words and provide the caring touch of Christ.


 
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