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ON FAITH & MEDIA View Comments

Gangster Squad

By
John Mulderig
Source: Catholic News Service


James Carpinello, Sean Penn and Evan Cohen star in a scene from the movie "Gangster Squad."
Early on in the stylish but excessively violent cops-and-robbers tale "Gangster Squad" (Warner Bros.), the villain of the piece—a reptilian gangster played by Sean Penn—has a rival chained to two cars which drive off in opposite directions, tearing the victim in half.

That's a fair tipoff of the mayhem to come which, taken together with the film's murky morality, makes this fact-based drama, directed by Ruben Fleischer, suitable only for the most stalwart adult viewers.

Penn's baddie, Mickey Cohen, is a Brooklyn-bred ex-boxer intent on making 1940s Los Angeles his own. Out to stop him, by any means necessary, is the metropolis' police chief, William Parker (Nick Nolte).

Parker commissions idealistic World War II veteran Sgt. John O'Mara (Josh Brolin) to form the team of the title. Made up, most prominently, of slickster and fellow Sgt. Jerry Wooters (Ryan Gosling), tough African-American officer Coleman Harris (Anthony Mackie) and electronics expert Conwell Keeler (Giovanni Ribisi), the squad will operate outside the law to break Cohen's power.

Along the way to a conclusive shootout that seems to reap as many casualties as a small-scale military operation, Wooters secretly romances—and straightforwardly seduces—Cohen's good-hearted moll Grace Faraday (Emma Stone).

O'Mara and company occasionally express second thoughts about their methods. But screenwriter Will Beall's script, adapted from Paul Lieberman's eponymous book, presents their illegal actions as the only practical solution open to them.

Given Cohen's ruthlessness—he eventually orders a machine-gun attack on O'Mara's home, endangering the upright sergeant's pregnant wife, Connie (Mireille Enos)—the audience is invited to react as viscerally as the characters to his seemingly unstoppable reign of terror. Moviegoers will require maturity and prudence to work through the tangled ethics of the situation—and a strong stomach to endure the wild gunplay and interludes of brutality.

The film contains a vigilantism theme, scenes of gruesome, bloody violence, a premarital situation, brief partial nudity, numerous uses of profanity and much rough and crude language. The Catholic News Service classification is L—limited adult audience, films whose problematic content many adults would find troubling. The Motion Picture Association of America rating is R—restricted. Under 17 requires accompanying parent or adult guardian.

****
John Mulderig is on the staff of Catholic News Service.



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First Martyrs of the Church of Rome: There were Christians in Rome within a dozen or so years after the death of Jesus, though they were not the converts of the “Apostle of the Gentiles” (Romans 15:20). Paul had not yet visited them at the time he wrote his great letter in 57-58 A.D.. 
<p>There was a large Jewish population in Rome. Probably as a result of controversy between Jews and Jewish Christians, the Emperor Claudius expelled all Jews from Rome in 49-50 A.D. Suetonius the historian says that the expulsion was due to disturbances in the city “caused by the certain Chrestus” [Christ]. Perhaps many came back after Claudius’s death in 54 A.D. Paul’s letter was addressed to a Church with members from Jewish and Gentile backgrounds. </p><p>In July of 64 A.D., more than half of Rome was destroyed by fire. Rumor blamed the tragedy on Nero, who wanted to enlarge his palace. He shifted the blame by accusing the Christians. According to the historian Tacitus, many Christians were put to death because of their “hatred of the human race.” Peter and Paul were probably among the victims. </p><p>Threatened by an army revolt and condemned to death by the senate, Nero committed suicide in 68 A.D. at the age of 31.</p> American Catholic Blog While the future may be uncertain to us, we can rest comfortably in the loving control and sovereignty of our Heavenly Father. We can trust his plan, and we can rely upon his fatherly design and control.

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