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ON FAITH & MEDIA View Comments

Parental Guidance

By
Kurt Jensen
Source: Catholic News Service


Billy Crystal, Kyle Harrison Breitkopf and Joshua Rush star in a scene from the movie "Parental Guidance."
Though it means well, "Parental Guidance" (Fox) suffers from an excess of potty humor.

Granted, they're family-style potty gags, and every parent of a young child has probably experienced similar incidents to what is portrayed. It's just that such humor is a sign of desperation; it means the filmmakers have no better ideas.

One of the very few performers to handle such material successfully was the late Bernie Mac in his eponymous sitcom. It worked there because first of all, it was a half-hour program, and second, because children out of control in any way made Mac's character affect wounded dignity, do a slow burn or erupt in anger, and he had talented writers and versatile ways of putting this across.

Nothing of the kind here, alas. Director Andy Fickman and screenwriters Lisa Addario and Joe Syracuse, working from an idea of Billy Crystal's (who stars), produce some very stale and predictable ideas in this slow-moving story of grandparents who try to connect with grandchildren they've almost never seen.

Crystal is Artie Decker, who has longed to become a big-league radio announcer but has only gotten as far as calling games for the Fresno Grizzlies, the Triple-A farm team of the San Francisco Giants. For 35 years, he's wanted to work for the Giants, but loses his Fresno job when the team owner decides he's old-fashioned and attracts only older listeners.

At the same time, his daughter, Alice (Marisa Tomei), and son-in-law, Phil (Tom Everett Scott), who live overscheduled lives in Atlanta, have a chance to reconnect romantically on a weeklong sales conference in Hilton Head, S.C., for the "smart homes" Phil designs.

His parents are on a cruise. That means calling in "the other grandparents" -- Artie and Diane (Bette Midler) -- to take care of grandchildren they've not seen in years.

The children are wary of these earthy grandparents and have issues of their own. Aspiring violinist Harper (Bailee Madison), 12, is uncertain whether music is her life's goal; 9-year-old Turner (Joshua Rush) stutters and is bullied in school, and 5-year-old Barker (Kyle Harrison Breitkopf) has an imaginary kangaroo friend named Carl, who makes all his decisions for him.

There's a running gag involving a rude rhyme with Artie's name, and Breitkopf is assigned all the scenes involving scatological matters.

Political incorrectness ensues. Artie can't understand why all Turner's baseball games end in ties and kids stay at the plate until they get a hit, while Diane, a former TV weather girl, enjoys playing an aggressive stage mother to Harper. Barker confuses everyone and nearly stops a performance of the Atlanta Symphony, and Artie unsuccessfully auditions for a job announcing the X Games on ESPN.

Grandparental attention, even the clumsy kind, eventually helps all the children overcome their problems. Special use is made of a recording of the broadcast of Bobby Thomson's dramatic ninth-inning home run that captured the 1951 National League pennant for the then-New York Giants.

The film contains childish scatological humor. The Catholic News Service classification is A-I -- general patronage. The Motion Picture Association of America rating is PG -- parental guidance suggested.

*****
Kurt Jensen is a guest reviewer for Catholic News Service.



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John Bosco: John Bosco’s theory of education could well be used in today’s schools. It was a preventive system, rejecting corporal punishment and placing students in surroundings removed from the likelihood of committing sin. He advocated frequent reception of the sacraments of Penance and Holy Communion. He combined catechetical training and fatherly guidance, seeking to unite the spiritual life with one’s work, study and play. 
<p>Encouraged during his youth to become a priest so he could work with young boys, John was ordained in 1841. His service to young people started when he met a poor orphan and instructed him in preparation for receiving Holy Communion. He then gathered young apprentices and taught them catechism. </p><p>After serving as chaplain in a hospice for working girls, John opened the Oratory of St. Francis de Sales for boys. Several wealthy and powerful patrons contributed money, enabling him to provide two workshops for the boys, shoemaking and tailoring. </p><p>By 1856, the institution had grown to 150 boys and had added a printing press for publication of religious and catechetical pamphlets. His interest in vocational education and publishing justify him as patron of young apprentices and Catholic publishers. </p><p>John’s preaching fame spread and by 1850 he had trained his own helpers because of difficulties in retaining young priests. In 1854 he and his followers informally banded together, inspired by St. Francis de Sales [January 24]. </p><p>With Pope Pius IX’s encouragement, John gathered 17 men and founded the Salesians in 1859. Their activity concentrated on education and mission work. Later, he organized a group of Salesian Sisters to assist girls.</p> American Catholic Blog How do you expect to reach your own perfection by leading someone else’s life? His sanctity will never be yours; you must have the humility to work out your own salvation in a darkness where you are absolutely alone.

 
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