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ON FAITH & MEDIA View Comments

The Guilt Trip

By
John Mulderig
Source: Catholic News Service


Seth Rogen and Barbra Streisand star in a scene from the movie "The Guilt Trip."
The inevitable tensions of family life have served as the basis for many a screen comedy. In the current holiday season alone, they provide grist for two very different cinematic mills: the crude misfire "This Is 40" and the warmhearted mother-and-son road movie "The Guilt Trip" (Paramount).

Though the latter includes material for mature eyes only, it offers a view of clan interaction that calls to mind St. Paul's inspired insight that the first—and perhaps primary—attribute of real love is patience (1 Cor. 13:4).

Learning that lesson as the film unspools is buttoned-up Los Angeles chemist Andy Brewster (Seth Rogen). Visiting his New York-based mom Joyce (Barbra Streisand) before setting off on a cross-country business trip—during which he'll be pitching a cleaning product he invented to various store chains—Andy discovers a secret about her past: Before she married long-deceased dad, Joyce had a boyfriend for whom she still carries a nostalgic torch these many years later.

This being the age of Google, a moment's research on Andy's part, once he's alone in his room—together with a follow-up phone call—reveals that Joyce's former beau is alive and well, single, and living in San Francisco. Andy decides he'll secretly engineer a reunion by inviting Joyce along on his journey, and pretending that his last appointment is in the City by the Bay. Needless to say, doting Mom is thrilled by the idea.

Not all the adventures that ensue make for family viewing, notably an unintended stop-off at a roadside strip club. But the vibrant mutual affection between the two main characters shines through as they try to reconcile their ill-matched temperaments.

Extrovert Joyce repeatedly runs afoul of Andy's love of the laid-back, and frequently elicits wry observations from him on the eccentricity of her outlook. A creative researcher, but no salesman, Andy could benefit from Joyce's common touch, but bearishly refuses to listen to her advice.

As a dedication included in the end titles hints, and publicity materials for the film explain more fully, screenwriter Dan Fogelman found inspiration for his script in a real-life excursion he and his mother— also named Joyce—undertook together.

By turns amusing and touching, director Anne Fletcher's picture, which sees both Streisand and Rogen in top form, registers as enjoyable fare for grownups.

The film contains brief partial nudity, numerous adult references, a couple of uses of profanity as well as at least one rough and about a dozen crude terms. The Catholic News Service classification is A-III—adults. The Motion Picture Association of America rating is PG-13—parents strongly cautioned. Some material may be inappropriate for children under 13.

*****
John Mulderig is on the staff of Catholic News Service.



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Giles: Despite the fact that much about St. Giles is shrouded in mystery, we can say that he was one of the most popular saints in the Middle Ages. Likely, he was born in the first half of the seventh century in southeastern France. That is where he built a monastery that became a popular stopping-off point for pilgrims making their way to Compostela in Spain and the Holy Land.<br /><br />In England, many ancient churches and hospitals were dedicated to Giles. One of the sections of the city of Brussels is named after him. In Germany, Giles was included among the so-called 14 Holy Helpers, a popular group of saints to whom people prayed, especially for recovery from disease and for strength at the hour of death. Also among the 14 were Sts. Christopher, Barbara and Blaise. Interestingly, Giles was the only non-martyr among them. Devotion to the "Holy Helpers" was especially strong in parts of Germany and in Hungary and Sweden. Such devotion made his popularity spread. Giles was soon invoked as the patron of the poor and the disabled.<br /><br />The pilgrimage center that once drew so many fell into disrepair some centuries after Giles' death. American Catholic Blog The ascension is about the final reunion of what appeared to be separated for a while: earth and heaven, human and divine, matter and Spirit. If the Christ is the archetype of the full human journey, now we know how it all resolves itself in the end. “So that where I am, you also will be” (John 14:3).

 
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