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ON FAITH & MEDIA View Comments

The Guilt Trip

By
John Mulderig
Source: Catholic News Service


Seth Rogen and Barbra Streisand star in a scene from the movie "The Guilt Trip."
The inevitable tensions of family life have served as the basis for many a screen comedy. In the current holiday season alone, they provide grist for two very different cinematic mills: the crude misfire "This Is 40" and the warmhearted mother-and-son road movie "The Guilt Trip" (Paramount).

Though the latter includes material for mature eyes only, it offers a view of clan interaction that calls to mind St. Paul's inspired insight that the first—and perhaps primary—attribute of real love is patience (1 Cor. 13:4).

Learning that lesson as the film unspools is buttoned-up Los Angeles chemist Andy Brewster (Seth Rogen). Visiting his New York-based mom Joyce (Barbra Streisand) before setting off on a cross-country business trip—during which he'll be pitching a cleaning product he invented to various store chains—Andy discovers a secret about her past: Before she married long-deceased dad, Joyce had a boyfriend for whom she still carries a nostalgic torch these many years later.

This being the age of Google, a moment's research on Andy's part, once he's alone in his room—together with a follow-up phone call—reveals that Joyce's former beau is alive and well, single, and living in San Francisco. Andy decides he'll secretly engineer a reunion by inviting Joyce along on his journey, and pretending that his last appointment is in the City by the Bay. Needless to say, doting Mom is thrilled by the idea.

Not all the adventures that ensue make for family viewing, notably an unintended stop-off at a roadside strip club. But the vibrant mutual affection between the two main characters shines through as they try to reconcile their ill-matched temperaments.

Extrovert Joyce repeatedly runs afoul of Andy's love of the laid-back, and frequently elicits wry observations from him on the eccentricity of her outlook. A creative researcher, but no salesman, Andy could benefit from Joyce's common touch, but bearishly refuses to listen to her advice.

As a dedication included in the end titles hints, and publicity materials for the film explain more fully, screenwriter Dan Fogelman found inspiration for his script in a real-life excursion he and his mother— also named Joyce—undertook together.

By turns amusing and touching, director Anne Fletcher's picture, which sees both Streisand and Rogen in top form, registers as enjoyable fare for grownups.

The film contains brief partial nudity, numerous adult references, a couple of uses of profanity as well as at least one rough and about a dozen crude terms. The Catholic News Service classification is A-III—adults. The Motion Picture Association of America rating is PG-13—parents strongly cautioned. Some material may be inappropriate for children under 13.

*****
John Mulderig is on the staff of Catholic News Service.





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Philip Neri: Philip Neri was a sign of contradiction, combining popularity with piety against the background of a corrupt Rome and a disinterested clergy, the whole post-Renaissance malaise. 
<p>At an early age, he abandoned the chance to become a businessman, moved to Rome from Florence and devoted his life and individuality to God. After three years of philosophy and theology studies, he gave up any thought of ordination. The next 13 years were spent in a vocation unusual at the time—that of a layperson actively engaged in prayer and the apostolate. </p><p>As the Council of Trent (1545-63) was reforming the Church on a doctrinal level, Philip’s appealing personality was winning him friends from all levels of society, from beggars to cardinals. He rapidly gathered around himself a group of laypersons won over by his audacious spirituality. Initially they met as an informal prayer and discussion group, and also served poor people in Rome. </p><p>At the urging of his confessor, he was ordained a priest and soon became an outstanding confessor, gifted with the knack of piercing the pretenses and illusions of others, though always in a charitable manner and often with a joke. He arranged talks, discussions and prayers for his penitents in a room above the church. He sometimes led “excursions” to other churches, often with music and a picnic on the way. </p><p>Some of his followers became priests and lived together in community. This was the beginning of the Oratory, the religious institute he founded. A feature of their life was a daily afternoon service of four informal talks, with vernacular hymns and prayers. Giovanni Palestrina was one of Philip’s followers, and composed music for the services. </p><p>The Oratory was finally approved after suffering through a period of accusations of being an assembly of heretics, where laypersons preached and sang vernacular hymns! (Cardinal Newman founded the first English-speaking house of the Oratory three centuries later.) </p><p>Philip’s advice was sought by many of the prominent figures of his day. He is one of the influential figures of the Counter-Reformation, mainly for converting to personal holiness many of the influential people within the Church itself. His characteristic virtues were humility and gaiety.</p> American Catholic Blog We need do no more than we are doing at present; that is, to love divine Providence and abandon ourselves in his arms and heart.<br />—St. Padre Pio

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