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ON FAITH & MEDIA View Comments

Red Dawn

By
Kurt Jensen
Source: Catholic News Service


Josh Peck, Josh Hutcherson and Chris Hemsworth star in a scene from the movie "Red Dawn."
Gleefully paranoid, hyperviolent and more than a little racist, the remake "Red Dawn" (FilmDistrict) is a time-waster for the tinfoil hat set.

The 1984 original pitted American youths against invading Russkies, to use the vintage term. It played out against the "Evil Empire" stage of the Cold War—a time when the Soviet Union was actually in decline, but both nations were still aiming considerable nuclear weaponry at each other, as they had done since the 1950s.

This time, director Dan Bradley and co-writers Carl Ellsworth and Jeremy Passmore launch a North Korean air invasion on the Pacific Northwest. The monolithic but clever commies have shut down the whole power grid using some secret technology. So, no TV, Internet or radio communications, except for what can be done with batteries.

Not a problem for a bunch of plucky teens led by ex-soldier Jed (Chris Hemsworth), son of Spokane Police Chief Tom Eckert (Brett Cullen). He and brother Matt (Josh Peck) transform pals Toni (Adrianna Palicki), Robert (Josh Hutcherson), Erica (Isabel Lucas) and Daryl (Connor Cruise)—along with some others -- into a stone-cold militia equally adept as snipers, insurgents and survivalists.

The commandoes nickname themselves the Wolverines, after their high school mascot. The Wolverines torment the occupiers for a good 90 minutes but never manage to overthrow them, since they have neither the requisite numbers nor the necessary firepower. They also deal harshly with collaborators.

Aided by the Russians, the North Koreans, we learn, have parachuted in and overtaken most of the United States except for a portion from Alabama to Arizona, and Michigan to Montana. (In this milieu, they don't mess with Texas.) Evidently, the Mexicans and Canadians aren't coming to anyone's rescue, let alone those Euro-wimps from NATO.

The Koreans are handing out summary executions, and the theme of the picture is laid out when Chief Eckert has a gun held to his head by Captain Lo (Will Yun Lee), the new local prefect.

"I want you to go to war and stop this (expletive)!" Eckert shouts to his sons, whom he knows are hiding in the vicinity, "Or die trying!"

So they fight 'em in the woods, and blow 'em up downtown. The only morality consists of getting the enemy before they get you, and skin color and eye shape largely determine who's evil.

The film contains constant gun violence, occasional gore, racist characterizations, fleeting profanity and pervasive crude language. The Catholic News Service classification is L—limited adult audience, films whose problematic content many adults would find troubling. The Motion Picture Association of America rating is PG-13—parents strongly cautioned. Some material may be inappropriate for children under 13.

*****
Kurt Jensen is a guest reviewer for Catholic News Service.





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Visitation: This is a fairly late feast, going back only to the 13th or 14th century. It was established widely throughout the Church to pray for unity. The present date of celebration was set in 1969 in order to follow the Annunciation of the Lord (March 25) and precede the Nativity of John the Baptist (June 24). 
<p>Like most feasts of Mary, it is closely connected with Jesus and his saving work. The more visible actors in the visitation drama (see Luke 1:39-45) are Mary and Elizabeth. However, Jesus and John the Baptist steal the scene in a hidden way. Jesus makes John leap with joy—the joy of messianic salvation. Elizabeth, in turn, is filled with the Holy Spirit and addresses words of praise to Mary—words that echo down through the ages. </p><p>It is helpful to recall that we do not have a journalist’s account of this meeting. Rather, Luke, speaking for the Church, gives a prayerful poet’s rendition of the scene. Elizabeth’s praise of Mary as “the mother of my Lord” can be viewed as the earliest Church’s devotion to Mary. As with all authentic devotion to Mary, Elizabeth’s (the Church’s) words first praise God for what God has done to Mary. Only secondly does she praise Mary for trusting God’s words. </p><p>Then comes the Magnificat (Luke 1:46-55). Here Mary herself (like the Church) traces all her greatness to God.</p> American Catholic Blog Someone once told Pope Francis that his words had inspired him to give a lot more to the poor. Pope Francis’s response was to challenge the man not to just give money, but to roll up his sleeves, get his hands dirty, and actually reach out and help.

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