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ON FAITH & MEDIA View Comments

Red Dawn

By
Kurt Jensen
Source: Catholic News Service


Josh Peck, Josh Hutcherson and Chris Hemsworth star in a scene from the movie "Red Dawn."
Gleefully paranoid, hyperviolent and more than a little racist, the remake "Red Dawn" (FilmDistrict) is a time-waster for the tinfoil hat set.

The 1984 original pitted American youths against invading Russkies, to use the vintage term. It played out against the "Evil Empire" stage of the Cold War—a time when the Soviet Union was actually in decline, but both nations were still aiming considerable nuclear weaponry at each other, as they had done since the 1950s.

This time, director Dan Bradley and co-writers Carl Ellsworth and Jeremy Passmore launch a North Korean air invasion on the Pacific Northwest. The monolithic but clever commies have shut down the whole power grid using some secret technology. So, no TV, Internet or radio communications, except for what can be done with batteries.

Not a problem for a bunch of plucky teens led by ex-soldier Jed (Chris Hemsworth), son of Spokane Police Chief Tom Eckert (Brett Cullen). He and brother Matt (Josh Peck) transform pals Toni (Adrianna Palicki), Robert (Josh Hutcherson), Erica (Isabel Lucas) and Daryl (Connor Cruise)—along with some others -- into a stone-cold militia equally adept as snipers, insurgents and survivalists.

The commandoes nickname themselves the Wolverines, after their high school mascot. The Wolverines torment the occupiers for a good 90 minutes but never manage to overthrow them, since they have neither the requisite numbers nor the necessary firepower. They also deal harshly with collaborators.

Aided by the Russians, the North Koreans, we learn, have parachuted in and overtaken most of the United States except for a portion from Alabama to Arizona, and Michigan to Montana. (In this milieu, they don't mess with Texas.) Evidently, the Mexicans and Canadians aren't coming to anyone's rescue, let alone those Euro-wimps from NATO.

The Koreans are handing out summary executions, and the theme of the picture is laid out when Chief Eckert has a gun held to his head by Captain Lo (Will Yun Lee), the new local prefect.

"I want you to go to war and stop this (expletive)!" Eckert shouts to his sons, whom he knows are hiding in the vicinity, "Or die trying!"

So they fight 'em in the woods, and blow 'em up downtown. The only morality consists of getting the enemy before they get you, and skin color and eye shape largely determine who's evil.

The film contains constant gun violence, occasional gore, racist characterizations, fleeting profanity and pervasive crude language. The Catholic News Service classification is L—limited adult audience, films whose problematic content many adults would find troubling. The Motion Picture Association of America rating is PG-13—parents strongly cautioned. Some material may be inappropriate for children under 13.

*****
Kurt Jensen is a guest reviewer for Catholic News Service.



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Monica: The circumstances of St. Monica’s life could have made her a nagging wife, a bitter daughter-in-law and a despairing parent, yet she did not give way to any of these temptations. Although she was a Christian, her parents gave her in marriage to a pagan, Patricius, who lived in her hometown of Tagaste in North Africa. Patricius had some redeeming features, but he had a violent temper and was licentious. Monica also had to bear with a cantankerous mother-in-law who lived in her home. Patricius criticized his wife because of her charity and piety, but always respected her. Monica’s prayers and example finally won her husband and mother-in-law to Christianity. Her husband died in 371, one year after his baptism. 
<p>Monica had at least three children who survived infancy. The oldest, Augustine (August 28) , is the most famous. At the time of his father’s death, Augustine was 17 and a rhetoric student in Carthage. Monica was distressed to learn that her son had accepted the Manichean heresy (all flesh is evil)  and was living an immoral life. For a while, she refused to let him eat or sleep in her house. Then one night she had a vision that assured her Augustine would return to the faith. From that time on, she stayed close to her son, praying and fasting for him. In fact, she often stayed much closer than Augustine wanted. </p><p>When he was 29, Augustine decided to go to Rome to teach rhetoric. Monica was determined to go along. One night he told his mother that he was going to the dock to say goodbye to a friend. Instead, he set sail for Rome. Monica was heartbroken when she learned of Augustine’s trick, but she still followed him. She arrived in Rome only to find that he had left for Milan. Although travel was difficult, Monica pursued him to Milan. </p><p>In Milan, Augustine came under the influence of the bishop, St. Ambrose, who also became Monica’s spiritual director. She accepted his advice in everything and had the humility to give up some practices that had become second nature to her (see Quote, below). Monica became a leader of the devout women in Milan as she had been in Tagaste. </p><p>She continued her prayers for Augustine during his years of instruction. At Easter, 387, St. Ambrose baptized Augustine and several of his friends. Soon after, his party left for Africa. Although no one else was aware of it, Monica knew her life was near the end. She told Augustine, “Son, nothing in this world now affords me delight. I do not know what there is now left for me to do or why I am still here, all my hopes in this world being now fulfilled.” She became ill shortly after and suffered severely for nine days before her death. </p><p>Almost all we know about St. Monica is in the writings of St. Augustine, especially his <i>Confessions</i>.</p> American Catholic Blog Trust always and a great deal in divine providence; never, never must you let yourselves be discouraged, despite contrary winds. I say it again: trust in God and Mary Immaculate; be faithful and forge ahead! <br />-Paulina do Coração Agonizante de Jesus

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