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ON FAITH & MEDIA View Comments

The Words

By
Kurt Jensen
Source: Catholic News Service


Zoe Saldana and Bradley Cooper star in a scene from the movie "The Words."
Right up to its ending, "The Words" (CBS) is a pleasing rumination on moral choices. Then, after a full 93 minutes of illustrating and explaining ethical ambiguity, the filmmakers let their star-laden fable lurch to close with a finish likely to please no one.

Mary McCarthy once said of her novels that she took real plums and put them into an imaginary cake. "The Words" deals with struggling novelist Rory Jansen (Bradley Cooper), who happens across an entire truckload of someone else's plums. He claims them as his own, publishes them to great renown, then comes face to face with the man to whom they belonged in the first place.

Since this is an artsy work, said author, played by Jeremy Irons, is known simply as the Old Man.

Brian Klugman and Lee Sternthal, who co-wrote and co-directed, know how to hit all the gratifying flashback notes. Jansen finds the stunning romantic novel of postwar Paris in a battered briefcase his wife Dora (Zoe Saldana) bought there on their honeymoon.

In reading the manuscript, the narration ponderously informs us, Jansen was "confronted by everything he ever appeared to be and the reality of what he would never become."

The story unfolds in a three-tiered frame, beginning with novelist Clay Hammond (Dennis Quaid) reading from his book about the deception, and including the Old Man's bitter recounting of his life story to the stunned Jansen.

Ernest Hemingway references abound—as a reminder that all good fiction originates with suffering. That sentiment notwithstanding, the Paris scenes are postcard perfection.

Jansen knows he has to make a choice when he encounters the Old Man. But the filmmakers, coming from an industry where the theft of ideas is more common than it is for fiction writers, muddy their resolution and cheat a bit. To elucidate whose story this really is, there's a postlude with Hammond explaining to flirtatious graduate student Daniella (Olivia Wilde) how novelists plunder their own lives.

This talky drama is just the thing for those yearning to don tweed and corduroy, sip red wine and discuss literature on rainy nights.

The film contains two premarital situations as well as occasional profane and crude language. The Catholic News Service classification is A-III—adults. The Motion Picture Association of America rating is PG-13—parents strongly cautioned. Some material may be inappropriate for children under 13.

*****
Kurt Jensen is a guest reviewer for Catholic News Service.



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Lazarus: Lazarus, the friend of Jesus, the brother of Martha and Mary, was the one of whom the Jews said, "See how much he loved him." In their sight Jesus raised his friend Lazarus from the dead. 
<p>Legends abound about the life of Lazarus after the death and resurrection of Jesus. He is supposed to have left a written account of what he saw in the next world before he was called back to life. Some say he followed Peter into Syria. Another story is that despite being put into a leaking boat by the Jews at Jaffa, he, his sisters and others landed safely in Cyprus. There he died peacefully after serving as bishop for 30 years. </p><p>A church was built in his honor in Constantinople and some of his reputed relics were transferred there in 890. A Western legend has the oarless boat arriving in Gaul. There he was bishop of Marseilles, was martyred after making a number of converts and was buried in a cave. His relics were transferred to the new cathedral in Autun in 1146. </p><p>It is certain there was early devotion to the saint. Around the year 390, the pilgrim lady Etheria talks of the procession that took place on the Saturday before Palm Sunday at the tomb where Lazarus had been raised from the dead. In the West, Passion Sunday was called <i>Dominica de Lazaro</i>, and Augustine tells us that in Africa the Gospel of the raising of Lazarus was read at the office of Palm Sunday.</p> American Catholic Blog We need do no more than we are doing at present; that is, to love divine Providence and abandon ourselves in His arms and heart.


 
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