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ON FAITH & MEDIA View Comments

The Words

By
Kurt Jensen
Source: Catholic News Service


Zoe Saldana and Bradley Cooper star in a scene from the movie "The Words."
Right up to its ending, "The Words" (CBS) is a pleasing rumination on moral choices. Then, after a full 93 minutes of illustrating and explaining ethical ambiguity, the filmmakers let their star-laden fable lurch to close with a finish likely to please no one.

Mary McCarthy once said of her novels that she took real plums and put them into an imaginary cake. "The Words" deals with struggling novelist Rory Jansen (Bradley Cooper), who happens across an entire truckload of someone else's plums. He claims them as his own, publishes them to great renown, then comes face to face with the man to whom they belonged in the first place.

Since this is an artsy work, said author, played by Jeremy Irons, is known simply as the Old Man.

Brian Klugman and Lee Sternthal, who co-wrote and co-directed, know how to hit all the gratifying flashback notes. Jansen finds the stunning romantic novel of postwar Paris in a battered briefcase his wife Dora (Zoe Saldana) bought there on their honeymoon.

In reading the manuscript, the narration ponderously informs us, Jansen was "confronted by everything he ever appeared to be and the reality of what he would never become."

The story unfolds in a three-tiered frame, beginning with novelist Clay Hammond (Dennis Quaid) reading from his book about the deception, and including the Old Man's bitter recounting of his life story to the stunned Jansen.

Ernest Hemingway references abound—as a reminder that all good fiction originates with suffering. That sentiment notwithstanding, the Paris scenes are postcard perfection.

Jansen knows he has to make a choice when he encounters the Old Man. But the filmmakers, coming from an industry where the theft of ideas is more common than it is for fiction writers, muddy their resolution and cheat a bit. To elucidate whose story this really is, there's a postlude with Hammond explaining to flirtatious graduate student Daniella (Olivia Wilde) how novelists plunder their own lives.

This talky drama is just the thing for those yearning to don tweed and corduroy, sip red wine and discuss literature on rainy nights.

The film contains two premarital situations as well as occasional profane and crude language. The Catholic News Service classification is A-III—adults. The Motion Picture Association of America rating is PG-13—parents strongly cautioned. Some material may be inappropriate for children under 13.

*****
Kurt Jensen is a guest reviewer for Catholic News Service.



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James Oldo: You’ve heard rags-to-riches stories. Today, we celebrate the reverse. 
<p>James of Oldo was born into a well-to-do family near Milan in 1364. He married a woman who, like him, appreciated the comforts that came with wealth. But an outbreak of plague drove James, his wife and their three children out of their home and into the countryside. Despite those precautions, two of his daughters died from the plague, James determined to use whatever time he had left to build up treasures in heaven and to build God’s realm on earth. </p><p>He and his wife became Secular Franciscans. James gave up his old lifestyle and did penance for his sins. He cared for a sick priest, who taught him Latin. Upon the death of his wife, James himself became a priest. His house was transformed into a chapel where small groups of people, many of them fellow Secular Franciscans, came for prayer and support. James focused on caring for the sick and for prisoners of war. He died in 1404 after contracting a disease from one of his patients. </p><p>James Oldo was beatified in 1933.</p> American Catholic Blog Charity for the poor is like a living flame: the more dry the wood, the brighter it burns.


 
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