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ON FAITH & MEDIA View Comments

The Words

By
Kurt Jensen
Source: Catholic News Service


Zoe Saldana and Bradley Cooper star in a scene from the movie "The Words."
Right up to its ending, "The Words" (CBS) is a pleasing rumination on moral choices. Then, after a full 93 minutes of illustrating and explaining ethical ambiguity, the filmmakers let their star-laden fable lurch to close with a finish likely to please no one.

Mary McCarthy once said of her novels that she took real plums and put them into an imaginary cake. "The Words" deals with struggling novelist Rory Jansen (Bradley Cooper), who happens across an entire truckload of someone else's plums. He claims them as his own, publishes them to great renown, then comes face to face with the man to whom they belonged in the first place.

Since this is an artsy work, said author, played by Jeremy Irons, is known simply as the Old Man.

Brian Klugman and Lee Sternthal, who co-wrote and co-directed, know how to hit all the gratifying flashback notes. Jansen finds the stunning romantic novel of postwar Paris in a battered briefcase his wife Dora (Zoe Saldana) bought there on their honeymoon.

In reading the manuscript, the narration ponderously informs us, Jansen was "confronted by everything he ever appeared to be and the reality of what he would never become."

The story unfolds in a three-tiered frame, beginning with novelist Clay Hammond (Dennis Quaid) reading from his book about the deception, and including the Old Man's bitter recounting of his life story to the stunned Jansen.

Ernest Hemingway references abound—as a reminder that all good fiction originates with suffering. That sentiment notwithstanding, the Paris scenes are postcard perfection.

Jansen knows he has to make a choice when he encounters the Old Man. But the filmmakers, coming from an industry where the theft of ideas is more common than it is for fiction writers, muddy their resolution and cheat a bit. To elucidate whose story this really is, there's a postlude with Hammond explaining to flirtatious graduate student Daniella (Olivia Wilde) how novelists plunder their own lives.

This talky drama is just the thing for those yearning to don tweed and corduroy, sip red wine and discuss literature on rainy nights.

The film contains two premarital situations as well as occasional profane and crude language. The Catholic News Service classification is A-III—adults. The Motion Picture Association of America rating is PG-13—parents strongly cautioned. Some material may be inappropriate for children under 13.

*****
Kurt Jensen is a guest reviewer for Catholic News Service.





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Joseph Benedict Cottolengo: In some ways Joseph exemplified St. Francis’ advice, "Let us begin to serve the Lord God, for up to now we have made little or no progress" (<i>1 Celano, </i>#103). 
<p>Joseph was the eldest of 12 children. Born in Piedmont, he was ordained for the Diocese of Turin in 1811. Frail health and difficulty in school were obstacles he overcame to reach ordination. </p><p>During Joseph’s lifetime Italy was torn by civil war while the poor and the sick suffered from neglect. Inspired by reading the life of St. Vincent de Paul and moved by the human suffering all around him, Joseph rented some rooms to nurse the sick of his parish and recruited local young women to serve as staff. </p><p>In 1832 at Voldocco, Joseph founded the House of Providence which served many different groups (the sick, the elderly, students, the mentally ill, the blind). All of this was financed by contributions. Popularly called "the University of Charity," this testimonial to God’s goodness was serving 8,000 people by the time of Joseph’s beatification in 1917. </p><p>To carry on his work, Joseph organized two religious communities, the Brothers of St. Vincent de Paul and the Sisters of St. Vincent de Paul. Joseph, who had joined the Secular Franciscans as a young man, was canonized in 1934.</p> American Catholic Blog The image of God! This is what it means to be human! We are not just a bunch of cells randomly thrown together by some impersonal forces. Rather, we reflect an eternal God who knew us from before we were made and purposely called us into being.

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