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ON FAITH & MEDIA View Comments

The Words

By
Kurt Jensen
Source: Catholic News Service


Zoe Saldana and Bradley Cooper star in a scene from the movie "The Words."
Right up to its ending, "The Words" (CBS) is a pleasing rumination on moral choices. Then, after a full 93 minutes of illustrating and explaining ethical ambiguity, the filmmakers let their star-laden fable lurch to close with a finish likely to please no one.

Mary McCarthy once said of her novels that she took real plums and put them into an imaginary cake. "The Words" deals with struggling novelist Rory Jansen (Bradley Cooper), who happens across an entire truckload of someone else's plums. He claims them as his own, publishes them to great renown, then comes face to face with the man to whom they belonged in the first place.

Since this is an artsy work, said author, played by Jeremy Irons, is known simply as the Old Man.

Brian Klugman and Lee Sternthal, who co-wrote and co-directed, know how to hit all the gratifying flashback notes. Jansen finds the stunning romantic novel of postwar Paris in a battered briefcase his wife Dora (Zoe Saldana) bought there on their honeymoon.

In reading the manuscript, the narration ponderously informs us, Jansen was "confronted by everything he ever appeared to be and the reality of what he would never become."

The story unfolds in a three-tiered frame, beginning with novelist Clay Hammond (Dennis Quaid) reading from his book about the deception, and including the Old Man's bitter recounting of his life story to the stunned Jansen.

Ernest Hemingway references abound—as a reminder that all good fiction originates with suffering. That sentiment notwithstanding, the Paris scenes are postcard perfection.

Jansen knows he has to make a choice when he encounters the Old Man. But the filmmakers, coming from an industry where the theft of ideas is more common than it is for fiction writers, muddy their resolution and cheat a bit. To elucidate whose story this really is, there's a postlude with Hammond explaining to flirtatious graduate student Daniella (Olivia Wilde) how novelists plunder their own lives.

This talky drama is just the thing for those yearning to don tweed and corduroy, sip red wine and discuss literature on rainy nights.

The film contains two premarital situations as well as occasional profane and crude language. The Catholic News Service classification is A-III—adults. The Motion Picture Association of America rating is PG-13—parents strongly cautioned. Some material may be inappropriate for children under 13.

*****
Kurt Jensen is a guest reviewer for Catholic News Service.



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Rose of Lima: The first canonized saint of the New World has one characteristic of all saints—the suffering of opposition—and another characteristic which is more for admiration than for imitation—excessive practice of mortification. 
<p>She was born to parents of Spanish descent in Lima, Peru, at a time when South America was in its first century of evangelization. She seems to have taken Catherine of Siena (April 29) as a model, in spite of the objections and ridicule of parents and friends. </p><p>The saints have so great a love of God that what seems bizarre to us, and is indeed sometimes imprudent, is simply a logical carrying out of a conviction that anything that might endanger a loving relationship with God must be rooted out. So, because her beauty was so often admired, Rose used to rub her face with pepper to produce disfiguring blotches. Later, she wore a thick circlet of silver on her head, studded on the inside, like a crown of thorns. </p><p>When her parents fell into financial trouble, she worked in the garden all day and sewed at night. Ten years of struggle against her parents began when they tried to make Rose marry. They refused to let her enter a convent, and out of obedience she continued her life of penance and solitude at home as a member of the Third Order of St. Dominic. So deep was her desire to live the life of Christ that she spent most of her time at home in solitude. </p><p>During the last few years of her life, Rose set up a room in the house where she cared for homeless children, the elderly and the sick. This was a beginning of social services in Peru. Though secluded in life and activity, she was brought to the attention of Inquisition interrogators, who could only say that she was influenced by grace. </p><p>What might have been a merely eccentric life was transfigured from the inside. If we remember some unusual penances, we should also remember the greatest thing about Rose: a love of God so ardent that it withstood ridicule from without, violent temptation and lengthy periods of sickness. When she died at 31, the city turned out for her funeral. Prominent men took turns carrying her coffin.</p> American Catholic Blog Father, open our minds and our hearts so we can be more understanding of the obstacles faced by so many hurting people. Help us to be more like Jesus in accepting people for who are they are and not for what we think they should be. We ask for this grace through Jesus, your Son and our model. Amen.

 
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