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ON FAITH & MEDIA View Comments

The Words

By
Kurt Jensen
Source: Catholic News Service


Zoe Saldana and Bradley Cooper star in a scene from the movie "The Words."
Right up to its ending, "The Words" (CBS) is a pleasing rumination on moral choices. Then, after a full 93 minutes of illustrating and explaining ethical ambiguity, the filmmakers let their star-laden fable lurch to close with a finish likely to please no one.

Mary McCarthy once said of her novels that she took real plums and put them into an imaginary cake. "The Words" deals with struggling novelist Rory Jansen (Bradley Cooper), who happens across an entire truckload of someone else's plums. He claims them as his own, publishes them to great renown, then comes face to face with the man to whom they belonged in the first place.

Since this is an artsy work, said author, played by Jeremy Irons, is known simply as the Old Man.

Brian Klugman and Lee Sternthal, who co-wrote and co-directed, know how to hit all the gratifying flashback notes. Jansen finds the stunning romantic novel of postwar Paris in a battered briefcase his wife Dora (Zoe Saldana) bought there on their honeymoon.

In reading the manuscript, the narration ponderously informs us, Jansen was "confronted by everything he ever appeared to be and the reality of what he would never become."

The story unfolds in a three-tiered frame, beginning with novelist Clay Hammond (Dennis Quaid) reading from his book about the deception, and including the Old Man's bitter recounting of his life story to the stunned Jansen.

Ernest Hemingway references abound—as a reminder that all good fiction originates with suffering. That sentiment notwithstanding, the Paris scenes are postcard perfection.

Jansen knows he has to make a choice when he encounters the Old Man. But the filmmakers, coming from an industry where the theft of ideas is more common than it is for fiction writers, muddy their resolution and cheat a bit. To elucidate whose story this really is, there's a postlude with Hammond explaining to flirtatious graduate student Daniella (Olivia Wilde) how novelists plunder their own lives.

This talky drama is just the thing for those yearning to don tweed and corduroy, sip red wine and discuss literature on rainy nights.

The film contains two premarital situations as well as occasional profane and crude language. The Catholic News Service classification is A-III—adults. The Motion Picture Association of America rating is PG-13—parents strongly cautioned. Some material may be inappropriate for children under 13.

*****
Kurt Jensen is a guest reviewer for Catholic News Service.



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Thomas Aquinas: By universal consent, Thomas Aquinas is the preeminent spokesman of the Catholic tradition of reason and of divine revelation. He is one of the great teachers of the medieval Catholic Church, honored with the titles Doctor of the Church and Angelic Doctor. 
<p>At five he was given to the Benedictine monastery at Monte Cassino in his parents’ hopes that he would choose that way of life and eventually became abbot. In 1239 he was sent to Naples to complete his studies. It was here that he was first attracted to Aristotle’s philosophy. </p><p>By 1243, Thomas abandoned his family’s plans for him and joined the Dominicans, much to his mother’s dismay. On her order, Thomas was captured by his brother and kept at home for over a year. </p><p>Once free, he went to Paris and then to Cologne, where he finished his studies with Albert the Great. He held two professorships at Paris, lived at the court of Pope Urban IV, directed the Dominican schools at Rome and Viterbo, combated adversaries of the mendicants, as well as the Averroists, and argued with some Franciscans about Aristotelianism. </p><p>His greatest contribution to the Catholic Church is his writings. The unity, harmony and continuity of faith and reason, of revealed and natural human knowledge, pervades his writings. One might expect Thomas, as a man of the gospel, to be an ardent defender of revealed truth. But he was broad enough, deep enough, to see the whole natural order as coming from God the Creator, and to see reason as a divine gift to be highly cherished. </p><p>The <i>Summa Theologiae</i>, his last and, unfortunately, uncompleted work, deals with the whole of Catholic theology. He stopped work on it after celebrating Mass on December 6, 1273. When asked why he stopped writing, he replied, “I cannot go on.... All that I have written seems to me like so much straw compared to what I have seen and what has been revealed to me.” He died March 7, 1274.</p> American Catholic Blog We talk often about how we are God’s “hands and feet,” which is true. That being said, we can’t fall into the trap of thinking God needs us like we need Him. He’s God—which makes the reality that He wants to use us and be in a relationship with us an even sweeter, more profound truth.

 
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